Download or read book Ingres in Pursuit of Perfection written by Patricia Condon and published by Indiana University Press. This book was released on 1983 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ingres in Pursuit of Perfection written by Patricia Condon and published by Indiana University Press. This book was released on 1983 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book IN PURSUIT OF PERFECTION written by and published by . This book was released on 1983 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ingres in Pursuit of Perfection written by and published by . This book was released on 1983 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ingres written by Marjorie B. Cohn and published by . This book was released on 1983 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ingres and the Studio written by Sarah E. Betzer and published by University of Pennsylvania Press. This book was released on 2012 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Download or read book Ingres written by Susan L. Siegfried and published by . This book was released on 2009 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative - in his classical literary, historical, and religious subjects - was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.
Download or read book Ingres written by Debra Edelstein and published by . This book was released on 1983 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dante on View written by Antonella Braida and published by Routledge. This book was released on 2017-05-15 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
Download or read book Ingres in Pursuit of Perfection written by Patricia Condon and published by . This book was released on 1983 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Seeing and Beyond written by Deborah J. Johnson and published by Peter Lang. This book was released on 2005 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume is an exciting, eclectic collection of essays in honor of Kermit S. Champa, a leading scholar of impressionism and critic of twentieth-century art. The lead essay by David Carrier is followed by others from several generations of scholars and museum curators trained by Professor Champa. Together, they cover an extremely wide historical range, from the eighteenth to twenty-first centuries, and honor Professor Champa's own scholarly rigor, methodological diversity, and intellectual breadth through topics ranging from art history to cultural studies."--Jacket
Download or read book Ingres and His Critics written by Andrew Carrington Shelton and published by Cambridge University Press. This book was released on 2005-10-03 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom.
Download or read book Painting as an Art written by Richard Wollheim and published by Princeton University Press. This book was released on 2023-08-15 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the twentieth century’s most influential texts on philosophical aesthetics Painting as an Art is acclaimed philosopher Richard Wollheim’s encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions—philosophy, psychology, and art—to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving—almost reenacting—the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, and de Kooning.
Download or read book David to Delacroix written by Dorothy Johnson and published by Univ of North Carolina Press. This book was released on 2011 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influen
Download or read book David to Corot written by Fogg Art Museum and published by Harvard University Press. This book was released on 1996 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalogue reproduces nearly 500 works which include the most significant group of drawings outside France by such masters as David, Gericault, Ingres, Delacroix and Prud'hon. Many of the drawings are published here for the first time
Download or read book Animating the Antique written by Sarah Betzer and published by Penn State Press. This book was released on 2022-08-08 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique. Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.
Download or read book Partisan Canons written by Anna Brzyski and published by Duke University Press. This book was released on 2007-10-08 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change. Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history. Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos
