EBookClubs

Read Books & Download eBooks Full Online

EBookClubs

Read Books & Download eBooks Full Online

Book Phrenology

    Book Details:
  • Author : Orson Squire Fowler
  • Publisher : Chelsea House Publications
  • Release : 1969
  • ISBN : 9780877541431
  • Pages : 201 pages

Download or read book Phrenology written by Orson Squire Fowler and published by Chelsea House Publications. This book was released on 1969 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Manual for Post Service Officers

Download or read book Manual for Post Service Officers written by American Legion. National Rehabilitation Committee and published by . This book was released on 1944 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Manual of Subordinate Granges of the Patrons of Husbandry

Download or read book Manual of Subordinate Granges of the Patrons of Husbandry written by National Grange and published by . This book was released on 1878 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Essays on Art and Language

    Book Details:
  • Author : Charles Harrison
  • Publisher : MIT Press
  • Release : 2003-09-12
  • ISBN : 9780262582414
  • Pages : 350 pages

Download or read book Essays on Art and Language written by Charles Harrison and published by MIT Press. This book was released on 2003-09-12 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.

Book Type  Sign  Symbol

Download or read book Type Sign Symbol written by Adrian Frutiger and published by . This book was released on 1980 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Modern Woodman Magazine

    Book Details:
  • Author : Frank O. Van Galder
  • Publisher :
  • Release : 1923
  • ISBN :
  • Pages : 44 pages

Download or read book Modern Woodman Magazine written by Frank O. Van Galder and published by . This book was released on 1923 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Notes on City Gas for Air Raid Wardens

Download or read book Notes on City Gas for Air Raid Wardens written by United States. Office of Civilian Defense and published by . This book was released on 1942 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Conceptual Art

    Book Details:
  • Author : Alexander Alberro
  • Publisher : MIT Press
  • Release : 2000-08-25
  • ISBN : 9780262511179
  • Pages : 628 pages

Download or read book Conceptual Art written by Alexander Alberro and published by MIT Press. This book was released on 2000-08-25 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson

Book Use of Digital Computers for Engineering Applications

Download or read book Use of Digital Computers for Engineering Applications written by Charles M. Haberman and published by Merrill Publishing Company. This book was released on 1966 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Handbook for Fire Watchers

Download or read book A Handbook for Fire Watchers written by United States. Office of Civilian Defense and published by . This book was released on 1942 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Conceptual Art and Painting

Download or read book Conceptual Art and Painting written by Charles Harrison and published by MIT Press. This book was released on 2001 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 'Conceptual Art and Painting', a companion to his 'Essays on Art and Language', Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of 'neo-Conceptual' art--Publisher's description.

Book The Expert Sign Painter

Download or read book The Expert Sign Painter written by Albanis Ashmun Kelly and published by . This book was released on 1922 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Duchamp Effect

    Book Details:
  • Author : Martha Buskirk
  • Publisher : MIT Press
  • Release : 1996-09-25
  • ISBN : 9780262522175
  • Pages : 246 pages

Download or read book The Duchamp Effect written by Martha Buskirk and published by MIT Press. This book was released on 1996-09-25 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and Fred Wilson) and a round-table discussion of the Duchamp effect on conceptual art. Contents Introduction, Benjamin H. D. Buchloh • What's Neo about the Neo-Avant-Garde?, Hal Foster • Typotranslating the Green Box, Sarat Maharaj • Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris, Benjamin H. D. Buchloh • Interviews with Ed Ruscha and Bruce Conner, Elizabeth Armstrong • Echoes of the Readymade: Critique of Pure Modernism, Thierryde Duve • Concept of Nothing: New Notes by Marcel Duchamp and Walter Arensberg, Molly Nesbit and Naomi Sawelson-Gorse • Interviews with Sherrie Levine, Louis Lawler, and Fred Wilson, Martha Buskirk • Thoroughly Modern Marcel, Martha Buskirk • Conceptual Art and the Reception of Duchamp, October Round Table • All the Things I Said about Duchamp: A Response to Benjamin Buchloh, T. J. Clark • Response to T. J. Clark, Benjamin Buchloh

Book Reconsidering the Object of Art

Download or read book Reconsidering the Object of Art written by Ann Goldstein and published by MIT Press (MA). This book was released on 1995 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconsidering the Object of Artexamines a generally underexposed (and therefore often misunderstood) period in contemporary art and highlights artists whose practices have inspired much of the most significant art being produced today. It illustrates and discusses many crucial, ground-breaking works that have not been seen within their proper historical context, if they have been individually seen at all. By 1969 such artists as Michael Asher, John Baldessari, Marcel Broodthaers, Dan Graham, Douglas Huebler, Joseph Kosuth, Lawrence Weiner and others had begun to create works using a variety of media that sought to reevaluate certain fundamental premises about the formal, material, and contextual definitions of art. This first comprehensive overview of Conceptual art in English documents the work of fifty-five artists, work that marked a significant rupture with traditional forms and concepts of painting, sculpture, photography, and film. Also included are essays that elucidate the significant aesthetic issues that gave rise, in both America and Europe, to the highly individual, but related, modes of Conceptual art. Lucy Lippard (art historian) writes on the broader sociopolitical milieu in which this work was made; Stephen Melville (Professor of Art History, Ohio State University) probes the theoretical and philosophical underpinnings of Conceptual art; and Jeff Wall (artist) discusses the relationship between Conceptual art and photography. Anne Rorimer and Ann Goldstein (curators of the exhibition the book accompanies) respectively take up the role of language in this work, and discuss each of the artists. Copublished with the Museum of Contemporary Art, Los Angeles

Book Object to Be Destroyed

Download or read book Object to Be Destroyed written by Pamela M. Lee and published by MIT Press. This book was released on 2001-08-24 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. Have art historians written so little about Matta-Clark's work because of its ephemerality, or, as Pamela M. Lee argues, because of its historiographic, political, and social dimensions? What did the activity of carving up a building-in anticipation of its destruction—suggest about the conditions of art making, architecture, and urbanism in the 1970s? What was one to make of the paradox attendant on its making—that the production of the object was contingent upon its ruination? How do these projects address the very writing of history, a history that imagines itself building toward an ideal work in the service of progress? In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.

Book On Looking at Looking

    Book Details:
  • Author : Ann Stephen
  • Publisher : Melbourne University
  • Release : 2006
  • ISBN :
  • Pages : 280 pages

Download or read book On Looking at Looking written by Ann Stephen and published by Melbourne University. This book was released on 2006 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ian Burn's origins as an Australian landscape painter were an unlikely springboard into metropolitan culture. His move to New York with his wife Avril led to help curate the first Conceptual Art exhibition in 1970. This book shows the relevancy and power of his work today. Ann Stephen is a curator at Sydney's Powerhouse Museum.