Download or read book Catalogue of the Musical Library of the late W illia m Euing Bequeathed to Anderson s Univ Glasgow now called Anderson s College written by and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Musical Library of the late WM Euing Esq bequeathed to Anderson s University Glasgow now called Anderson s College written by University of Glasgow and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Musical Library of the Late Wm Euing Esq Bequeathed to Anderson s University Glasgow now Called Anderson s College written by Euing Musical Library and published by . This book was released on 1878 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Ewing Musical Library written by and published by . This book was released on 1878 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue de la Biblioth que musicale de M William Euing written by and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Guide Musical written by and published by . This book was released on 1883 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Euing musical Library Catalogue written by Glasgow Anderson's coll and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution written by José-Modesto Diago Ortega and published by Oxford University Press. This book was released on 2024-10-10 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution narrates and analyzes the largest judicial battle in culture and industrial property in nineteenth century Europe, the echoes of which still ring today. The battle was about simple wind instruments made of brass and their related patents, not by opera - the musical genre that moved the most money and people at the time - or the revered and contentious high art. Music, in all its dimensions, had become a business. The nineteenth-century French industry of brasswinds shows how the strategic parameters of the Industrial Revolution and, essentially, the system that sustained them (capitalism), permeated everything. What lay behind those contentious disputes was the pursuit of commercial profit, and the consolidation of a dominant position that would yield the maximum possible economic return. The legal confrontation began when a group of French businessmen who built wind instruments saw their business and sources of financing threatened after being forced by the Army to use a series of musical instruments that were different to the usual ones and protected by patents for invention that belonged to Adolphe Sax, the inventor of the saxophone. Diago Ortega provides evidence of how political power was used by economic power, and presents arguments on how culture articulated the social machinery and was a powerful tool for legitimizing political positions.
Download or read book Reports of the United States Commissioners to the Paris Universal Exposition 1867 written by United States. Commission to the Paris Exposition, 1867 and published by . This book was released on 1870 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Theater and Cultural Transfer written by Annegret Fauser and published by University of Chicago Press. This book was released on 2009-12-15 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
Download or read book Catalogue of Printed Books in the Library of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1882 with total page 1092 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1882 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1882 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Piano written by Edwin M. Ripin and published by W. W. Norton & Company. This book was released on 1988 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: The New Grove Musical Instruments Series, a companion to the much acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments.
Download or read book Old Violins written by Hugh Reginald Haweis and published by . This book was released on 1898 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Prometheus in Music written by Paul Bertagnolli and published by Routledge. This book was released on 2017-07-05 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal Saint-Sa Holm Faur Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to
