Download or read book Plains Indian Rock Art written by James D. Keyser and published by University of Washington Press. This book was released on 2001 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Archaeologist Keyser and Klassen share with readers the origins, diversity, and beauty of Plains rock art, with the hope of encouraging greater awareness and respect for this cultural tradition by society as a whole. Their guide covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology and dating; and suggests interpretations of images and compositions. The text is illustrated throughout with black-and-white photos, maps and drawings. The writing is serious, but accessible to the general reader. c. Book News Inc.
Download or read book Storied Stone written by Linea Sundstrom and published by University of Oklahoma Press. This book was released on 2004 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a look at the history of the Black Hills country over the last ten thousand years through rock art, which illustrates the rich oral traditions, religious beliefs, and sacred places of the Lakota, Cheyenne, Kiowa, Mandan, and Hidatsa Indians who once lived there. Original
Download or read book Indian Rock Writings written by Samuel E. Hunter and published by Fulton Books, Inc.. This book was released on 2021-02-22 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Effigy Hill, Inscription Canyon, Black Mountain Complex, Superior Valley, Barstow, California 05/2018 Indian Rock Writings represents a paradigm shift in American Indian studies, from illegally contrived cultural obscuration to actual documented historical fact... For seven thousand years, the history surrounding the Battle of Bear Paw, in the Black Mountain Complex, Superior Valley of Southern California, was taught to ‘oot (proto-Uto-Aztecan) children using Indian rock writings. This Native American history is confirmed by Southern Ute Elder Dr. James Jefferson, PhD, and representatives from countless Ute enclaves throughout the United States, Central and South America. “We already know all these things,” stipulates Dr. Jefferson, confirming the contents of the book in accordance with Indian law. In the 1850s, this battle and all Indian history were stolen from the Native Americans by an attorney for the railroads, mining and banking industries. Here within these covers is a preliminary primer, dictionary, and thesaurus with which to supplement a small portion of recorded Indian history. A history recovered from Indian rock writings spanning several thousand years and two thousand miles from Southern California to Illinois, Texas to Montana. Perhaps the contents will inspire more field research and unmask Indian truths obscured by design for more than one hundred sixty-five years...
Download or read book The Rocks Begin to Speak written by LaVan Martineau and published by Las Vegas, Nev. : KC Publications. This book was released on 1973 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlocks the secrets of petroglyphs and pictographs, and opens the door to an understanding of prehistoric man.
Download or read book Plains Indian Rock Art written by James D. Keyser and published by University of Washington Press. This book was released on 2016-06-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries. Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.
Download or read book A Guide to Rock Art Sites written by David S. Whitley and published by Mountain Press Publishing. This book was released on 1996 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique full-color field guide is essential for anyone who seeks to understand why shamans in the Far West created rock art and what they sought to depict. Whitley is on the cutting edge of dating and interpreting the images as well as describing the
Download or read book Sacred Images written by Leslie G. Kelen and published by Gibbs Smith Publishers. This book was released on 1996 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sixty color and 15 bandw photographs utilize natural light and show Utah's prehistoric rock art images in the context of the surrounding canyons. The photos are presented with brief captions, and with the words of Ute, Paiute, Hopi, and Northwest Shoshone individuals who describe the what the art means to them personally. An introductory essay discusses the various artistic styles of native peopls of this region over a period of 8,000 years. N. Scott Momaday supplied the foreword. A lovely book. No index or references. 10x11" Annotation copyright by Book News, Inc., Portland, OR
Download or read book Heart of the Rock written by Adam Fortunate Eagle and published by University of Oklahoma Press. This book was released on 2002 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Indian journalist who covered the Native American occupation of Alcatraz in the early 1970s chronicles this seminal event in terms of its place in modern Indian history. (History)
Download or read book Indian Rock Art of the Southwest written by Polly Schaafsma and published by UNM Press. This book was released on 1986 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The comprehensive book on Indian petroglyphs in the Southwest.
