Download or read book Heroism and Divine Justice in Sophocles Philoctetes written by Joe Park Poe and published by BRILL. This book was released on 2018-06-22 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Heroism and Divine Justice in Sophocles Philoctetes written by Joe Park Poe and published by BRILL. This book was released on 1974 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book When Heroes Sing written by Sarah Nooter and published by Cambridge University Press. This book was released on 2012-05-31 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the lyrical voice of Sophocles' heroes and argues that their identities are grounded in poetic identity and power.
Download or read book Sophocles Philoctetes written by Sophocles and published by Cambridge University Press. This book was released on 2013-09-12 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accessible edition with commentary of this widely read but highly complex and challenging play. Provides help with morphology, grammar and syntax and interpretation of the text in its historical, social, cultural and intellectual contexts. The introduction also gives an account of its reception from antiquity to the present day.
Download or read book Classica et Mediaevalia vol 61 written by and published by Museum Tusculanum Press. This book was released on with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sophocles written by Jacques Jouanna and published by Princeton University Press. This book was released on 2022-01-11 with total page 892 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, for the first time in English, is celebrated French classicist Jacques Jouanna's magisterial account of the life and work of Sophocles. Exhaustive and authoritative, this acclaimed book combines biography and detailed studies of Sophocles' plays, all set in the rich context of classical Greek tragedy and the political, social, religious, and cultural world of Athens's greatest age, the fifth century. Sophocles was the commanding figure of his day. The author of Oedipus Rex and Antigone, he was not only the leading dramatist but also a distinguished politician, military commander, and religious figure. And yet the evidence about his life has, until now, been fragmentary. Reconstructing a lost literary world, Jouanna has finally assembled all the available information, culled from inscriptions, archaeological evidence, and later sources. He also offers a huge range of new interpretations, from his emphasis on the significance of Sophocles' political and military offices (previously often seen as honorary) to his analysis of Sophocles' plays in the mythic and literary context of fifth-century drama. Written for scholars, students, and general readers, this book will interest anyone who wants to know more about Greek drama in general and Sophocles in particular. With an extensive bibliography and useful summaries not only of Sophocles' extant plays but also, uniquely, of the fragments of plays that have been partially lost, it will be a standard reference in classical studies for years to come.
Download or read book Literature Religion and East West Comparison written by Anthony C. Yu and published by University of Delaware Press. This book was released on 2005 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book pays critical homage to the eminent comparatist of Chinese and Western literature and religion, Anthony C. Yu of The University of Chicago. Broadly comparative, cross-cultural, and interdisciplinary in scope, the volume consists of an introductory essay on Yu's scholarly career, and thirteen additional essays on topics such as literary texts and traditions of varying provenance and periods, ranging from ancient Greece, medieval Europe, and nineteenth- and twentieth-century England and America, to China from the classical to modern periods. The disciplines and areas of research that the essays draw into constructive engagement with one another include comparative literature, religion and literature, history of religions, (or comparative religion), religion and social thought, and the study of myth. Eric Ziolkowski is Professor and Head of the Department of Religious Studies at Lafayette College.
Download or read book A Guide to Ancient Greek Drama written by Ian C. Storey and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC. A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and the theatre; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. Includes 46 one-page synopses of each of the surviving plays.
Download or read book The Divine Verdict written by John Gwyn Griffiths and published by BRILL. This book was released on 1991 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theme of divine judgement has often been treated, but usually with a concentration on one it its two main aspects: either that which is seen in the present life and in history or that which is believed to occur only after death. This new study seeks to combine the two aspects. It also tries to cover the whole spectrum of the ancient religions. Special attention is given to Israel, Greece, and Egypt. Israel's neighbours are also considered, and there are discussions of Judaism, Christianity, and Zoroastrianism. In several areas, notably in Egypt and Israel, it is shown that punishment in this life is sometimes presented as a fate that man brings upon himself rather than as one imposed by God, though always against a moral background derived from religion. The origins of judgement after death in the Judaeo-Christian tradition are examined in some detail and elements are traced to Egyptian, Zoroastrian, and Judaic sources.
Download or read book Acts of Compassion in Greek Tragic Drama written by James Franklin Johnson and published by University of Oklahoma Press. This book was released on 2016-10-27 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ability of human beings to feel compassion or empathy for one another—and express that emotion by offering comfort or assistance—is an important antidote to violence and aggression. In ancient Greece, the epics of Homer and the tragic dramas performed each spring in the Theater of Dionysus offered citizens valuable lessons concerning the necessity and proper application of compassionate action. This book is the first full-length examination of compassion (eleos or oiktos in Greek) as a dramatic theme in ancient Greek literature. Through careful textual analysis, James F. Johnson surveys the treatment of compassion in the epics of Homer, especially the Iliad, and in the works of the three great Athenian tragedians: Aischylos, Euripides, and Sophokles. He emphasizes reciprocity, reverence, and retribution as defining features of Greek compassion during the Homeric and Archaic periods. In framing his analysis, Johnson distinguishes compassion from pity. Whereas in English the word “pity” suggests an attitude of superiority toward the sufferer, the word “compassion” has a more positive connotation and implies equality in status between subject and object. Although scholars have conventionally translated eleos and oiktos as “pity,” Johnson argues that our modern-day notion of compassion comes closest to encompassing the meaning of those two Greek words. Beginning with Homer, eleos normally denotes an emotion that entails action of some sort, whereas oiktos usually refers to the emotion itself. Johnson also draws associations between compassion and the concepts of fear and pity, which Aristotle famously attributed to tragedy. Because the Athenian plays are tragedies, they mainly show the disastrous consequences of a world where compassion falls short. At the same time, they offer glimpses into a world where compassion can generate a more beneficial—and therefore more hopeful—outcome. Their message resonates with today’s readers as much as it did for fifth-century Athenians.
