Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1884 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Church State and Society Under the Bourbon Kings of France written by Richard M. Golden and published by . This book was released on 1982 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Bibliographie gantoise recherches sur la vie et les travaux des imprimeurs de Gand written by Ferdinand François E. van der Haeghen and published by . This book was released on 1860 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The National Union Catalog Pre 1956 Imprints written by and published by . This book was released on 1968 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books written by British Museum. Dept. of Printed Books and published by . This book was released on 1959 with total page 670 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Printed Books in the Library of the British Museum written by British Library and published by . This book was released on 1946 with total page 870 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Library General Catalogue of Printed Books to 1975 written by British Library and published by . This book was released on 1979 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1965 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Museum Catalogue of Printed Books 1881 1900 written by British Museum. Department of Printed Books and published by . This book was released on 1946 with total page 868 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le Grand Miracle arriv dans le saint Sacrement en la parroisse des Ulmes de Saint Florent pr s la ville de Saumur Lettre pastorale written by Henri ARNAULD (Bishop of Angers.) and published by . This book was released on 1668 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Wicked Intelligence written by Matthew C. Hunter and published by University of Chicago Press. This book was released on 2013-10-15 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral. Matthew C. Hunter brings to life this archive of experimental-philosophical visualization and the deft cunning that was required to manage such difficult research. Offering an innovative approach to the scientific image-making of the time, he demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called “wicked intelligence.” Hunter uses episodes involving specific visual practices—for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet—to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England. The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.

Download or read book Hogarth and His Times written by David Bindman and published by Univ of California Press. This book was released on 1997-01-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century.

Download or read book Beyond Mimesis and Convention written by Roman Frigg and published by Springer Science & Business Media. This book was released on 2010-04-28 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this "return of the real" has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back. Central as they are to science and art, these representational concerns have been perceived as different in kind and as objects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of the real and ideal has never moved far from the core humanist concerns of historians of Western art. Yet, both of these traditions have recently arrived at a similar impasse. Thinking about representation has polarized into oppositions between mimesis and convention. Advocates of mimesis understand some notion of mimicry (or similarity, resemblance or imitation) as the core of representation: something represents something else if, and only if, the former mimics the latter in some relevant way. Such mimetic views stand in stark contrast to conventionalist accounts of representation, which see voluntary and arbitrary stipulation as the core of representation. Occasional exceptions only serve to prove the rule that mimesis and convention govern current thinking about representation in both analytic philosophy of science and studies of visual art. This conjunction can hardly be dismissed as a matter of mere coincidence. In fact, researchers in philosophy of science and the history of art have increasingly found themselves trespassing into the domain of the other community, pilfering ideas and approaches to representation. Cognizant of the limitations of the accounts of representation available within the field, philosophers of science have begun to look outward toward the rich traditions of thinking about representation in the visual and literary arts. Simultaneously, scholars in art history and affiliated fields like visual studies have come to see images generated in scientific contexts as not merely interesting illustrations derived from "high art", but as sophisticated visualization techniques that dynamically challenge our received conceptions of representation and aesthetics. "Beyond Mimesis and Convention: Representation in Art and Science" is motivated by the conviction that we students of the sciences and arts are best served by confronting our mutual impasse and by recognizing the shared concerns that have necessitated our covert acts of kleptomania. Drawing leading contributors from the philosophy of science, the philosophy of literature, art history and visual studies, our volume takes its brief from our title. That is, these essays aim to put the evidence of science and of art to work in thinking about representation by offering third (or fourth, or fifth) ways beyond mimesis and convention. In so doing, our contributors explore a range of topics-fictionalism, exemplification, neuroaesthetics, approximate truth-that build upon and depart from ongoing conversations in philosophy of science and studies of visual art in ways that will be of interest to both interpretive communities. To put these contributions into context, the remainder of this introduction aims to survey how our communities have discretely arrived at a place wherein the perhaps-surprising collaboration between philosophy of science and art history has become not only salubrious, but a matter of necessity.

Download or read book Scientific Representation written by James Nguyen and published by Cambridge University Press. This book was released on 2022-09-01 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Element presents a philosophical exploration of the notion of scientific representation. It does so by focussing on an important class of scientific representations, namely scientific models. Models are important in the scientific process because scientists can study a model to discover features of reality. But what does it mean for something to represent something else? This is the question discussed in this Element. The authors begin by disentangling different aspects of the problem of representation and then discuss the dominant accounts in the philosophical literature: the resemblance view and inferentialism. They find them both wanting and submit that their own preferred option, the so-called DEKI account, not only eschews the problems that beset these conceptions, but further provides a comprehensive answer to the question of how scientific representation works. This title is also available as Open Access on Cambridge Core.

Download or read book The Insect and the Image written by Janice Neri and published by U of Minnesota Press. This book was released on 2011 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the picturing of insects inspired new ideas about art, science, nature, and commerce

Download or read book Theories of Vision from Al kindi to Kepler written by David C. Lindberg and published by University of Chicago Press. This book was released on 1976 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kepler's successful solution to the problem of vision early in the seventeenth century was a theoretical triumph as significant as many of the more celebrated developments of the scientific revolution. Yet the full import of Kepler's arguments can be grasped only when they are viewed against the background of ancient, medieval, and Renaissance visual theory. David C. Lindberg provides this background, and in doing so he fills the gap in historical scholarship and constructs a model for tracing the development of scientific ideas. David C. Lindberg is professor and chairman of the department of the history of science at the University of Wisconsin, Madison.

Download or read book Models as Make Believe written by Adam Toon and published by Springer. This book was released on 2012-10-17 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scientists often try to understand the world by building simplified and idealised models of it. Adam Toon develops a new approach to scientific models by comparing them to the dolls and toy trucks of children's imaginative games, and offers a unified framework to solve difficult metaphysical problems and help to make sense of scientific practice.