Download or read book Antolog a de Obras Musicales written by Dr. Adalberto Garc�a de Mendoza and published by Palibrio. This book was released on 2013-08 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: "La Música de Haydn en la "Creación" no es patética como la de Haendel en sus Oratorios: tiene siempre ese verdor de primavera, esa sutileza que entrega la línea ondulante en la danza de la Corte, esa inspiración de frescura y optimismo que sólo se encuentra en algunos pintores del Renacimiento y en los poetas bucólicos de la Hélade y del Lacio."

Download or read book Learning and Teaching in the Music Studio written by Juan Ignacio Pozo and published by Springer Nature. This book was released on 2022-04-26 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book advocates for a radical change in music teaching and learning methods, allowing for a break from the traditional conservatory model still in use in many classrooms. The product of twenty years of interdisciplinary work by musicians, music teachers, and psychologists, the book proposes to place the focus of music education on the students themselves and on their mental and physical activity, with the aim of helping them to manage their own goals and emotions. This alternative is based on a new theoretical framework, as well as numerous real, concrete examples of how to put it into practice with students of different ages and in different environments. This book focuses primarily on teaching instrumental music, but its content will be useful for any teacher, student, musician, or researcher interested in improving music education in any environment, whether formal or informal, in which it takes place Chapters 3, 4, 6 and 18 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Download or read book Criterios de Interpretaci n Musical written by José Carlos Carmona and published by . This book was released on 2020-08-29 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: ¿Qué se propone un intérprete cuando se sitúa frente a una partitura? Hasta hace unos años parecía que las posibilidades eran dos: la lectura estricta de los símbolos impresos en la propia partitura o la libre lectura de ellos aportando la "sensibilidad" del ejecutante.Pero desde la aparición en los años 60 del siglo XX del movimiento de la Aufführungspraxis, Interpretación históricamente basada (con Nikolaus Harnoncourt y su Concentus Musicus Wien a la cabeza), otro criterio se aportó a las posibilidades del intérprete: reconstruir las obras tal como sonaron en su época.La investigación de este libro, que escudriña en las opiniones de decenas de intérpretes de todo tipo de escuelas y que busca apoyos en la hermenéutica jurídica y filosófica, pone al descubierto que existen aún cinco tipos de criterios más que todo intérprete debe o puede tener en cuenta.Este libro no dice cómo hay que interpretar ni aporta datos históricos de cómo se hacía en cada época, trata solo desde el nivel de la abstracción cuáles son los criterios que un intérprete puede plantearse ante la ejecución de una partitura, y muestra los pros y los contras que muchos músicos, investigadores y pensadores han aportado sobre la cuestión.Harnoncourt desde la música, Lang desde la musicología y Gadamer desde la filosofía, son los ejes vertebradores de toda esta reflexión.Hay, no obstante, un deseo profundo que subyace en todo este trabajo: razonar contra cualquier tipo de dogmatismo musical que defienda que la verdad de la interpretación está en un solo tipo de posicionamiento, por eso estudia también todos los elementos que condicionan el resultado sonoro en la interpretación musical, creando una extensa tabla (incompleta por naturaleza) que debería servir para mostrar la imposibilidad de cualquier reconstrucción "auténtica".Este trabajo, absolutamente original en el panorama musical internacional cuando se publicó en 2006, fue, no cabe duda, una primera propuesta a la comunidad musicológica para abrir el necesario debate sobre una de las cuestiones más importantes de la actual estética musical.

Download or read book La interpretaci n musical written by John Rink and published by . This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Esta accesible guía para estudiantes, profesores e intérpretes de todos los niveles revela las complejidades de la interpretación musical y se centra en los aspectos fundamentales del aprendizaje, la ejecución y la manera en que escuchamos música y respondemos a ella. En primer lugar, un recorrido por la interpretación a través de la historia sirve de introducción a los conceptos históricos, analíticos y psicológicos básicos. A continuación, tras el análisis de la enseñanza, el desarrollo de la habilidad interpretativa, la práctica y la memorización, aborda la «traducción» de la partitura a sonidos, la imagen personal, la interpretación en grupo y el miedo escénico. Por último, trata el acto de escuchar, el legado de las grabaciones, la crítica musical y la opinión de los propios intérpretes sobre la interpretación. Evitando concentrarse en un único instrumento o género interpretativo, y rehuyendo las complejidades innecesarias, este libro ofrece abundantes consejos prácticos y arroja nueva luz sobre los principios y procedimientos que subyacen en la interpretación y su estudio. John Rink es profesor de Música en el Royal Holloway, de la Universidad de Londres.

