Download or read book Lance Comfort written by Brian McFarlane and published by Manchester University Press. This book was released on 2019-01-04 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
Download or read book British Crime Film written by Barry Forshaw and published by Springer. This book was released on 2012-09-20 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive social history of British crime film by the UK's principal expert on crime film and fiction Presenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.
Download or read book America s Best Britain s Finest written by John Howard Reid and published by Lulu.com. This book was released on 2006-03-01 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.
Download or read book The Works of Francis Beaumont and John Fletcher written by Francis Beaumont and published by . This book was released on 1750 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Pillars of the House Or Under Wode Under Rode written by Charlotte Mary Yonge and published by . This book was released on 1893 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The British B Film written by Steve Chibnall and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.
Download or read book Mr William Shakespear s Comedies Histories and Tragedies written by William Shakespeare and published by . This book was released on 1905 with total page 1044 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Directors in British and Irish Cinema written by Robert Murphy and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
Download or read book From Blitz to Glitz written by Jess Conrad and published by Andrews UK Limited. This book was released on 2024-02-22 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jess Conrad is a name that will be instantly recognisable to anyone familiar with 1960s pop culture. Emerging from the decade as one of Britain's most versatile stars, Jess has sung on hit records, starred in cult movies, headlined stage shows... and hasn't stopped ever since! In this fascinating autobiography we are given unparalleled access to Jess's entire life story, from his childhood in London during the Blitz to his time as a Teddy Boy on the wrong side of the tracks, from being discovered by legendary music producer Jack Good to his work with peers such as Billy Fury and Cliff Richard, from starring in dozens of movies to wowing live theatre audiences all over the world... and so much more! Even in his eighties, Jess Conrad OBE remains one of the entertainment world's most sought-after figures, recently starring in ITV's hit reality series Last Laugh in Vegas, featuring on the BBC's much-loved quiz show Pointless and playing Batman actor Adam West in a critically-acclaimed biopic. As he has done throughout his life, Jess continues to raise funds for numerous good causes and was even voted 'King Rat' - the head of charitable showbiz institution The Grand Order of Water Rats, an organisation that has counted Laurel & Hardy, Bob Hope and Charlie Chaplin amongst its members. With anecdotes that will have you crying out with laughter and amazing revelations about some of the world's biggest stars that will surely leave you open-mouthed, From Blitz to Glitz is one of the year's must-read biographies. Co-written with TV producer and long-time friend Simon Withington, this is one book that you won't be able to put down.
Download or read book Deborah Kerr written by Michelangelo Capua and published by McFarland. This book was released on 2014-01-10 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Blessed with a natural beauty, Scotland-born actress Deborah Kerr (1921-2007) provided the cinema with memorable studies of English gentility. A star in British pictures before she was 21 and a Hollywood fixture from 1946 on, she projected a cool reserve and stoic nobility, often hinting at passion and insecurity beneath the surface. Frequently portraying selfless, sympathetic women, she was brilliant in such roles as Anna Leonowens in The King and I (1956). And in a fascinating departure from her normal range, her portrayal of the sexually frustrated Army wife in From Here to Eternity (1953) resulted in the screen's most famous "clinch"--the beach scene with Burt Lancaster. Though she never won an Academy Award despite six nominations, Deborah Kerr received an honorary Oscar in 1994.
Download or read book Film Noir written by Andrew Spicer and published by Routledge. This book was released on 2018-10-08 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
Download or read book Femininity in the Frame written by Melanie Bell and published by Bloomsbury Publishing. This book was released on 2009-11-18 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including "The Perfect Woman", "Young Wives' Tale", "The Weak and the Wicked" and "A Town Like Alice", to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not until now been recognised.
Download or read book British Cinema in the Fifties written by Christine Geraghty and published by Routledge. This book was released on 2002-01-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.
Download or read book British Cinema of the 1950s written by Sue Harper and published by Oxford University Press on Demand. This book was released on 2003 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this history of 1950s British cinema, the authors draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences.
Download or read book Historical Dictionary of Crime Films written by Geoff Mayer and published by Scarecrow Press. This book was released on 2012-09-13 with total page 515 pages. Available in PDF, EPUB and Kindle. Book excerpt: The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.
Download or read book British rural landscapes on film written by Paul Newland and published by Manchester University Press. This book was released on 2016-09-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.
Download or read book Recovering 1940s Horror Cinema written by Mario DeGiglio-Bellemare and published by Lexington Books. This book was released on 2014-12-11 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1940s is a lost decade in horror cinema, undervalued and written out of most horror scholarship. This collection revises, reframes, and deconstructs persistent critical binaries that have been put in place by scholarly discourse to label 1940s horror as somehow inferior to a “classical” period or “canonical” mode of horror in the 1930s, especially as represented by the monster films of Universal Studios. The book's four sections re-evaluate the historical, political, economic, and cultural factors informing 1940s horror cinema to introduce new theoretical frameworks and to open up space for scholarly discussion of 1940s horror genre hybridity, periodization, and aesthetics. Chapters focused on Gothic and Grand Guignol traditions operating in forties horror cinema, 1940s proto-slasher films, the independent horrors of the Poverty Row studios, and critical reevaluations of neglected hybrid films such as The Vampire’s Ghost (1945) and “slippery” auteurs such as Robert Siodmak and Sam Neufield, work to recover a decade of horror that has been framed as having fallen victim to repetition, exhaustion, and decline.
