Download or read book La Finta Vedova Commedia per musica in three acts and in verse da rappresentarsi nel Teatro de Fiorentini nel carnovale di quest anno 1746 etc written by Pietro TRINCHERA and published by . This book was released on 1746 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Goldoni as Librettist written by Ted Emery and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1991 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carlo Goldoni (1707-1793) is widely recognized as one of Italy's finest playwrights, but his production for the operatic theatre is much less well known. While musicologists have established the importance of Goldoni's innovations in the form of the comic libretto, literary scholars have tended to see the drammi giocosi as at best a pale reflection of the plays, and at worst a distortion of the «real» Goldoni. In Goldoni as Librettist, Emery traces the complex web of relationships between plays and libretti, illustrating the ways in which the author used his operas to prepare for the comedies, or to experiment with themes to which the plays were closed. This reading of Goldoni's operatic texts not only confirms their status as a form of literary activity, but also allows us to more fully understand Goldoni's development as a playwright.
Download or read book Annals of Opera 1597 1940 written by and published by . This book was released on 1970 with total page 912 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La finta vedova commedia per musica di notar Pietro Trinchera napoletano da rappresentarsi nel Teatro de Fiorentini nel carnovale di quest anno 1746 Dedicata all eccellentissimo signore il signor D Marc Antonio Colonna la musica del signor Niccol Conforto written by Pietro Trinchera and published by . This book was released on 1746 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musicians Mobilities and Music Migrations in Early Modern Europe written by Gesa zur Nieden and published by transcript Verlag. This book was released on 2016-10-31 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
Download or read book Polish Style in the Music of Johann Sebastian Bach written by Szymon Paczkowski and published by Rowman & Littlefield. This book was released on 2017-03-21 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
Download or read book Bd 2 U 3 Mit Dem Zusatz 1614 1780 written by Melania Bucciarelli and published by BWV Verlag. This book was released on 2006-01-01 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rise of European Music 1380 1500 written by Reinhard Strohm and published by Cambridge University Press. This book was released on 2005-02-17 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Download or read book Music in the German Renaissance written by John Kmetz and published by Cambridge University Press. This book was released on 1994-12-08 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1994 collection of fourteen essays, written by an eminent group of scholars, explores the musical culture of the German-speaking realm between c.1450 and 1600. The essays demonstrate the important role played by German speakers in the development of instrumental music in the Renaissance, the shaping of the curricula of musical education in the modern age, in setting patterns of musical patronage, in establishing congregational singing in churches, and in developing commercial music printing. The essays shed light on the music that flourished at Imperial and ducal courts, universities, parish churches, collegiate schools, as well as the homes of prosperous merchants. The volume thus provides an overview of German polyphonic music in the age of Gutenberg, Dürer and Luther and documents the changing social status of music in Germany during a crucial epoch of its history.
Download or read book Western Plainchant written by David Hiley and published by Oxford University Press. This book was released on 1995 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Download or read book Music at German Courts 1715 1760 written by Samantha Owens and published by Boydell Press. This book was released on 2011 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN
Download or read book Studies on a Global History of Music written by Reinhard Strohm and published by Routledge. This book was released on 2018-04-09 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. But how might a historical interpretation of those relationships proceed? How should it position, or justify, itself? What would 'Western music' look like in an account of music history that aspires to be truly global? The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a global history of music cannot be one single, hegemonic history. They rather explore the paradigms and terminologies that might describe a history of many different voices. The chapters address historical practices and interpretations of music in different parts of the world, from Japan to Argentina and from Mexico to India. Many of these narratives are about relations between these cultures and the Western tradition; several also consider socio-political and historical circumstances that have affected music in the various regions. The book addresses aspects that Western musical historiography has tended to neglect even when looking at its own culture: performance, dance, nostalgia, topicality, enlightenment, the relationships between traditional, classical, and pop musics, and the regards croisés between European, Asian, or Latin American interpretations of each other’s musical traditions. These studies have been derived from the Balzan Musicology Project Towards a Global History of Music (2013–2016), which was funded by the International Balzan Foundation through the award of the Balzan Prize in Musicology to the editor, and designed by music historians and ethnomusicologists together. A global history of music may never be written in its entirety, but will rather be realised through interaction, practice, and discussion, in all parts of the world.
Download or read book Nation And or Homeland written by Ivano Cavallini and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book aims to investigate the development of national consciousness trough different case studies, in which the terms nation, homeland and people have been applied. In the self-making tradition, the national traits are sustained by the process of embodiment of any regional utterance, and by the elimination of the 'other'.
Download or read book Il Conte Commedia per musica in three acts and in verse da rappresentarsi nel Teatro de Fiorentini nella primavera di quest anno 1738 etc written by Gennaro Antonio FEDERICO and published by . This book was released on 1737 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La Moglie imperiosa Commedia in three acts and in verse da rappresentarsi in musica nel Teatro de Fiorentini nell autunno di quest anno 1759 written by and published by . This book was released on 1759 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La Vedova Bizzarra written by Pasquale Anfossi and published by Forgotten Books. This book was released on 2018-12-26 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from La Vedova Bizzarra: Commedia per Musica, da Rappresentarsi Nel Teatro De' Fiorentini, per Prim'opera di Quest'anno 1788 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
