Download or read book IL RE PASTORE DRAMMA PER MUSICA DA RAPPRESENTARSI NEL REGIO TEATRO DI VARSAVIA written by and published by . This book was released on 1762 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book I libretti italiani a stampa dalle origini al 1800 R Z written by Claudio Sartori and published by . This book was released on 1990 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Il re pastore written by Pietro Metastasio and published by . This book was released on 1762 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliografia polska written by Karol Estreicher and published by . This book was released on 1915 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Performing Operas for Mozart written by Ian Woodfield and published by Cambridge University Press. This book was released on 2012 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the Prague Italian opera company and its role in performing Mozart's works in the late eighteenth-century.
Download or read book Mozart in Vienna written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2017-09-21 with total page 719 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.
Download or read book Remaking the Song written by Roger Parker and published by Univ of California Press. This book was released on 2006-04-20 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Cabals and Satires written by Ian Woodfield and published by . This book was released on 2019 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cabals and Satires: Mozart's Comic Operas in Vienna is a study of the political context in which Mozart wrote his three most famous Italian comedies, Figaro, Don Giovanni, and Così fan tutte. Joseph II's decision to place his opera buffa troupe in competition with the Singspiel provoked a struggle between the rival national genres, both supported by vociferous cabals. Mozart's deft navigation of the turbulent political waters of this period and the ensuing Austro-Turkish War left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the lean war years.
Download or read book Mozart in Prague written by Kathryn L. Libin and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Reminiscences written by Richard Edgcumbe Earl of Mount Edgcumbe and published by . This book was released on 1834 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera in London written by Theodore Fenner and published by SIU Press. This book was released on 1994 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Download or read book A Thousand and One Nights of Opera written by Frederick Herman Martens and published by . This book was released on 1926 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Arie Da Camera written by and published by . This book was released on 1996-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vocal
Download or read book Italian Opera in Late Eighteenth century London The King s Theatre Haymarket 1778 1791 written by Curtis Alexander Price and published by . This book was released on 1995 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interdisciplinary study attempts to make sense of what has long been regarded as a chaotic period in the history of opera in London. In 1778, R.B. Sheridan acquired the King's Theatre and its resident opera company in what we would now call a leveraged buy-out, plunging the opera into escalating debts that were to haunt it into the 1840s. The 1780s and early 1790s were a stormy but exciting era: the company hired some of the foremost singers and dancers in Europe; ballet d'action came to London, with Noverre himself as ballet master; the company employed such composers as Sacchini, Anfossi, Cherubini and ultimately Haydn; it went bankrupt and carried on through years of wrangling in chancery; the King's Theatre burned down in 1789 and was rebuilt and re-opened in defiance of the Lord Chamberlain's refusal to license the new building. Drawing on libretti and scores, ballet scenarios, pamphlets, scattered manuscripts, legal records, architectural drawings, newspapers, and other sources, the authors reconstruct the history of the company and its shifting artistic policies, analyzing opera and ballet repertory, performers, production circumstances, finances, and managerial infighting.
Download or read book Wolfgang Amad Mozart written by Stanley Sadie and published by Oxford University Press. This book was released on 1996 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a collection based on the Royal Musical Association's Mozart Conference of 1991, the principal scholarly event in the English-speaking world in commemoration of the bicentenary. It includes essays placing Mozart in the context, in Salzburg and Vienna, in which he worked, explaining aspects of his life and work hitherto obscure; essays interpreting his instrumental music; and a substantial series of studies on different aspects of his operas, from Lucio Silla to La clemenza di Tito, with particular stress on the creative processes in the Da Ponte operas.
Download or read book More Scott Operas written by Jerome Mitchell and published by . This book was released on 1996 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.
