Download or read book Larry Sitsky written by Robyn F. Holmes and published by Greenwood. This book was released on 1997-04-22 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the personal and cultural experiences that have shaped the creative output of one of Australia's foremost composers, this fascinating study begins in a Russian enclave in northern China, progresses through student days in Sydney and San Francisco, and culminates with Sitsky's present position as Professor of Composition at The Australian National University in Canberra. The many influences on his work, including important professional and personal relationships with such eminent persons as the poet Gwen Harwood and the violinist Jan Sedivka, are discussed in detail as are the sources of much of the inspiration for Sitsky's compositions, now numbering close to 200. Of interest to scholars, students, and anyone interested in 20th-century music. In addition to presenting Sitsky's fascinating life story and expounding on the central position he has occupied for the past 40 years in Australia's musical culture, this important work provides for the first time comprehensive bibliographic references to all of Sitsky's compositions, his writing, his recordings, and his appearances as a pianist and lecturer on music. The book is a most valuable addition to any collection, for it is both a work of reference and a compelling story of the development of one of the most eclectic, visionary, and confronting artists of his generation.
Download or read book Sitsky written by Jim Cotter and published by National Library Australia. This book was released on 2004 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past 40 years, composer and pianist Larry Sitsky has played a significant role in Australian musical culture. In honour of his 70th birthday, the National Library presents this celebratory publication. In conversation with fellow composer Jim Cotter, Professor Sitsky discusses his early experiences as a migrant from China to Australia, studying under Eugene Goossens at the Sydney Conservatorium in the 1950s, the development of contemporary music in Australia and his life as a composer.
Download or read book Music of the Repressed Russian Avant garde 1900 1929 written by Larry Sitsky and published by . This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soviet and Russian music of the first third of the 20th century--with the exception of the music of a few high-profile composers who were officially sponsored by the State--is still largely unexplored territory, known only to a few specialists. Nevertheless, the music has considerable intrinsic value well beyond its curiosity appeal, and includes many pieces unaccountably forgotten and certainly worth reviving, to the ultimate enhancement of our concert repertoire. The study of this music also explains much about the foundations of Soviet culture and its subsequent suppression and decline under the Stalinist yoke. The purpose of this volume is to stimulate interest in this little-known area of Soviet/Russian music. The works charted here constitute a great flowering of avant-garde music which was then savagely dealt with for Stalin's political purposes.
Download or read book Australian Piano Music of the Twentieth Century written by Larry Sitsky and published by Praeger. This book was released on 2005-04-30 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides invaluable information for those interested in the rich heritage of Australian modernist piano music that stretches over the whole of the 20th century.
Download or read book Music of the Twentieth Century Avant Garde written by Larry Sitsky and published by Greenwood. This book was released on 2002-12-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.
Download or read book The Esoteric Musical Tradition of Ferruccio Busoni and Its Reinvigoration in the Music of Larry Sitsky written by Judith Michelle Crispin and published by . This book was released on 2007 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores an esoteric tradition of music composition which grew out of Ferruccio Busoni's concept of Junge Klassizitat, or Young Classicality. Building on research into the esoteric nature of Busoni's Junge Klassizitat, this study traces the passage of the esoteric tradition along the Budoni-Petri-Sitsky line.
Download or read book Electric Don Quixote The Definitive Story Of Frank Zappa written by Neil Slaven and published by Omnibus Press. This book was released on 2009-11-17 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: Frank Zappa's reputation as one of rock's maverick geniuses has continued to grow since his death in 1993. Revised and updated, Electric Don Quixote is still the most comprehensive chronicle of his extraordinary life and career. Author, Neil Slaven, brings together the complex strands of Zappa's life and work in a book that will please not just Zappa fans but anyone interested in the history of rock music. Fully illustrated and includes a comprehensive discography.
Download or read book Organ and Harpsichord Music by Women Composers written by Adel Heinrich and published by Bloomsbury Publishing USA. This book was released on 1991-06-30 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord. She provides more detailed information about each work than can be found in any other reference book on women composers. In addition to biographies for each woman, Heinrich supplies listings of individual compositions, and includes descriptions and sources whenever possible. Each composition is listed in both the Instrumentation Index and the Title Index. Publishers, library sources, and recording companies with their addresses are also provided. There is also a chronological listing of composers by country. Two appendices list a large number of women who have either written music for organ and harpsichord with no specific titles known, or have performed on one or both instruments. This reference book is a valuable resource for organists, harpsichordists, teachers, choral and instrumental conductors, and planners of festivals and recitals.
Download or read book Messiaen Perspectives 1 Sources and Influences written by Robert Fallon and published by Routledge. This book was released on 2016-04-22 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 1: Sources and Influences presents many new primary sources, including discussion of Messiaen’s birdsong cahiers, sketch and archival materials for his Prix de Rome entries and war-time Portique, along with performance practice insights and theological inspiration in works as diverse as Visions de l’Amen, Harawi, Timbres-durées and the organ Méditations. The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod.
Download or read book Bach Perspectives Volume 13 written by Laura Buch and published by University of Illinois Press. This book was released on 2020-12-14 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf
Download or read book Ferruccio Busoni and the Ontology of the Musical Work written by Erinn Elizabeth Knyt and published by Stanford University. This book was released on 2010 with total page 641 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.
