Download or read book Lenore Tawney written by Karen Patterson and published by University of Chicago Press. This book was released on 2019-09-18 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent years have seen an enormous surge of interest in fiber arts, with works made of thread on display in art museums around the world. But this art form only began to transcend its origins as a humble craft in the late nineteenth and early twentieth centuries, and it wasn’t until the 1950s and 1960s that artists used the fiber arts to build critical practices that challenged the definitions of painting, drawing, and sculpture. One of those artists was Lenore Tawney (1907–2007). Raised and trained in Chicago before she moved to New York, Tawney had a storied career. She was known for employing an ancient Peruvian gauze weave technique to create a painterly effect that appeared to float in space rather than cling to the wall, as well as for being one of the first artists to blend sculptural techniques with weaving practices and, in the process, pioneered a new direction in fiber art. Despite her prominence on the New York art scene, however, she has only recently begun to receive her due from the greater art world. Accompanying a retrospective at the John Michael Kohler Arts Center, this catalog features a comprehensive biography of Tawney, additional essays on her work, and two hundred full-color illustrations, making it of interest to contemporary artists, art historians, and the growing audience for fiber art. Copublished with the John Michael Kohler Arts Center.
Download or read book Lenore Tawney written by Lenore Tawney and published by . This book was released on 2013 with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lenore Tawney written by Lenore Tawney and published by Pomegranate. This book was released on 2002 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Noted weaver Lenore Tawny--now well into her 90s and still exhibiting her imaginative work--began creating postcard collages in the 1960s, sending them to friends and colleagues through the U.S. mail. A form of communication without specific messages, the cryptic notations were often enhanced by Tawney's handwriting. As Tawney explains the cards, They were signs thrown to the wind. The selected postcard collages reveal the creative, mystical, and humorous side of the artist, giving the viewer an intimate glimpse into the personality of this most innovative woman. Tawney is the recipient of the Visionary Award from the American Craft Museum, New York, 2000. Her works are found in the collections of the American Craft Museum; the Brooklyn Museum of Art; the Renwick Gallery; and the Musée des Arts Décoratifs de Montréal, Quebec.
Download or read book Identity Unknown written by Donna Seaman and published by Bloomsbury Publishing USA. This book was released on 2017-02-14 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: An award-winning writer rescues seven first-rate twentieth-century women artists from oblivion--their lives fascinating, their artwork a revelation. Who hasn't wondered where-aside from Georgia O'Keeffe and Frida Kahlo-all the women artists are? In many art books, they've been marginalized with cold efficiency, summarily dismissed in the captions of group photographs with the phrase "identity unknown" while each male is named. Donna Seaman brings to dazzling life seven of these forgotten artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self-portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art-world superstar in her heyday but omitted from recent surveys of her era. These women fought to be treated the same as male artists, to be judged by their work, not their gender or appearance. In brilliant, compassionate prose, Seaman reveals what drove them, how they worked, and how they were perceived by others in a world where women were subjects-not makers-of art. Featuring stunning examples of the artists' work, Identity Unknown speaks to all women about their neglected place in history and the challenges they face to be taken as seriously as men no matter what their chosen field-and to all men interested in women's lives.
Download or read book On Weaving written by Anni Albers and published by Courier Corporation. This book was released on 2003-01-01 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.
Download or read book String Felt Thread written by Elissa Auther and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: String, Felt, Thread presents an unconventional history of the American art world, chronicling the advance of thread, rope, string, felt, and fabric from the "low" world of craft to the "high" world of art in the 1960s and 1970s and the emergence today of a craft counterculture. In this full-color illustrated volume, Elissa Auther discusses the work of American artists using fiber, considering provocative questions of material, process, and intention that bridge the art-craft divide. Drawn to the aesthetic possibilities and symbolic power of fiber, the artists whose work is explored here-Eva Hesse, Robert Morris, Claire Zeisler, Miriam Schapiro, Faith Ringgold, and others-experimented with materials that previously had been dismissed for their associations with the merely decorative, with "arts and crafts," and with "women's work." In analyzing this shift and these exceptional artists' works, Auther engages far-reaching debates in the art world: What accounts for the distinction between art and craft? Who assigns value to these categories, and who polices the boundaries distinguishing them? String, Felt, Thread not only illuminates the centrality of fiber to contemporary artistic practice but also uncovers the social dynamics-including the roles of race and gender-that determine how art has historically been defined and valued.
Download or read book Agnes Martin written by Suzanne P. Hudson and published by MIT Press. This book was released on 2017-01-13 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: A close examination of Agnes Martin's grid painting in luminous blue and gold. Agnes Martin's Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist who was also a thinker, poet, and writer for whom self-presentation was a necessary part of making her works public. With Night Sea, Hudson argues, Martin (1912–2004) created a shimmering realization of control and loss that stands alone within her suite of classic grid paintings as an exemplary and exceptional achievement. Hudson offers a close examination of Night Sea and its position within Martin's long and prolific career, during which the artist destroyed many works as she sought forms of perfection within self-imposed restrictions of color and line. For Hudson, Night Sea stands as the last of Martin's process-based works before she turned from oil to acrylic and sought to express emotions of lightness and purity unburdened by evidence of human struggle. Drawing from a range of archival records, Hudson attempts to draw together the facts surrounding the work, which were at times obfuscated by the artist's desire for privacy. Critical responses of the time give a sense of the impact of the work and that which followed it. Texts by peers including Lenore Tawney, Donald Judd, and Lucy Lippard are presented alongside interviews with a number of Martin's friends and keepers of estates, such as the publisher Ronald Feldman and Kathleen Mangan of the Lenore Tawney archive, which holds correspondence between Martin and Tawney.
