Download or read book La vendetta di Nino La Semiramide a musical drama As represented at the King s Theatre Haymarket The subject and incidents taken from Voltaire s celebrated tragedy of Semiramis The words by Mr i e Ferdinando Moretti With many alterations and additions by Lorenzo da Ponte written by Ferdinando Moretti and published by . This book was released on 1794 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Al tuo pianto rondo Sung by Sigr Rosselli at the Kings Theatre Haymarket in the opera of La Vendetta di Nino by Francesco Bianchi Score written by Agrippino Rosselli and published by . This book was released on 1795 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A compir gi vo l impresa Recitative and Air with a Violin Obligato sung by Signora Banti in the Opera by F Bianchi of La Vendetta di Nino Arranged for the Piano Forte with ornaments by D Corri written by Pietro Alessandro Guglielmi and published by . This book was released on 1794 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1914 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Operatic Migrations written by DowningA. Thomas and published by Routledge. This book was released on 2017-07-05 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.
Download or read book Opera and Sovereignty written by Martha Feldman and published by University of Chicago Press. This book was released on 2010-10-05 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Download or read book La Clemenza Di Tito written by John A. Rice and published by Cambridge University Press. This book was released on 1991-06-24 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Ancient Rome in Early Opera written by Robert Ketterer and published by University of Illinois Press. This book was released on 2009 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. In this volume, Robert C. Ketterer tracks the changes as operas’ Roman subjects crossed generations and national boundaries. Following opera from its origins in seventeenth-century Venice to Napoleon’s invasion of Italy, Ketterer shows how Roman history provided composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.
Download or read book Magic Flutes and Enchanted Forests written by David J. Buch and published by University of Chicago Press. This book was released on 2009-08-01 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
Download or read book Opera in London written by Theodore Fenner and published by SIU Press. This book was released on 1994 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Download or read book The New Grove Haydn written by Jens Peter Larsen and published by W. W. Norton & Company. This book was released on 1997-07 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of English Drama 1660 1900 written by Allardyce Nicoll and published by Cambridge University Press. This book was released on 2009-06-25 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Download or read book A History of Late Eighteenth Century Drama 1750 1800 written by Allardyce Nicoll and published by . This book was released on 1927 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dis embodying Myths in Ancien R gime Opera written by Bruno Forment and published by Leuven University Press. This book was released on 2012 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.
Download or read book Opera Theatrical Culture and Society in Late Eighteenth Century Naples written by Anthony R. DelDonna and published by Routledge. This book was released on 2016-05-13 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.
Download or read book Siren Songs written by Mary Ann Smart and published by Princeton University Press. This book was released on 2014-12-25 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has long been argued that opera is all about sex. Siren Songs is the first collection of articles devoted to exploring the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topics--from Salome's striptease to hysteria to jazz and gender--in Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challenging both formalist categories of musical analysis and the rhetoric that traditionally pits a male composer against the female characters he creates, many of the articles work toward inventing a language for the study of gender and opera. The collection opens with Mary Ann Smart's introduction, which provides an engaging reflection on the state of gender topics in operatic criticism and musicology. It then moves on to a foundational essay on the complex relationships between opera and history by the renowned philosopher and novelist Catherine Clément, a pioneer of feminist opera criticism. Other articles examine the evolution of the "trouser role" as it evolved in the lesbian subculture of fin-de-siècle Paris, the phenomenon of opera seria's "absent mother" as a manifestation of attitudes to the family under absolutism, the invention of a "hystericized voice" in Verdi's Don Carlos, and a collaborative discussion of the staging problems posed by the gender politics of Mozart's operas. The contributors are Wye Jamison Allanboork, Joseph Auner, Katherine Bergeron, Philip Brett, Peter Brooks, Catherine Clement, Martha Feldman, Heather Hadlock, Mary Hunter, Linda Hutcheon and Michael Hutcheon, M.D., Lawrence Kramer, Roger Parker, Mary Ann Smart, and Gretchen Wheelock.
