Download or read book The Italian Traditions Puccini written by Nicholas Baragwanath and published by Indiana University Press. This book was released on 2011-07-08 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice

Download or read book Giacomo Meyerbeer written by Marco Clemente Pellegrini and published by Cambridge Scholars Publishing. This book was released on 2008-10-01 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.

Download or read book The Operas of Giuseppe Verdi written by Abramo Basevi and published by University of Chicago Press. This book was released on 2013-12-26 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abramo Basevi published his study of Verdi’s operas in Florence in 1859, in the middle of the composer’s career. The first thorough, systematic examination of Verdi’s operas, it covered the twenty works produced between 1842 and 1857—from Nabucco and Macbeth to Il trovatore, La traviata, and Aroldo. But while Basevi’s work is still widely cited and discussed—and nowhere more so than in the English-speaking world—no translation of the entire volume has previously been available. The Operas of Giuseppe Verdi fills this gap, at the same time providing an invaluable critical apparatus and commentary on Basevi’s work. As a contemporary of Verdi and a trained musician, erudite scholar, and critic conversant with current and past operatic repertories, Basevi presented pointed discussion of the operas and their historical context, offering today’s readers a unique window into many aspects of operatic culture, and culture in general, in Verdi’s Italy. He wrote with precision on formal aspects, use of melody and orchestration, and other compositional features, which made his study an acknowledged model for the growing field of music criticism. Carefully annotated and with an engaging introduction and detailed glossary by editor Stefano Castelvecchi, this translation illuminates Basevi’s musical and historical references as well as aspects of his language that remain difficult to grasp even for Italian readers. Making Basevi’s important contribution to our understanding of Verdi and his operas available to a broad audience for the first time, The Operas of Giuseppe Verdi will delight scholars and opera enthusiasts alike.

Download or read book Polemics on the Musica Moderna written by and published by . This book was released on 1993 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Not Without Madness written by Fabrizio Della Seta and published by University of Chicago Press. This book was released on 2013 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: In these 12 essays, the author explores the concept of opera as a dramatic event and an essential moment in the history of theatre. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical and scenic mechanisms in parts of 'La Sonnambula', 'Ernani', 'Aida', 'Le Nozze di Figaro', 'Macbeth' and 'Il Trovatore'. He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications.

Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1891 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Italian Method of La drammatica written by Aa. Vv. and published by Mimesis. This book was released on 2015-09-17T00:00:00+02:00 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume The Italian Method of la drammatica: its Legacy and Reception includes the long and complex investigation to identify the Italian acting-code system of the drammatica used by nineteenth-century Italian actors such as Adelaide Ristori, Giovanni Grasso, Tommaso Salvini, Eleonora Duse. In particular, their acting inspired Stanislavsky who reformedtwentieth-century stage. The declamatory code of the drammatica was composed by symbols for notation of voice and gesture which Italian actors marked in their prompt-books.The discovery of the drammatica’s code sheds new light on nineteenth-century acting. Having deciphered the phonetic symbols of the code, Anna Sica has given birth an investigation with a group of outstanding scholars in an attempt to explore the drammatica’s legacy, and its reception in Europe as well as in Asia. At this stage new evidence has emerged proving that, for instance, the symbol used by the drammatica actors to sign the colorito vocale was known to English actors in the second half of the nineteenth century.By noting how Adelaide Ristori passed on her art to Irving’s actress Genevieve Ward, and how Stanislavsky, almost aflame, moulded his system from Duse’s acting, an unexplored variety in the reception of the drammatica’s legacy is revealed.

Download or read book Opera in Theory and Practice Image and Myth written by Lorenzo Bianconi and published by University of Chicago Press. This book was released on 2003-11 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.

Download or read book The Urbanization of Opera written by Anselm Gerhard and published by University of Chicago Press. This book was released on 1998-08-15 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?

Download or read book Catalogue of the Musical Library of the Late Wm Euing Esq Bequeathed to Anderson s University Glasgow now Called Anderson s College written by Euing Musical Library and published by . This book was released on 1878 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Musical Library of the late W illia m Euing Bequeathed to Anderson s Univ Glasgow now called Anderson s College written by and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Italian Conversation Grammar written by Sauer and published by . This book was released on 1870 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Musical Library of the late WM Euing Esq bequeathed to Anderson s University Glasgow now called Anderson s College written by University of Glasgow and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musica Franca written by Irene Alm and published by Pendragon Press. This book was released on 1996 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR

Download or read book The Euing musical Library Catalogue written by Glasgow Anderson's coll and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Ewing Musical Library written by and published by . This book was released on 1878 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue de la Biblioth que musicale de M William Euing written by and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: