Download or read book Irish Minstrels and Musicians written by Francis O'Neill and published by . This book was released on 1913 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish Minstrels and Musicians written by Francis O'Neill and published by Literary Licensing, LLC. This book was released on 2014-08-07 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Is A New Release Of The Original 1913 Edition.
Download or read book Irish Minstrels and Musicians written by Francis O'Neill and published by . This book was released on 1983-01-01 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish Minstrels and Musicians written by Francis O'Neill and published by . This book was released on 1987 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish Minstrels and Musicians written by Frances O'Neill and published by Ossian. This book was released on 1987-12-01 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Harvest Saved written by Nicholas Carolan and published by Hal Leonard Publishing Corporation. This book was released on 1997 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: A highly illustrated study of Daniel Francis O Neill who was Chief of Police in Chicago at the beginning of the century.
Download or read book Irish Minstrels and Musicians with Numberous Dissertations on Related Subjects written by Francis O'Neill and published by . This book was released on 1973 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish Folk Music written by Francis O'Neill and published by . This book was released on 1910 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Trad Nation written by Tes Slominski and published by Wesleyan University Press. This book was released on 2020-03-17 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just how "Irish" is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tes Slominski argues that ethnic nationalism hinders this music's development today in an increasingly multiethnic Ireland and in the transnational Irish traditional music scene. She discusses early 21st century women whose musical lives were shaped by Ireland's struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early 21st century.
Download or read book A History of Irish Music written by William Henry Grattan Flood and published by . This book was released on 1913 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Beat Cop written by Michael O'Malley and published by University of Chicago Press. This book was released on 2022-05-18 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief. Irish music as we know it today was invented not just in the cobbled lanes of Dublin or the green fields of County Kerry, but also in the burgeoning metropolis of early-twentieth-century Chicago. The genre’s history combines a long folk tradition with the curatorial quirks of a single person: Francis O’Neill, a larger-than-life Chicago police chief and an Irish immigrant with a fervent interest in his home country’s music. Michael O’Malley’s The Beat Cop tells the story of this singular figure, from his birth in Ireland in 1865 to his rough-and-tumble early life in the United States. By 1901, O’Neill had worked his way up to become Chicago’s chief of police, where he developed new methods of tracking criminals and recording their identities. At the same time, he also obsessively tracked and recorded the music he heard from local Irish immigrants, enforcing a strict view of what he felt was and wasn’t authentic. Chief O’Neill’s police work and his musical work were flip sides of the same coin, and O’Malley delves deep into how this brash immigrant harnessed his connections and policing skills to become the foremost shaper of how Americans see, and hear, the music of Ireland.
Download or read book The National Music of Ireland written by Michael Conran and published by Dublin : Published for M. Conan by J. Duffy. This book was released on 1846 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish Travelling Musicians of the First Half of the Nineteenth Century written by Jennifer Sue Gregory and published by . This book was released on 2001 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Waifs and Strays of Gaelic Melody written by Francis O'Neill and published by . This book was released on 1922 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Irish Piano Accordion written by Tommy Walsh and published by Waltons Irish Music. This book was released on 2011-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Waltons Irish Music Books). This collection features 44 well-known double jigs, hornpipes, songs and reels for Irish piano accordion by Tommy Walsh. For beginning to intermediate level players.
Download or read book Wayfaring Strangers written by Fiona Ritchie and published by UNC Press Books. This book was released on 2021-08-01 with total page 577 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the seventeenth through the nineteenth centuries, a steady stream of Scots migrated to Ulster and eventually onward across the Atlantic to resettle in the United States. Many of these Scots-Irish immigrants made their way into the mountains of the southern Appalachian region. They brought with them a wealth of traditional ballads and tunes from the British Isles and Ireland, a carrying stream that merged with sounds and songs of English, German, Welsh, African American, French, and Cherokee origin. Their enduring legacy of music flows today from Appalachia back to Ireland and Scotland and around the globe. Ritchie and Orr guide readers on a musical voyage across oceans, linking people and songs through centuries of adaptation and change.
Download or read book The Creolization of American Culture written by Christopher J Smith and published by University of Illinois Press. This book was released on 2013-09-16 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.
