Download or read book Il Duello d amore e di vendetta drama per musica Poesia di Francesco Silvani Venezia Teatro Vendramino di S Salvatore 1700 written by Francesco Silvani and published by . This book was released on 1700 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1914 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book I libretti italiani di Georg Friedrich H ndel e le loro fonti Da Vincer se stesso la maggior vittoria 1707 a L Elpidia overo Li rivali generosi 1725 2 v written by George Frideric Handel and published by . This book was released on 1992 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Il duello d amore e di vendetta written by Francesco Silvani and published by . This book was released on 1983 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book La Virt trionfante dell amore e dell odio drama per musica di Francesco Silvani Nova impressione Venezia Teatro Vendramino di S Salvatore 1691 written by Francesco Silvani and published by . This book was released on 1716 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Il Tradimento traditor di se stesso drama per musica di Francesco Silvani Venezia Teatro Grimani di S Giovanni Grisostomo 1711 written by Francesco Silvani and published by . This book was released on 1711 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Il Duello d Amore e di Vendetta written by Francesco Silvani and published by . This book was released on 1700 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Oratorio in Modena written by Victor Crowther and published by Oxford University Press, USA. This book was released on 1992 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late seventeenth century the oratorio in Italy was in a state of flux. Ostensibly religious in character, it was becoming increasingly prone to operatic influence and subject to political pressure from wealth patrons. One notable patron was Francesco II d'Este, duke of Modena from 1674 to 1694, who was a generous sponsor of the oratorio and an avid collector of musical scores. This book is the first to study the oratorio genre as it pertained to Modena, and to offer a critical survey of Francesco II's oratorio collection, setting it within the context of the duchy's uneasy political relationships with Rome, Paris, and London. It describes the development of the oratorio tradition in Modena under the direction of successive court maestri, dealing with the range of works and singling out specific masterpieces by Ferrari, Stradella, de Grandis, Scarlatti, Colonna, Gianettini, Palermino, Vitali, Pistocchi, and Vinacesi for detailed examination. Since few critical editions of these works are available, these discussions are amplified by many quotations from libretti and scores. The book also covers general historical matters that had an effect upon the oratorio in Modena, for example the renovation of the city and its institutions in the early seventeenth century, the development of the Cappella Ducale, the religious life of the city and court, and the political alliances which were crucial to the security and prestige of the duchy.

Download or read book Inventing the Business of Opera written by Beth Glixon and published by Oxford University Press. This book was released on 2005-12-01 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history.

Download or read book Opera in Seventeenth Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

Download or read book Fastorum Libri Sex written by Ovid and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: