Download or read book Histoire de la Musique Des origines Jean S bastien written by Roland-Manuel and published by . This book was released on with total page 2262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in Society written by Ivo Supičić and published by Pendragon Press. This book was released on 1987 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: The subject of this study has two distinct but not unrelated aspects: first, an investigation into the sociology of music as an autonomous and specialized discipline; and second, an examination of certain fundamental facts that may be considered within the purview of the sociology of music itself. If an analysis and study even a preliminary one of these facts is to be properly focused and fruitful, we must first try to determine the subject and methods of the sociology of music, its position and boundaries in respect to musicology, and, most especially, its relation to the aesthetics of music and music history. It is equally indispensable to ascertain what the sociology of music as a separate scholarly discipline embraces, where its investigation leads, and, finally, to establish its position vis-a-vis sociology in general. (From the Author's Introduction.)
Download or read book The Art of Music written by Daniel Gregory Mason and published by . This book was released on 1915 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The History of Music Volume 2 written by Emil Naumann and published by Cambridge University Press. This book was released on 2013-06-27 with total page 667 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholar and composer Emil Naumann (1827-88) studied with Mendelssohn. This two-volume English translation of his best-known work was made by Ferdinand Praeger (1815-91) and published in 1888. Chapters on music in England have been added by its editor, the eminent Victorian musician Sir Frederick Gore Ouseley (1825-89).
Download or read book Mande Music written by Eric Charry and published by University of Chicago Press. This book was released on 2000-10 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: With Mande Music, Eric Charry offers the most comprehensive source available on one of Africa's richest and most sophisticated music cultures. Using resources as disparate as early Arabic travel accounts, oral histories, and archival research as well as his own extensive studies in Mali, Guinea, Senegal, and the Gambia, Charry traces this music culture from its origins in the thirteenth-century Mali empire to the recording studios of Paris and New York. He focuses on the four major spheres of Mande music—hunter's music, music of the jelis or griots, jembe and other drumming, and guitar-based modern music—exploring how each evolved, the types of instruments used, the major artists, and how each sphere relates to the others. With its maps, illustrations, and musical transcriptions as well as an exhaustive bibliography, discography, and videography, this book is essential reading for those seeking an in-depth look at one of the most exciting, innovative, and deep-rooted phenomena on the world music scene. A compact disc is available separately.
Download or read book Gabriel Faure written by Edward R. Phillips and published by Routledge. This book was released on 2021-10-28 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2000. Gabriel Urbain Fauré was brn 12 May 1845, in Pamiers in the south of France. Faure’s compositional style has proven difficult to classify. Some music historians consider him a figure of the nineteenth century, a traditionalist, even a neo-romantic; others consider him part of the twentieth century—at the least, a predecessor of modem French music or, at the other extreme, a quiet revolutionary and a great influence upon France’s musical future. This research guide offers a selective, annotated list of writings, biographical information and lists of works and photographs.
Download or read book The precursors of the violin family records researches and studies with over 200 illustrations and plates a bibliography of music and arch ology and indices to the two volumes written by Kathleen Schlesinger and published by . This book was released on 1910 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Instruments of the Modern Orchestra Early Records of the Precursors of the Violin Family The precursors of the violin family records researches and studies with over 200 illustrations and plates a bibliography of music and arch ology and indices to the two volumes written by Kathleen Schlesinger and published by . This book was released on 1910 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book History of Music from the Christian Era to the Present Time written by Frédéric Louis Ritter and published by . This book was released on 1876 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Instruments of the Modern Orchestra Early Records of the Precursors of the Violin Family written by Kathleen Schlesinger and published by . This book was released on 1910 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Bibliography of Musical Instruments and Archaeology written by Kathleen Schlesinger and published by . This book was released on 1912 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in Imperial Rio de Janeiro written by Cristina Magaldi and published by Scarecrow Press. This book was released on 2004 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian models, the author discusses the importation of operatic repertory, the use of German classical music as the basis of an elite social class, the role of European music in Brazilian theater, and finally, the emergence of a "national" music. Overall, this study reveals European music as a powerful force in the internal processes of political, cultural, social, and ethnic negotiations during the 19th century government of Emperor Pedro II. Musicologists, Latin American historians, and anyone with an interest in urban studies will find much of interest in this book.
Download or read book The Belle poque written by Dominique Kalifa and published by Columbia University Press. This book was released on 2021-07-06 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
Download or read book Mad Loves written by Heather Hadlock and published by Princeton University Press. This book was released on 2016-07-26 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject. Les Contes d'Hoffmann is also examined as both a continuation and a retraction of tendencies in Offenbach's earlier operettas and opéra-comiques. Hadlock investigates the political climate of the 1870s that influenced the composer's vision and the reception of his last work. Drawing upon insights from feminist, literary, and cultural theory, she considers how the opera's music and libretto took shape within a complex literary and theatrical tradition. Finally, Hadlock ponders the enigmas posed by the score of this unfinished opera, which has been completed many times and by many different hands since its composer's death shortly before the premiere in 1881. In this book, the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself.
Download or read book Second Catalogue of the Library of the Peabody Institute of the City of Baltimore Including the Additions Made Since 1882 written by Johns Hopkins University. Peabody Institute. Library and published by . This book was released on 1901 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford University Press. This book was released on 2020-03-02 with total page 569 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Download or read book The Composer As Intellectual written by Jane F. Fulcher and published by Oxford University Press. This book was released on 2005-08-25 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.
