Download or read book Michelangelo and His Drawings written by Michael Hirst and published by Yale University Press. This book was released on 1988-01-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focuses on the drawings of the artist famous for his sculptures and his work on the Sistine Chapel ceiling
Download or read book Italian Drawings in the Department of Prints and Drawings in the British Museum Raphael and his circle Giulio Romano G F Penni Perino del Vaga Giovanni da Udine Tommaso Vincidor Polidoro da Caravaggio Baldassare Peruzzi Timoteo Viti and Girolamo Genga also Sebastiano del Piombo written by British Museum. Dept. of Prints and Drawings and published by . This book was released on 1962 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1982 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Drawings in the Department of Prints and Drawings in the British Museum Michelangelo and his studio by J Wilde written by British Museum. Department of Prints and Drawings and published by . This book was released on 1950 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Michelangelo Drawings written by Hugo Chapman and published by Yale University Press. This book was released on 2005-01-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a catalog to accompany an exhibition of drawings by Michelangelo.
Download or read book Italian Drawings in the Department of Prints and Drawings in the British Museum 4 Raphael and his circle by P Pouncey and J A Gere Catalogue Plates written by British Museum. Dept. of Prints and Drawings and published by . This book was released on 1962 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Master Drawings of the Italian Renaissance written by Claire Van Cleave and published by Harvard University Press. This book was released on 2007 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.
Download or read book Roman Sketchbook of Girolamo Da Carpi written by Canedy and published by BRILL. This book was released on 1976-06 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Drawings in the Department of Prints and Drawings in the British Museum Michelangelo and his studio written by British Museum. Dept. of Prints and Drawings and published by . This book was released on 1953 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medici Michelangelo the Art of Late Renaissance Florence written by Cristina Acidini and published by Yale University Press. This book was released on 2002-01-01 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Download or read book The Lost Battles written by Jonathan Jones and published by Vintage. This book was released on 2012-10-23 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael. A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.
Download or read book Durer to Veronese written by Jill Dunkerton and published by Yale University Press. This book was released on 2002-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The authors look closely at a variety of types of painting - including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture, decorations and both intimate and full-length portraits - as well as frescoes, drawings and prints. They provide insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s.
Download or read book Italian Drawings 14th 16th century written by Victoria and Albert Museum. Department of Prints and Drawings and published by . This book was released on 1979 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sebastiano del Piombo and the World of Spanish Rome written by Piers Baker-Bates and published by Routledge. This book was released on 2017-07-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.
Download or read book The Medici Portraits and Politics 1512 1570 written by Keith Christiansen and published by Metropolitan Museum of Art. This book was released on 2021-04-19 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
Download or read book Michaelangelo Selected Readings written by William Wallace and published by Routledge. This book was released on 2013-08-21 with total page 915 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michaelangelo: Selected Readings is the long-awaited condensation of the five volume English article collection of Michaelangelo's life. Selections include: Life and Early Works; The Sistine Chapel; San Lorenzo; Tomb of Julius II and Other Works in Rome; and Drawings, Poetry and Miscellaneous Studies.
Download or read book Michelangelo s Poetry and Iconography in the Heart of the Reformation written by Ambra Moroncini and published by Routledge. This book was released on 2017-04-07 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contextualizing Michelangelo’s poetry and spirituality within the framework of the religious Zeitgeist of his era, this study investigates his poetic production to shed new light on the artist’s religious beliefs and unique language of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a thought-provoking reading of Michelangelo’s most controversial artistic production between 1536 and c.1550: The Last Judgment, his devotional drawings made for Vittoria Colonna, and his last frescoes for the Pauline Chapel. Using theological and literary analyses which draw upon reformist and Protestant scriptural writings, as well as on Michelangelo’s own rime spirituali and Vittoria Colonna’s spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to light how, in the second quarter of the sixteenth century in Italy, Michelangelo’s poetry and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.