Download or read book Sophocles and the Politics of Tragedy written by Jonathan N. Badger and published by Routledge. This book was released on 2013-03-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sophocles and the Politics of Tragedy is an inquiry into a fundamental political problem made visible through the tragic poetry of Sophocles. In part I Badger offers a detailed exegesis of three plays: Ajax, Antigone, and Philoctetes. These plays share a common theme, illuminating a persistent feature of political life, namely the antagonism between the heroic commitment to the beautiful and the transcendent on the one hand, and the community’s need for bodily safety and material security on the other. This conceptual structure not only helps us understand these plays but also establishes a distinctive vision of the tragic dimension of political life—a vision that can be applied fruitfully to examinations of political projects quite distant from the world of fifth-century Athens. Such an application is the aim of part II, in which Badger coordinates the results of the inquiries of part I and applies them to a consideration of the competing claims of three strands of medieval and early modern political philosophy: ecclesiastical rule, scientific domination, and liberal government. Badger identifies the last of these—early modern liberalism—as a "tragic politics" that seeks to sustain and contain the tension between transcendent longing and material need.
Download or read book Tragic Rites written by Adriana E. Brook and published by University of Wisconsin Pres. This book was released on 2018 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the literary and dramatic function of ritual within the world of Sophocles' plays, for scholars of Greek tragedy, ancient theater, and poetics.
Download or read book Private Morality in Greece and Rome written by W. den Boer and published by BRILL. This book was released on 2018-07-17 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sophocles An Interpretation written by R. P. Winnington-Ingram and published by Cambridge University Press. This book was released on 1980-02-28 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: A series of interconnected studies which analyze the seven surviving tragedies by Sophocles.
Download or read book Musical Design in Sophoclean Theater written by William C. Scott and published by Dartmouth College Press. This book was released on 1996-01-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: William C. Scott extends concepts set forth in his Goodwin Award-winning Musical Design in Aeschylean Theater (1984) by examining scansion patterns in the odes of the seven surviving Sophoclean tragedies. Analyzing the play as performed-its full expression in words, music, and dance-Scott finds that Sophocles' metrical patterns are not a secondary detail of the plays but a central feature of their musical organization. Just as the playwright enhanced awareness of themes with a series of recurring and developing verbal images, he also designed the music to guide the audience's understanding of unfolding, often ambiguous events. The fabric of music and meaning is so tightly woven, Scott argues, that significant portions of the plays cannot be fully realized on stage unless the musical effects created by the poet are incorporated. While his work necessarily centers on the chorus, Scott carefully integrates that role into the meaning of the play as a whole, asserting that the chorus becomes a single persona, a character with partial knowledge, limited perspective, and inconsistent responses. The combination of words, meters, and forms provides a new perspective on each play.
Download or read book The Cycle of Troy in Geoffrey Chaucer written by José Maria Gutiérrez Arranz and published by Cambridge Scholars Publishing. This book was released on 2009-10-02 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aim of the author of this book is to bring home not only to researchers, but to every kind of audience the repercussions of a literary topic that was an essential part of Classical education and, even more, a crucial subject in and outside the academic world. In ancient Greece and Rome, the Cycle of Troy was viewed as an essential compilation of information and educational models which was a vivid testimony throughout the history of Greek and Roman influence. Yet in the middle Ages, Trojan myths, just as with those concerning other characters like Hercules or Jason, were transformed into models of human behaviour, i.e. underwent the process of “moralization”. We say “Moralitee” to point out how Geoffrey Chaucer recreates those myths. Although we will extensively discuss how Chaucer recreates the Trojan myths in his works, we can anticipate what the reader will find. Chaucer manipulates his material from a multifold point of view: first of all, Chaucer was a man of his times, an unquiet mind and personality who always plays different games with that material. We might consider heroic the fact that Chaucer would pour out on his work the great background that the European writers (mainly Boccaccio, Dante, and Petrarch) supplied him (we will remember how difficult collecting information was in a period of vast lack of what we might call “media”). Come what may, he projects his wisdom to stress the most surmounting aspects of the formal characterization of the myths, and integrates them into the proper contexts of his works, as one of the key forces that the audience is expected to revive with the knowledge that it is supposed to own.
Download or read book The Tragic Paradox written by Leonard Moss and published by Lexington Books. This book was released on 2014-03-24 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In Athenian and Shakespearean tragedy, self-righteous male or female aristocrats instigate their own disgrace, shame, and guilt, an un-expected diminishment. They are victimized by a magnificent obsession, a fantasy of un-alloyed authority or virtue, a dream of perfect self-sufficiency or trust. The authors of tragedy revised the concept of “nobility” to reflect the strange fact that grandeur elicits its own annulment. “Strengths by strengths do fail,” Shakespeare wrote in Coriolanus. The playwrights made this paradoxical predicament concrete with a narrative format that equates self-assertion with self-detraction, images that revolve between incredible reversals and provisional reinstatements, and speech that sounds impressively weighty but masks deception, disloyalty, cynicism, and insecurity. Three heroic philosophers, Plato, Hegel, and Nietzsche, contributed invaluable but contrasting accounts of these literary languages (Aristotle's Poetics will be discussed in connection with Plato's attitude toward poetry). Their divergent descriptions can be reconciled to show that invalidations as well as affirmations—the transmission of contraries—are essential for tragic composition. An equivocal rhetoric, a mutable imagery, and an ironic progression convey the tortuous pursuit of personal preeminence or (in later tragic works by Kafka and Strindberg) family solidarity and communal safety. I am trying to integrate the disparate arguments offered by several notable theorists with technical procedures fashioned by the Athenian dramatists and recast by Shakespeare and other writers, procedures that articulate the tragic paradox.
