Download or read book La Musique a Paris written by Gustave Robert and published by Nabu Press. This book was released on 2014-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Musique A Paris: 1894-1895 -1898-1900], Volume 3; La Musique A Paris: 1894-1895 -1898-1900]; Gustave Robert Gustave Robert Fischbacher, 1898 Concert programs; Music

Download or read book Giacomo Meyerbeer and Music Drama in Nineteenth Century Paris written by Mark Everist and published by Taylor & Francis. This book was released on 2023-04-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.

Download or read book Mus e de la Musique Paris France written by Musée de la musique (Paris, France) and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dust Grooves written by Eilon Paz and published by Ten Speed Press. This book was released on 2015-09-15 with total page 577 pages. Available in PDF, EPUB and Kindle. Book excerpt: A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

Download or read book The Art of Music written by Daniel Gregory Mason and published by . This book was released on 1915 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1910 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Grove s Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1908 with total page 884 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ethnomusicology written by Helen Myers and published by W. W. Norton & Company. This book was released on 1993 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.

Download or read book Stereo written by Hugh Dauncey and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: French, British and American research into popular music has coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.

Download or read book Hidden in Paris written by Corine Gantz and published by Open Road Media. This book was released on 2023-04-18 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: A socially awkward widow is forced to take boarders into her Paris home, in this smart, witty novel of love, loneliness, friendship, and metamorphosis. Living in France among people she hardly understands, Annie has had trouble leaving the house since the death of her husband. And since home happens to be a small place nestled in the heart of Paris, why would she ever want to? But when unexpected events threaten her beloved home, Annie has no choice but to find lodgers—quickly. After placing an ad, Annie attracts tenants with the kind of baggage she isn’t prepared for: a long-legged, cool-headed ex-model on the run from her abusive husband; a frail young woman harboring a possible death wish; a mysterious artist; and an infuriating blue-blooded Frenchman—and all soon threaten Annie’s way of life in ways she never anticipated. But when Annie finds herself reluctantly but actively engaged in the lives of her tenants she discovers she might just free herself in the process . . .

Download or read book Listening in Paris written by James H. Johnson and published by Univ of California Press. This book was released on 1995 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book grew from a simple question. Why did French audiences become silent? Eighteenth-century travelers' accounts of the Paris Opera and memoirs of concertgoers describe a busy, preoccupied public, at times loud and at others merely sociable, but seldom deeply attentive.

Download or read book Interpreting the Musical Past written by Katharine Ellis and published by Oxford University Press. This book was released on 2005-11-10 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting a study of the French early music revival, this book gives us a sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing studies of repertories stretching from Adam de la Halle to Rameau.

Download or read book Music and the Elusive Revolution written by Eric Drott and published by Univ of California Press. This book was released on 2011-07-02 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May ’68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May ’68 on a wide variety of music in France, from the initial shock of 1968 through the "long" 1970s and the election of Mitterrand and the socialists in 1981. Drott’s detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.

Download or read book Opera and the Political Imaginary in Old Regime France written by Olivia Bloechl and published by University of Chicago Press. This book was released on 2017 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.

Download or read book Music at the Maison royale de Saint Louis at Saint Cyr written by Deborah Kauffman and published by Routledge. This book was released on 2018-07-24 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of music at the Maison royale de Saint-Louis at Saint-Cyr — the famous convent school founded by Madame de Maintenon and established by Louis XIV in 1686 as a royal foundation — is both rich and intriguing; its large repertory of music was composed expressly for young female voices by important composers working within significant contemporary musical genres: liturgical chant, sacred motets, theatrical music, and cantiques spirituels. While these genres reflect contemporary styles and trends, at the same time the works themselves were made to conform to the sensibilities and abilities of their intended performers. Even as Jean-Baptiste Moreau's music for Jean Racine’s biblical tragedies Esther and Athalie shows a number of similarities to contemporary tragédies lyriques, it departs from that more public genre in its brevity, generally simpler solo writing, and the integral use of the chorus. The musical style of the choral numbers closely parallels that of other choral music in the repertory at Saint-Cyr. The liturgical chant sung in the church was composed by Guillaume-Gabriel Nivers, and is an example of plain-chant musical, a type of new ecclesiastical composition written during the seventeenth and eighteenth centuries, primarily for female religious communities in France. The large repertory of petits motets (short sacred Latin pieces for solo voice), mostly composed by Nivers and Louis-Nicolas Clérambault, are simpler and more restrained than works by their contemporaries. A close study of the motets reveals much about changes to musical style and performance practices at Saint-Cyr during the eighteenth century. The cantique spirituel, a song with a spiritual text in the vernacular French language, played a significant role in both the education and recreation of the girls at Saint-Cyr. Cantiques composed for the girls vary widely in terms of their style and difficulty, ranging from simple strophic melodies to more sophisticated works in the style of contemporary airs. In all cases, the stylistic features of the music for Saint-Cyr reflect a careful consideration of the needs and capabilities of the young singers of the school, as well as an awareness of the rigorous requirements of Madame de Maintenon, who kept a close watch over the propriety of all things relating to the piety, behavior, and image of her charges.

Download or read book Paul Dukas Legacies of a French Musician written by Helen Julia Minors and published by Routledge. This book was released on 2019-03-29 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book appraises the contribution of Paul Dukas (1865–1935) to a wide variety of French musical practices. As a composer, critic, artistic collaborator and teacher, Dukas was central to the fin de siècle and early twentieth-century Paris musical scene (and more broadly to the French scene). Significantly, his compositional style mediated tradition through the modern language of his present, while his critical writings pioneered a new mode of musical discourse in the French press. Of further interest are Dukas’s professional relationships with iconic figures such as Gabriel Fauré and Claude Debussy, and his role in fostering the next generation of French composers. In addition to mentoring famous names such as Olivier Messiaen and Tony Aubin, he staunchly supported his female students, notably Elsa Barraine, Claude Arrieu and Yvonne Desportes. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician. Paul Dukas: Legacies of a French Musician traces two aspects of his work: Part I treats Dukas as a composer, thinker and artistic collaborator; Part II constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin de siècle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.

Download or read book Music and the French Revolution written by Malcolm Boyd and published by Cambridge University Press. This book was released on 1992-04-02 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.