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Book Idea and Image in Indian Art

Download or read book Idea and Image in Indian Art written by Niharranjan Ray and published by New Delhi] : Munshiram Manoharlal Publishers. This book was released on 1973 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrations: 98 b/w illustrations Description: Idea and Image in Indian Art presents an exercise in the understanding of a few of the fundamental imaginative and aesthetic values of Indian art. The exercise makes full use of the archaeology and iconography of Indian art, but is not concerned with either. Its principal concern is Indian art, the author underlines. What in Indian art this exercise seeks to explore, is the nature and character of the relationship between IDEA and IMAGE, both in a process of change through time under the stress of situations which socio-religious and ideological as much as aesthetic and technical. From the rich repertory of ideas or themes on which imaginative and intellectual speculation in India as articulated in literary language, have always been very subtle, abstruse and abstract, the author has chosen three, with a view to find out as to how these IDEAS were concretized in terms of IMAGES through the medium of the plastic language of sculpture, and how the forms of IMAGES in their turn, affected the lives of the respective IDEAS. In the process the author has traversed the entire field of high Indian art. The author does not claim that his exercise is anything more than an experimental one. If it opens up a new line of inquiry in the field of Indian art and aesthetics it will have justified itself, he hopes nevertheless.

Book Ideas and Images  A Historical Interpretation of Eastern Vindhyan Rock Art  India

Download or read book Ideas and Images A Historical Interpretation of Eastern Vindhyan Rock Art India written by Ajay Pratap and published by Archaeopress Publishing Ltd. This book was released on 2024-06-13 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that the development of symbols and signs informing scripts, mainly the idea of coding thoughts through symbols and images, has always been uniquely ‘historical.’ Rock art abuts and occupies long periods of time in which the translation of indigenous thoughts was perfected through numerous mnemonic practices.

Book Ideals of Indian Art

    Book Details:
  • Author : Ernest Binfield Havell
  • Publisher : Palala Press
  • Release : 2018-02-24
  • ISBN : 9781378669686
  • Pages : 278 pages

Download or read book Ideals of Indian Art written by Ernest Binfield Havell and published by Palala Press. This book was released on 2018-02-24 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book Development of Modern Art Criticism in India after Independence

Download or read book Development of Modern Art Criticism in India after Independence written by Dr. Sangeeta and published by Notion Press. This book was released on 2017-10-06 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Any artistic creation, be it a painting or sculpture, initiates a reaction within us, invoking within us a desire to analyse or evaluate it. The criticism of art definitely has its presence. But the question is—in what form and of what relevance is it? Art criticism is exclusively presented in the written form—it does not consist of descriptions of pictures, interpretations, or re-creations; but of something new and autonomous, related to the piece of art in some way. Criticism always gives us novel ideas for modern art, which in turn, enriches the Indian heritage. Art has been part of our life since ancient times. Traditionally, Indian art writing was mainly composed of commentaries on courtly art conventions and on the poetic texts that inspired paintings and sculptures. Since the 20th century, there has been a breakdown of established conceptions of meaning in the all streams of arts and several rapid changes in artistic style. This book will help readers understand the journey of modern art criticism since Indian independence. It formulates as precisely as possible, the basic principles and norms that will enrich artistically sensitive laymen and critics alike.

Book Idea And Image In Indian Art

Download or read book Idea And Image In Indian Art written by Niharranjan Ray and published by . This book was released on 1973 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Iconology of Composite Images

Download or read book Iconology of Composite Images written by Dipak Chandra Bhattacharyya and published by . This book was released on 1980 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrations: 46 b/w figures Description: This is the first-ever exclusive study of the composite images of Indian iconography. Of the five chapters of the book, the one on Supreme Form can legitimately claim to be the first-ever comprehensive treatment of the theme concerned. The emphasis has been on the study of the socio-historical perspective of the images. The critical apparatus used consists of original source-materials, both published and unpublished. Copious textual citations and visual documentation in the form of more than forty illustrations of images lend authenticity to the volume which doubtless is a significant scholarly contribution to the iconological study of Indian art.

Book Gods in the Bazaar

    Book Details:
  • Author : Kajri Jain
  • Publisher : Duke University Press
  • Release : 2007-04-06
  • ISBN : 9780822339267
  • Pages : 458 pages

Download or read book Gods in the Bazaar written by Kajri Jain and published by Duke University Press. This book was released on 2007-04-06 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVA theoretically informed cultural study of the design, production, and circulation of Indian calendar art./div

Book Native Moderns

    Book Details:
  • Author : Bill Anthes
  • Publisher : Duke University Press
  • Release : 2006-11-03
  • ISBN : 9780822338666
  • Pages : 330 pages

Download or read book Native Moderns written by Bill Anthes and published by Duke University Press. This book was released on 2006-11-03 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.

Book Gods in the Time of Democracy

    Book Details:
  • Author : Kajri Jain
  • Publisher : Duke University Press
  • Release : 2021-01-08
  • ISBN : 1478012889
  • Pages : 267 pages

Download or read book Gods in the Time of Democracy written by Kajri Jain and published by Duke University Press. This book was released on 2021-01-08 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”

Book Art for a Modern India  1947 1980

Download or read book Art for a Modern India 1947 1980 written by Rebecca M. Brown and published by Duke University Press. This book was released on 2009-03-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.

Book Interpretation of Indian Art

Download or read book Interpretation of Indian Art written by N. Bhuvanendran and published by . This book was released on 1991 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Square and the Circle of the Indian Arts

Download or read book The Square and the Circle of the Indian Arts written by Kapila Vatsyayan and published by Abhinav Publications. This book was released on 1997 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.

Book The Place of Many Moods

    Book Details:
  • Author : Dipti Khera
  • Publisher : Princeton University Press
  • Release : 2020-09-29
  • ISBN : 0691201846
  • Pages : 232 pages

Download or read book The Place of Many Moods written by Dipti Khera and published by Princeton University Press. This book was released on 2020-09-29 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: "India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--

Book R  pa pratir  pa

Download or read book R pa pratir pa written by Naman P. Ahuja and published by . This book was released on 2014 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition held at National Museum, New Delhi during 14th March to 7th June 2014.

Book The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art

Download or read book The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art written by Arindam Chakrabarti and published by Bloomsbury Publishing. This book was released on 2016-02-25 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.

Book Indian Art

Download or read book Indian Art written by and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Essays on Indian Art and Architecture

Download or read book Essays on Indian Art and Architecture written by Raj Kumar and published by Discovery Publishing House. This book was released on 2003 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.