Download or read book Objects USA 2020 written by Glenn Adamson and published by The Monacelli Press, LLC. This book was released on 2020-10-27 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.
Download or read book Craft in America written by Jo Lauria and published by Potter Style. This book was released on 2007 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
Download or read book Fiber written by Jenelle Porter and published by Prestel Pub. This book was released on 2014-08-28 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavish book documents the developments in the field of fiber-related art over the past half century. The 1960s saw a revolution in fiber art. Where once the focus was on knotting, twining, and coiling thread into works that were immediately recognizable, and therefore connected to utilitarian crafts, fiber artists of the later 20th-century began to experiment with abstract forms that were closer to sculpture than craft. Influenced by postmodernist ideas, these works are the product of experimentation with materials and technique while at the same time confronting important cultural issues. This book traces that development from the mid-twentieth century to the present. In the words of Bauhaus weaver Anni Albers, the expressive quality of fiber is essentially a "language of thread." That language is beautifully displayed in full-color spreads and individual illustrations in this book. Scholarly essays address the feminist movement of the 1970s; the expanded use of materials in the '80s and '90s; and the more recent employment of fiber as one more material in the creation of freestanding works. In addition to a section of full color illustrations, this book also includes profiles of all of the genre's most influential artists.
Download or read book Warhol s Working Class written by Anthony E. Grudin and published by University of Chicago Press. This book was released on 2017-10-20 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores Andy Warhol’s creative engagement with social class. During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and status an individual achievement, Warhol’s work appropriated images, techniques, and technologies that have long been described as generically “American” or “middle class.” Drawing on archival and theoretical research into Warhol’s contemporary cultural milieu, Grudin demonstrates that these features of Warhol’s work were in fact closely associated with the American working class. The emergent technologies Warhol conspicuously employed to make his work—home projectors, tape recorders, film and still cameras—were advertised directly to the working class as new opportunities for cultural participation. What’s more, some of Warhol’s most iconic subjects—Campbell’s soup, Brillo pads, Coca-Cola—were similarly targeted, since working-class Americans, under threat from a variety of directions, were thought to desire the security and confidence offered by national brands. Having propelled himself from an impoverished childhood in Pittsburgh to the heights of Madison Avenue, Warhol knew both sides of this equation: the intense appeal that popular culture held for working-class audiences and the ways in which the advertising industry hoped to harness this appeal in the face of growing middle-class skepticism regarding manipulative marketing. Warhol was fascinated by these promises of egalitarian individualism and mobility, which could be profound and deceptive, generative and paralyzing, charged with strange forms of desire. By tracing its intersections with various forms of popular culture, including film, music, and television, Grudin shows us how Warhol’s work disseminated these promises, while also providing a record of their intricate tensions and transformations.
Download or read book Art Textiles written by Markus Brüderlin and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The digitalization of the world seems to require manual compensation. Everywhere, people are crocheting, embroidering, knitting, and weaving. The boundary between arts and crafts appears to be blurring. As early as 1878, Gottfried Semper referred to textiles as the original art form. The Wiener Werkstätte and the Bauhaus broke through the barriers--a decisive impulse for the masters of modernism. Thread, weave, network, and pattern are simultaneously foundation, result, and inspiration and spill over into the areas painting, sculpture, installation, and media art.This opulently designed volume presents both an artistic and an intercultural dialogue, comparing works by Gustav Klimt, Edgar Degas, Jackson Pollock, Eva Hesse, Chiharu Shiota, and Sergei Jensen to historical textiles from centuries past. Interdisciplinary essays provide extensive discussions of the materials and ideas utilized in work with textiles. Artists featured (selection):Magdalena Abakanowicz, Anni Albers, Joseph Beuys, Louise Bourgeois, Edgar Degas, Sonia Delaunay, Lucio Fontana, Mona Hatoum, Eva Hesse, Josef Hoffmann, Sergei Jensen, Mike Kelley, Kimsooja, Paul Klee, Peter Kogler, Piero Manzoni, Agnes Martin, William Morris, Robert Morris, Blinky Palermo, Sigmar Polke, Gerhard Richter, Chiharu Shiota, Yinka Shonibare, Sophie Taeuber-Arp, Dorothea Tanning, Lenore Tawney, Rosemarie Trockel, Édouard Vuillard, Pae White Exhibition schedule: Kunstmuseum Wolfsburg, October 12, 2013-March 2, 2014 - Staatsgalerie Stuttgart March 21-June 22, 2014
Download or read book Olga de Amaral written by Anna Walker and published by . This book was released on 2020 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Traces the career of Colombian artist Olga de Amaral (born 1932). Drawing on techniques like plaiting and wrapping and materials such as horsehair and gold leaf, Amaral's transformative woven sculptures result from a lifetime of experimentation. This book provides new scholarship by contextualizing Amaral's work within contemporary and fiber arts"--
Download or read book Agnes Martin written by Nancy Princenthal and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the first time in paperback, the PEN award-winning biography of visionary artist Agnes Martin, one of the most original and influential painters of the postwar period.
Download or read book Textile Sculptures written by Irene Waller and published by . This book was released on 1977 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Beyond Craft written by Mildred Constantine and published by . This book was released on 1972 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Big Archive written by Sven Spieker and published by MIT Press (MA). This book was released on 2008 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Spieker considers archivally driven art in relation to changing media technologies - the typewriter, the telephone, the telegraph, film. And he connects the archive to a particularly modern visuality, showing that the avant-garde used the archive as something of a laboratory for experimental inquiries into the nature of vision and its relation to time. The Big Archive offers us the first critical monograph on an overarching motif in twentieth-century art."--BOOK JACKET.