Download or read book The Rock Art of Utah written by Polly Schaafsma and published by . This book was released on 1994 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. Over many centuries, the Fremont and Anasazi peoples left an artistic record in which distinctive styles are readily identifiable. The Rock Art of Utah is a guide to the many varieties of rock art found in the state. Through dozens of high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 30s, author Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. Now in an updated edition, it will engage anyone with an interest in the ancient peoples of the Colorado Plateau.
Download or read book India Psychedelic written by Sidharth Bhatia and published by Harper Collins. This book was released on 2014-02-05 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: The never-before-told story of the rock music scene in India of the 1960s and '70sIndia in the 1960s and early 1970s: a nation of perennial shortages. Into the staid and conservative landscape come floating in the sounds of 'Love, love me do'. Four young boys from Liverpool in 1962 set off a storm that swept teenagers in every remote corner of the world. In socialistic India, too, youngsters put on their dancing shoes to groove to this new sound, so different from anything they had heard till then. Some grew their hair, put on their bell-bottoms and picked up their guitars and the Indian pop and rock revolution was born. But it was not just the music that was important.As Sidharth Bhatia's colourful and incisive book tells us, it was an attempt by a new, post-independence generation - midnight's children - to assert their own voice. Theirs was a voyage of self-discovery, as they set out to seek freedom and liberation from older attitudes and values. At the end of this era, nothing - politics, society and fashion - would ever be the same again.
Download or read book Reading Rock Art written by Grace Rajnovich and published by Dundurn. This book was released on 2002-02-25 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than 400 rock paintings adorn the Canadian Shield from Quebec, across Ontario and as far west as Saskatchewan. The pictographs are the legacy of the Algonkian-speaking Cree and Ojibway, whose roots may extend to the beginnings of human occupancy in the region almost 10,000 years ago. Archaeologist Grace Rajnovich spent fourteen years of field research uncovering a multitude of clues as to the meanings of the paintings. She has written a text which is unique in its ability to "see" the paintings from a traditional native viewpoint. Skilfully weaving the imagery, metaphors and traditions of the Cree and Ojibway, the author has recaptured the poetry and wisdom of an ancient culture. Chief Willie Wilson of the Rainy River Band considers Grace's work "innovative and original."
Download or read book The History of the Five Indian Nations of Canada which are Dependent on the Province of New York and are a Barrier Between the English and French in that Part of the World written by Cadwallader Colden and published by . This book was released on 1904 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Prehistoric Indians written by Francis Audrey Barnes and published by . This book was released on 1979 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated guide to understanding the prehistoric Indian cultures of the general Four Corners region, with sections listing sites where the remnants of these cultures can be viewed.
Download or read book Recovering Native American Writings in the Boarding School Press written by Jacqueline Emery and published by University of Nebraska Press. This book was released on 2020-06-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2018 Outstanding Academic Title, selected by Choice Winner of the Ray & Pat Browne Award for Best Edited Collection Recovering Native American Writings in the Boarding School Press is the first comprehensive collection of writings by students and well-known Native American authors who published in boarding school newspapers during the late nineteenth and early twentieth centuries. Students used their acquired literacy in English along with more concrete tools that the boarding schools made available, such as printing technology, to create identities for themselves as editors and writers. In these roles they sought to challenge Native American stereotypes and share issues of importance to their communities. Writings by Gertrude Bonnin (Zitkala-Ša), Charles Alexander Eastman, and Luther Standing Bear are paired with the works of lesser-known writers to reveal parallels and points of contrast between students and generations. Drawing works primarily from the Carlisle Indian Industrial School (Pennsylvania), the Hampton Institute (Virginia), and the Seneca Indian School (Oklahoma), Jacqueline Emery illustrates how the boarding school presses were used for numerous and competing purposes. While some student writings appear to reflect the assimilationist agenda, others provide more critical perspectives on the schools’ agendas and the dominant culture. This collection of Native-authored letters, editorials, essays, short fiction, and retold tales published in boarding school newspapers illuminates the boarding school legacy and how it has shaped Native American literary production.