Download or read book Foundamentals of Interpretation Rudimento de Interpretaci n Rudiments d Interpr tation Rudimenti di Interpretazione written by and published by Grafica European Center. This book was released on with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Carlos Chavez written by Robert L. Parker and published by Routledge. This book was released on 2021-10-28 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998.The purpose of this volume is to list as completely as possible Chávez’s compositions, which number close to two hundred works, and to present a digest of selected literature germane to his multi-faceted professional activity. This literature, which began in the 1920s and continues to grow, is almost entirely in Spanish and English, reflecting the main arenas in which he worked—Mexico, other Hispanic language countries, the United States, and England. Each research guide offers a selective, annotated list of writings, in all European languages, about one or more composers. There are also lists of works by the composer, unless these are available elsewhere. Biographical sketches and guides to library resources, organizations, and specialists are presented. As appropriate to the individual composer, there are maps, photographs, or other illustrative matter, glossaries, and indexes.

Download or read book Acuarelas Musicales written by Adalberto GarcÍa De Mendoza and published by Palibrio. This book was released on 2012-08 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wolfgang Amadeus Mozart es la expresión, no de una personalidad aislada, sino de un ambiente. Es el ejemplo de la expresión natural, la manifestación del espíritu, espontánea y sin el menor rebuscamiento o alteración. No hay problema revolucionario en la obra de Mozart. La rebeldía de Beethoven, el erotismo de Wagner, la religiosidad de Juan Sebastián Bach, la caracterología de Ricardo Strauss, la languidez romántica de Chopin, la filosofía dubitativa de Schumann, contrastan con la fluidez del pensamiento y de la emoción de Mozart, todos ellos llevan el dolor en el parto, el sentimiento propio sufre los más crueles tormentos. Hay en ellos la excelsitud de la creación y la vulgaridad de la frase. Instantes en que los soles presentan la majestuosidad de la idea con significativa y desbordante claridad. ~Adalberto García de Mendoza

Download or read book A Latin American Music Reader written by Javier F Leon and published by University of Illinois Press. This book was released on 2016-07-15 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Javier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors include Marina Alonso Bolaños, Gonzalo Camacho Díaz, José Jorge de Carvalho, Claudio F. Díaz, Rodrigo Cantos Savelli Gomes, Juan Pablo González, Rubén López-Cano, Angela Lühning, Jorge Martínez Ulloa, Maria Ignêz Cruz Mello, Julio Mendívil, Carlos Miñana Blasco, Raúl R. Romero, Iñigo Sánchez Fuarros, Carlos Sandroni, Carolina Santamaría-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.

Download or read book Music and Consciousness written by David Clarke and published by OUP Oxford. This book was released on 2011-07-28 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is consciousness? Why and when do we have it? Where does it come from, and how does it relate to the lump of squishy grey matter in our heads, or to our material and social worlds? While neuroscientists, philosophers, psychologists, historians, and cultural theorists offer widely different perspectives on these fundamental questions concerning what it is like to be human, most agree that consciousness represents a 'hard problem'. The emergence of consciousness studies as a multidisciplinary discourse addressing these issues has often been associated with rapid advances in neuroscience-perhaps giving the impression that the arts and humanities have arrived late at the debating table. The longer historical view suggests otherwise, but it is probably true that music has been under-represented in accounts of consciousness. Music and Consciousness aims to redress the balance: its twenty essays offer a timely and multi-faceted contribution to consciousness studies, critically examining some of the existing debates and raising new questions. The collection makes it clear that to understand consciousness we need to do much more than just look at brains: studying music demonstrates that consciousness is as much to do with minds, bodies, culture, and history. Incorporating several chapters that move outside Western philosophical traditions, Music and Consciousness corrects any perception that the study of consciousness is a purely occidental preoccupation. And in addition to what it says about consciousness the volume also presents a distinctive and thought-provoking configuration of new writings about music.

Download or read book Rhythm Musical Narrative and Origins of Human Communication written by and published by . This book was released on 2000 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Tango Dance and Music written by Kendra Stepputat and published by Taylor & Francis. This book was released on 2024-01-30 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to explore tango argentino as translocal practice, with a focus on the European context. Beyond that, the book crosses borders in the use of both qualitative and quantitative methods, ranging from participant observation to statistical data evaluation, including optical motion capture for movement analysis. Most of all, it is an important contribution to the emerging field of choreomusicology, focusing on movement and sound structures, dancers and musicians, and the complex relations between all of these factors that all have their share in shaping tango argentino practice.

Download or read book La m sica del siglo XX written by Francisco Ramos and published by Turner. This book was released on 2016-04 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: Partiendo de Debussy y llegando a Steve Reich. O empezando por Ablinger y acabando por Zimmerman. O arrancando en el impresionismo y siguiendo hasta la electroacústica. El lector puede elegir su forma de lectura en este libro torrencial, quizá el más completo escrito hasta la fecha, y no solo en español, sobre el complicado y muy diverso escenario de la música contemporánea durante el siglo XX. Vertebrada sobre itinerarios estéticos, la presente guía no deja de ser una historia de la música del siglo XX. La gran diferencia respecto a los manuales de historia estriba en la importancia que en este libro cobra el compositor, que junto al sonido es el eje fundamental del relato. (De la Introducción del autor). Relato es la palabra clave para un libro llamado a convertirse en un clásico: una obra llena de erudición, exhaustiva y utilísima como manual de referencia. Pero impregnada a la vez de amor por la música, de buen pulso narrativo y de una notable capacidad crítica.

Download or read book MuVi5 written by Dina Riccò and published by Artecittà International Foundation Publishing. This book was released on 2018-03-30 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: MuVi5 is the fifth edition of Visual Music dedicated videos – following upon MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almeria, 2012) and MuVi4 (Alcalá la Real, Jaén, 2015) – an event that completes the Fifth International Conference Sinestesia: Ciencia y Arte, which took place at Alcalá la Real, Jaén (Convento Capuchinos) and the “Victoria Eugenia” Conservatory of Music of Granada, in Spain, from May 18th to 21th.This is a collection of kinetic works in visual, audiovisual, or interactive fields, from artists, musicians, designers, and performers, designed on music. Alongside the videos from professionals are also works produced in the academic field, presented by professors, or directly by university students, academies of fine arts, and music conservatories. The catalog contains an extensive selection of photographs and videos submitted by participants whose home countries are European, including England (London), Hungary (Pécs), Ireland (Dublin), Italy (Milan), Poland (Warsaw), and Spain (Granada, Girona), as well as outside of Europe, including China (Hong Kong), New Zealand (Auckland), and the USA (Alabama, Massachusetts, Oregon). Links included about 100 minutes of online video. Direction and coordination Dina Riccò (Design Department, School of Design, Politecnico di Milano, Italy) Organizational direction María José de Córdoba Serrano (University of Granada, Drawing Department / Artecittà International Foundation, Granada, Spain), Francisco Toro Ceballos (Área de Cultura, Ayuntamiento de Alcalá la Real, Jaén) Scientific committee of the exposition Giovanni Baule (Design Department, School of Design, Politecnico di Milano, Italy) María José de Córdoba Serrano (University of Granada / Fundación Internacional Artecittà, Granada, Spain) José López Montes (Real Conservatorio Superior de Música “Victoria Eugenia” de Granada, Spain) Jesús Pertíñez López (Drawing Department, University of Granada, Spain) Dina Riccò (Design Department, School of Design, Politecnico di Milano, Italy) Juan García Villar (Painting Department, University of Granada, Spain) Collaborators Elena Caratti (Design Department, School of Design, Politecnico di Milano, Italy), Tremedad Gnecco Suarez (Faculty of Educational Sciences, University of Granada, Spain), Reynaldo Fernández Manzano (Centro de Documentación musical, Junta de Andalucía, Spain), Victor Parra (Univ. Pedagógica experimental libertador, Barquesimeto, Venezuela), Umberto Tolino (Design Department, School of Design, Politecnico di Milano, Italy), Concejalía de Cultura, Ayuntamiento de Alcalá la Real, Jaén, Spain Planning and running of exhibition María José de Córdoba Serrano, Francisco Toro Ceballos, Julia López de la Torre Lucha, Comisión artística Teatro Martinez Montañéz. Organizers Artecittà International Foundation (Granada, Spain), University of Granada (Faculty of Fine Arts, Faculty of Educational Sciences, Department of Drawing, Granada Spain), Politecnico di Milano (Design Department, School of Design, Italy) Patrons Ayuntamiento de Alcalá la Real (Jaén, Spain) Real Conservatorio Superior de Música “Victoria Eugenia” de Granada (Spain) Universidad Pedagógica experimental libertador (Instituto pedagógico “Luis Beltrán Prieto Figueroa”, Barquesimeto, Venezuela) Master’s Degree in Drawing: Creation, Production and Dissemination, University of Granada American Synesthesia Association (New York, US) IASAS International Association of Synaesthetes, Artists, and Scientists (San Francisco, US) Editorial staff Book and DVD edited by Dina Riccò and María José de Córdoba Serrano. The two editors have worked in collaboration for the whole book, more particularly: Dina Riccò has edited the pp. 15-40, 71-111; Maria José de Cordoba Serrano the pp. 41-70, 112-152. The videos, the texts descriptions of the videos and the figures are by the respective participants and authors Editing English texts: by Sean Day Editing Spanish texts: by María José de Córdoba, Julia López de la Torre Lucha Editing Italian texts: Dina Riccò Art direction: Dina Riccò Graphic design of the book and cover: Giulia Martimucci Motion graphic design: Gianluca Balzerano Interface design of the Dvd: Alessandro Zamperini Interaction design of the Dvd: Alberto Barone Web platform (www.muvi-visualmusic.tumblr.com): Elena Caratti, Dina Riccò, Umberto Tolino ISBN 13 (Book + Dvd): 978-84-943071-7-1 ISBN 13 (Ebook): 978-84-943071-9-5 © 2018 Artecittà International Foundation, Granada (Spain) www.artecitta.es, [email protected] Print: Imprenta del Carmen, Granada Printed in Spain. First edition: March 2018

