Download or read book Genealogies of Music and Memory written by Mark Everist and published by Oxford University Press. This book was released on 2021-01-29 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.
Download or read book Music for winds I written by Stephen Timothy Maloney and published by . This book was released on 1998 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sociologists and Music written by Paul Honigsheim and published by Taylor & Francis. This book was released on 2023-04-14 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sociologists have always been fascinated with music. In one way or another they have encountered music as an important social force in its own right, as an accompaniment or byproduct of phenomena they studied (such as youth culture or the drug scene), or as a means for obtaining social compliance (as in religious ceremonies or in the military). This book goes one step toward remedying this situation by culling the existing literature for building blocks toward introducing sociological synthesis and by presenting the English version of the extensive writings on music and society by Paul Honigsheim.
Download or read book Grove s Dictionary of Music and Musicians written by J. A. Fuller Maitland and published by . This book was released on 1906 with total page 898 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Guide Musical written by and published by . This book was released on 1874 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Grove s Dictionary of Music and Musicians written by Sir George Grove and published by . This book was released on 1911 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Quarterly written by Oscar George Sonneck and published by . This book was released on 1923 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book B H Blackwell written by B.H. Blackwell Ltd and published by . This book was released on 1928 with total page 1388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Opinion and Music Trade Review written by and published by . This book was released on 1909 with total page 918 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rudimental Grand Tour written by Ryan Alexander Bloom and published by Mel Bay Publications. This book was released on 2023-02-09 with total page 105 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rudimental Grand Tour is a compendium of drumming cultures and traditions from twenty-two distinct regions throughout Europe and the Americas, designed to expand rudimental knowledge and develop international percussive skills. Each of the rudimental systems on the Grand Tour is broken down with a short history, an explanation of the notation styles and rhythmic quirks, a region-specific rudiment list with rhythmic interpretation, musical excerpts for context, an online recorded example, and a list of sources for further study. All twenty-two of the regions have contributed to the current state of the percussive arts and studying their rudimental drumming can help achieve higher levels of control, finesse, flexibility, creativity, and pure chops. Rudimental Grand Tour incorporates over 600 years of history and hundreds of unique rudiments that are not found on the Percussive Arts Society (PAS) 40 list. American fife and drum, Basler trommeln, Scottish pipe band, Mexican banda de guerra, Norwegian trommeslåtter, Swiss tambour-ordonnanz and sixteen more cultures are represented—both well-known and obscure. Whether you are a marching specialist, kit drummer, world percussionist, or classical artist, a world of rudimental possibility awaits. The author includes definitive online recordings of examples of each of the twenty-two drumming traditions explored in the book. [Rudimental Grand Tour] is the most thorough, in-depth presentation of the topic that I’ve ever seen, with an incredible amount of information … I’m sorry I didn’t write it myself! – Joel Rothman This is a serious collection of rudimental info! … I really checked your book out and find it to be a stellar text. – Edward Freytag
Download or read book Manuscript Sources of French Music Theory written by Máire Egan-Buffet and published by . This book was released on 2005 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Roland Legend in Nineteenth Century French Literature written by Harry RedmanJr. and published by University Press of Kentucky. This book was released on 2014-07-15 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: The year was 778. Charlemagne, starting homeward after an expedition onto the Iberian Peninsula, left his nephew, Count Roland, in command of a rear guard. As Roland and his troops moved through the Pyrenees, a fierce enemy swooped down and annihilated them. Whether the attackers were Moors, Basques, Gascons, or Aquitainians is still disputed. The massacre soon passed into legend, preserved but at the same time expanded and interpreted in oral tradition and written accounts. Dormant after the late Middle Ages, the legend began to inspire literary works even before the discovery and publication of the Oxford manuscript Chanson de Roland in 1837. The French Revolution and Empire, temporarily relieving Roland of his religious aura, hailed him as a patriot belaboring his country's foes. The Romantics made him either a dauntless, irrepressible extrovert or a noble victim struck down while making the world a better place. As the twentieth century dawned, a few authors scoffed at hero worship but others held up Roland as a heroic example that might help his countrymen live with the humiliation of their defeat in the Franco-Prussian War and then, as World War I approached, retake their lost territories. Fascinating as the Roland legend is in itself, no one has looked into the nonacademic French literature to which it has given rise in modern times. Harry Redman now shows how writers, with varying outlooks and approaches and divergent purposes, drew upon the legend from 1777 to the end of World War I. A monumental enterprise based on primary research, the book is of extraordinary value to scholars interested in the Old French epic and to all those concerned with more recent literary periods.
Download or read book Art Theatre and Opera in Paris 1750 1850 written by Richard Wrigley and published by Routledge. This book was released on 2017-07-05 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.
Download or read book Historic Brass Society Journal written by and published by . This book was released on 2009 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Magazine and Musical Courier written by and published by . This book was released on 1898 with total page 1170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Horn Teaching at the Paris Conservatoire 1792 to 1903 written by Jeffrey L. Snedeker and published by Routledge. This book was released on 2021-07-05 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: The transition from the valveless natural horn to the modern valved horn in 19th-century Paris was different from similar transitions in other countries. While valve technology was received happily by players of other members of the brass family, strong support for the natural horn, with its varied color palette and virtuoso performance traditions, slowed the reception and application of the valve to the horn. Using primary sources including Conservatoire method books, accounts of performances and technological advances, and other evidence, this book tells the story of the transition from natural horn to valved horn at the Conservatoire, from 1792 to 1903, including close examination of horn teaching before the arrival of valved brass in Paris, the initial reception and application of this technology to the horn, the persistence of the natural horn, and the progression of acceptance, use, controversies, and eventual adoption of the valved instrument in the Parisian community and at the Conservatoire. Active scholars, performers, and students interested in the horn, 19th-century brass instruments, teaching methods associated with the Conservatoire, and the intersection of technology and performing practice will find this book useful in its details and conclusions, including ramifications on historically-informed performance today.