Download or read book Indian Rock Art of the Columbia Plateau written by James D. Keyser and published by University of Washington Press. This book was released on 2016-06-01 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the river valleys of interior British Columbia south to the hills of northern Oregon and east to the continental divide in western Montana, hundreds of cliffs and boulders display carved and painted designs created by ancient artists who inhabited this area, the Columbia Plateau, as long as seven thousand years ago. Expressing a vital social and spiritual dimension in the lives of these hunter-gathers, rock art captivates us with its evocative power and mystery. At once an irreplaceable yet fragile cultural resource, it documents Native histories, customs, and visions through thousands of years. This valuable reference and guidebook addresses basic questions of what petroglyphs and pictographs are, how they were produced, and how archaeologists classify and date them. James Keyser identifies five regions on the Columbia Plateau, each with its own variant of the rock art style identifiable as belonging exclusively to the region. He describes for each region the setting and scope of the rock art along with its design characteristics and possible meaning. Through line drawings, photographs, and detailed maps he provides a guide to the sites where rock art can be viewed. In western Montana, rock art motifs express the ritualistic seeking of a spirit helper from the natural world. In interior British Columbia, rayed arcs above the heads of human figures demonstrate possession of a guardian spirit. Twin figures on the central Columbia Plateau reveal another belief--the special power of twins--and hunting scenes celebrate success of the chase. The grimacing evocative face of Tsagiglalal, in lower Columbia pictographs, testifies to the Plateau Indians’ “death cult” response to the European diseases that decimated their villages between 1700 and 1840. On the southeastern Plateau, images of horse-back riders mark the adoption, after 1700 of the equestrian and cultural habits of the northwestern Great Plains Indians. Despite geographic differences in emphasis, similarities in design and technique link the drawings of all five regions. Human figures, animals depicting numerous species on the Plateau, geometric motifs, mysterious beings, and tally marks, whether painted or carved, appear throughout the Columbia Plateau.
Download or read book Native Removal Writing written by Sabine N. Meyer and published by University of Oklahoma Press. This book was released on 2022-01-27 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Standing Rock Sioux protest against the Dakota Access Pipeline, an activist observed, “Forced removal isn’t just in the history books.” Sabine N. Meyer concurs, noting the prominence of Indian Removal, the nineteenth-century policy of expelling Native peoples from their land, in Native American aesthetic and political praxis across the centuries. Removal has functioned both as a specific set of historical events and a synecdoche for settler colonial dispossession of Indigenous communities across hemispheres and generations. It has generated a plethora of Native American writings that negotiate forms of belonging—the identities of Native collectives, their proprietary relationships, and their most intimate relations among one another. By analyzing these writings in light of domestic settler colonial, international, and tribal law, Meyer reveals their coherence as a distinct genre of Native literature that has played a significant role in negotiating Indigenous identity. Critically engaging with Native Removal writings across the centuries, Meyer’s work shows how these texts need to be viewed as articulations of Native identity that respond to immediate political concerns and that take up the question of how Native peoples can define and assert their own social, cultural, and legal-political forms of living, being, and belonging within the settler colonial order. Placing novels in conversation with nonfiction writings, Native Removal Writing ranges from texts produced in response to the legal and political struggle over Cherokee Removal in the late 1820s and 1830s, to works written by African-Native writers dealing with the freedmen disenrollment crisis, to contemporary speculative fiction that links the appropriation of Native intangible property (culture) with the earlier dispossession of their real property (land). In close, contextualized readings of John Rollin Ridge, John Milton Oskison, Robert J. Conley, Diane Glancy, Sharon Ewell Foster, Zelda Lockhart, and Gerald Vizenor, as well as politicians and scholars such as John Ross, Elias Boudinot, and Rachel Caroline Eaton, Meyer identifies the links these writers create between historical past, narrated present, and political future. Native Removal Writing thus testifies to both the ongoing power of Native Removal writing and its significance as a critical practice of resistance.