Download or read book Piano Music by Black Women Composers written by Helen Walker-Hill and published by Bloomsbury Publishing USA. This book was released on 1992-02-28 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, considerable scholarly attention has been paid to women in music, and information on the music of a handful of black women composers, such as Florence Price and Mary Lou Williams, has been published. Determined search, however, is needed to locate what little data is available on most such composers. Proceeding from a desire to use music of black women composers in her piano performance and teaching, Helen Walker-Hill has dedicated herself to uncovering this material, utilizing secondary sources and numerous archives, conducting interviews with composers, and engaging in voluminous correspondence with individuals and institutions. The result is the most comprehensive catalog of music composed by African American women to date. The depth of detail required limiting the scope to solo and ensemble piano music. However, an introductory overview on the contributions of black women in music and biographical sketches on the fifty-four composers profiled in the catalog contain broader information. Over 300 piano works are listed, with detailed descriptive information on close to 200 works the author was able to obtain and study, including sources and levels of difficulty. Appendixes list available published music, ensemble instrumentation, music for teaching, and music published before 1920. A selected bibliography and a selected discography are also provided. This biographical dictionary and descriptive catalog will be most directly useful to performers and teachers, but the breadth of information makes it valuable for research in music history, African American studies, and women's studies.
Download or read book Ferruccio Busoni and His Legacy written by Erinn E. Knyt and published by Indiana University Press. This book was released on 2017-05-22 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the composer’s unconventional teaching style and philosophy, his relationship with his students, and his effect on twentieth century music. Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor’s influence helped shape their success was largely unexplored until now. Through rich archival research including correspondence, essays, and scores, Erinn E. Knyt presents an evocative account of Busoni’s idiosyncratic pedagogy—focused on aesthetic ideals rather than methodologies or techniques—and how this teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of Sibelius, the unusual soundscapes of Varèse, the polystylistic meldings of music and technology in Louis Gruenberg’s radio operas and film scores, the electronic music of Otto Luening, and the experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt’s work compels a reconsideration of Busoni’s legacy and puts forth the notion of a “Busoni School” as one that shaped the trajectory of twentieth-century music. “Erinn Knyt’s Ferruccio Busoni and His Legacy is a most welcome addition to the literature on Busoni as a fine example of research based on primary sources.” —Bach
Download or read book Australia s Music Themes of a New Society 2nd ed written by Roger Covell and published by Lyrebird Press lyrebirdpress.music.unimelb.edu.au. This book was released on 2016-12-01 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Download or read book Ordering and Claiming Music Materials written by Peter Bennett Brown and published by Theodore Front Music. This book was released on 1981 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gurdjieff and Music written by Johanna Petsche and published by BRILL. This book was released on 2015-02-04 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Gurdjieff and Music Johanna Petsche examines the large and diverse body of piano music produced by Armenian-Greek spiritual teacher G. I. Gurdjieff (c.1866-1949) in collaboration with his devoted pupil Thomas de Hartmann (1885-1956). Petsche draws on a range of unpublished materials and data from original field research to critically situate and assess this music within its socio-cultural and unique religio-spiritual context. Focusing on the tremendous role that music played in the life and teaching of Gurdjieff, Petsche chronicles the unique relationship and collaboration between Gurdjieff and de Hartmann, analyses the styles and possible sources of their music, and explores Gurdjieff’s ultimate intentions for the music in light of his esoteric teaching.
Download or read book My Tongue is My Own A Life of Gwen Harwood written by Ann-Marie Priest and published by La Trobe University Press. This book was released on 2020-11-17 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: A masterful portrait of a major Australian writer, her incandescent poetry and her battles to be heard in a male-dominated literary establishment. Winner of the 2023 National Biography Award The first biography of Gwen Harwood (1920–1995), one of Australia’s most significant and distinctive poets. Harwood is renowned for her brilliance, but loved for her humour, rebellion and mischief. A public figure by the end of her life, she was always deeply protective of her privacy, and even now, some twenty-six years after her death, little is known of the experiences that gave rise to her extraordinary poems. This book follows Harwood from her childhood in 1920s Brisbane to her final years in Hobart in the 1990s. It traces how a lively, sardonic and determined young woman built a career in the conservative 1950s, blasting her way into the patriarchal strongholds of Australian poetry. Harwood refused to be bound by convention, ‘liberating’ herself, to use her word, before women’s lib existed. Yet she also struggled for much of her life to combine marriage and motherhood with her creative ambitions. In this sense, she is a twentieth-century everywoman. She is also a unique and powerful presence in Australian literary history, a poet who challenged orthodoxies and spoke in a remarkable range of voices. This illuminating, moving biography reveals a deeply passionate figure both at odds with her time and deeply of it, and reclaims and celebrates this important Australian writer. ‘Gwen Harwood, that excellent poet and critic, deserves a sympathetic and lively biography. Ann-Marie Priest, to her credit, has just written that book.’ —Ann Blainey, winner of 2009 National Biography Award 'Read this meticulous biography with Harwood's poetry in hand, and chase down every poem that Priest cites.' —The Sydney Morning Herald 'Ann-Marie Priest has captured completely the sprite-like nature of one of Australia's finest poets… Through these pages, the great poet feels so alive.' —Judges comments, National Biography Award
