Download or read book How a Man May Choose a Good Wife from a Bad written by and published by . This book was released on 1912 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book How a Man May Choose a Good Wife from a Bad written by Jo Cooke and published by . This book was released on 1912 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tudor Facsimile Texts How a man may choose a good wife from a bad 1912 written by and published by . This book was released on 1912 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Pleasant Conceited Comedie written by Joshua Cooke and published by . This book was released on 1602 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Yale Studies in English written by Otelia Cromwell and published by . This book was released on 1928 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Style Computers and Early Modern Drama written by Hugh Craig and published by Cambridge University Press. This book was released on 2017-08-03 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book uses computational methods and statistical analysis to challenge traditional assumptions about the plays of Shakespeare and his contemporaries.
Download or read book Publishing the History Play in the Time of Shakespeare written by Amy Lidster and published by Cambridge University Press. This book was released on 2022-03-17 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the early modern period, the publication process decisively shaped the history play and its reception. Bringing together the methodologies of genre criticism and book history, this study argues that stationers have – through acts of selection and presentation – constructed some remarkably influential expectations and ideas surrounding genre. Amy Lidster boldly challenges the uncritical use of Shakespeare's Folio as a touchstone for the history play, exposing the harmful ways in which this has solidified its parameters as a genre exclusively interested in the lives of English kings. Reframing the Folio as a single example of participation in genre-making, this book illuminates the exciting and diverse range of historical pasts that were available to readers and audiences in the early modern period. Lidster invites us to reappraise the connection between plays on stage and in print, and to reposition playbooks within the historical culture and geopolitics of the book trade.
Download or read book Outlines of the Life of Shakespeare written by James Orchard Halliwell-Phillipps and published by . This book was released on 1881 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Thomas Heywood a Study in the Elizabethan Drama of Everyday Life written by Otelia Cromwell and published by . This book was released on 1928 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Modern Drama and the Bible written by A. Streete and published by Springer. This book was released on 2011-10-27 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early modern drama is steeped in biblical language, imagery and stories. This collection examines the pervasive presence of scripture on the early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show how theatre offers a site of public and communal engagement with the Bible.
Download or read book The Masters of the Revels and Elizabeth I s Court Theatre written by W. R. Streitberger and published by Oxford University Press. This book was released on 2017-08-17 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
Download or read book The National Union Catalog Pre 1956 Imprints written by Library of Congress and published by . This book was released on 1973 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pre restoration Stage Studies written by William John Lawrence and published by . This book was released on 1927 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Drama 1533 1642 1598 1602 written by Martin Wiggins and published by . This book was released on 2012 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
Download or read book A Topographical Dictionary to the Works of Shakespeare and His Fellow Dramatists written by Edward Holdsworth Sugden and published by . This book was released on 1925 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The senses in early modern England 1558 1660 written by Simon Smith and published by Manchester University Press. This book was released on 2020-02-28 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Considering a wide range of early modern texts, performances and artworks, the essays in this collection demonstrate how attention to the senses illuminates the literature, art and culture of early modern England. Examining canonical and less familiar literary works alongside early modern texts ranging from medical treatises to conduct manuals via puritan polemic and popular ballads, the collection offers a new view of the senses in early modern England. The volume offers dedicated essays on each of the five senses, each relating works of art to their cultural moments, whilst elsewhere the volume considers the senses collectively in particular cultural contexts. It also pursues the sensory experiences that early modern subjects encountered through the very acts of engaging with texts, performances and artworks. This book will appeal to scholars of early modern literature and culture, to those working in sensory studies, and to anyone interested in the art and life of early modern England.
Download or read book Children of the Queen s Revels written by Lucy Munro and published by Cambridge University Press. This book was released on 2005-11-03 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a detailed study of the Children of the Queen's Revels, the most enduring and influential of the Jacobean children's companies. Between 1603 and 1613 the Queen's Revels staged plays by Francis Beaumont, George Chapman, John Fletcher, Ben Jonson, John Marston and Thomas Middleton, all of whom were at their most innovative when writing for this company. Combining theatre history and critical analysis, this study provides a history of the Children of the Queen's Revels, and an account of their repertory. It examines the 'biography' of the company - demonstrating the involvement in dramatic production of dramatists, shareholders, patrons, audiences and actors alike, and reappraising issues such as management, performance style and audience composition - before exploring their groundbreaking practices in comedy, tragicomedy and tragedy. The book also includes five documentary appendices detailing the plays, people and performances of the Queen's Revels Company.