Download or read book Actas del VII Congreso Internacional de Sinestesia Ciencia y Arte El Reto f sico digital VII International Congress Synaesthesia Science and Art The digital physical challenge 26 29 October 2022 live digital Granada Alcal la Real Spain Actividades Paralelas 2022 written by 51 autores investigadores and published by Fundación Internacional artecittà. This book was released on 2022-11-01 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Libro de Actas del VII Congreso Internacional de Sinestesia, Ciencia y Arte celebrado en Granada y Alcalá la Real, Jaén ( España) Sedes: Facultad de Bellas Artes Alonso Cano, Universidad de Granada, España. Convento de Capuchino, Alcalá la Real (Jaén), España. Teatro Martínez Montañés, Alcalá la Real (Jaén), España. Versión digital, Septiembre de 2022. Primera Edición/First edition: Septiembre 2022 E-book ISBN: 978-84-948665-6-2 Comité editorial: Mª José de Córdoba Serrano; Dina Riccò; Timothy B. Layden. Diseño imagen, trípticos de promoción y cartel: Federico Barquero Mesa. ©Editorial: Fundación Internacional Artecittà. Granada. 2022. C/Doctor Medina Olmos nº 44. 18015-Granada, España. [email protected] http://www.artecitta.es Nota aclaratoria: E-book interactivo. Formato PDF. Todo el material recogido en este libro de Actas está protegido por copyright, ley internacional, y no debe ser reproducido, distribuido, ni publicado sin el permiso expreso solicitado previamente a sus autores//All materials contained on this Book are protected by International copyright laws and cannot be reproduced, distributed, transmitted, displayed, published or broadcasted without the prior written permission of the publisher. Los textos se presentan como han sido enviados por los congresistas/investigadores, respetando si han querido publicar sus textos completos o sólo los resúmenes. Comité Organizador/Organization Committee: Comité de dirección: Mª José de Córdoba. F.I.A.C. y UGR, Granada, España.; Dina Riccò, Politecnico di Milano y F.I.A.C., Milán, Italia. Coordinadores FIAC: Julia López de la Torre y Timothy B Layden. Coordinadores Internacionales: Sean A Day, (IASAS y FIAC); Anton Sidoroff Dorso (Delegación FIAC Rusia); Ninghui Xiong (Delegación FIAC, (China); Timothy B Layden (Delegación FIAC, Inglaterra); Gaby Cardoso (Argentina). Comité Científico//scientific committee: Sean A Day, Joerg Jewanski, Anton Sidoroff Dorso, Danko Nikolic, Dina Riccò, Mª José de Córdoba, Helena Melero.

Download or read book Kickstarting Italian Opera in the Andes written by José Manuel Izquierdo König and published by Cambridge University Press. This book was released on 2023-01-31 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 19th century, Italian opera became truly transatlantic and its rapid expansion is one of the most exciting new areas of study in music and the performing arts. Beyond the Atlantic coasts, opera searched for new spaces to expand its reach. This Element discusses about the Italian opera in Andean countries like Chile, Peru, Ecuador and Bolivia during the 1840s and focuses on opera as a product that both challenged and was challenged in the Andes by other forms of performing arts, behaviours, technologies, material realities, and business models.

Download or read book Concert Life in Puerto Rico 1957 1992 written by Donald Thompson and published by La Editorial, UPR. This book was released on 1998 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt: Selection of articles and reviews of classical music performances. The work documents this aspect of Puerto Rican cultural and musical history within the indicated timeframe.

Download or read book Canciones populares y literatura de frica Oriental written by Aaron Louis Rosenberg and published by El Colegio de Mexico AC. This book was released on 2013 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Este estudio es un replanteamiento de la relación entre canciones y literatura en África oriental. Se examinan, en términos comparativos, las obras literarias y musicales de esta parte del continente con el fin de determinar y describir los caminos a partir de los cuales tales formas de la expresión creativa reflejan y transforman caminos prevalecientes y medios de formación de identidad de las personas cuyas vidas se extienden a través de varias "fronteras" y que desarrollan sentidos "superculturales" de sí mismos. El autor se basa en una extensa investigación de campo, así como en una multitud de entrevistas. La lectura atenta de las canciones y la literatura hace de este libro un estudio convincente para estudiantes de música y literatura africanas, y el análisis de las identidades africanas puede ser realmente para los estudiosos del nacionalismo tanto en África como en el mundo.