Download or read book Handbook of Soviet and East European Films and Filmmakers written by Thomas J. Slater and published by Greenwood. This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the film art that was still being produced behind the Iron Curtain, even during such repressive regimes as those of Stalin and Brezhnev. By means of detailed historiographical essays for each country, it provides a history of cinematic evolution in the Soviet Union and Eastern Europe.
Download or read book Handbook of Soviet and East European Films and Filmmakers written by Thomas J. Slater and published by Greenwood. This book was released on 1992 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the film art that was still being produced behind the Iron Curtain, even during such repressive regimes as those of Stalin and Brezhnev. By means of detailed historiographical essays for each country, it provides a history of cinematic evolution in the Soviet Union and Eastern Europe.
Download or read book Before the Wall Came Down written by Graham Petrie and published by University Press of America. This book was released on 1990 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proceedings of a conference on the topic of Soviet and East European film makers working in the West held at McMaster University in Ontario in March 1989. The volume considers Soviet, Polish, Czech and Hungarian cinema, with particular emphasis on the films by Milos Forman and Jerzy Skolimowski.
Download or read book The Most Important Art written by Mira Liehm and published by Univ of California Press. This book was released on 1980-01-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The BFI Companion to Eastern European and Russian Cinema written by British Film Institute and published by . This book was released on 2000 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is a map to the rich and varied cinema of Eastern Europe, Russia and the former USSR. It includes entries on actors and actresses, film festivals, studios, genres, film movements, directors, critics and producers and technicians.
Download or read book Bibliographic Guide to Soviet and East European Studies 1992 written by G. K. Hall and Co. Staff and published by Macmillan Reference USA. This book was released on 1993-06 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The BFI Companion to Eastern European and Russian Cinema written by Richard Taylor and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
Download or read book The Most Important Art written by Mira Liehm and published by . This book was released on 1988 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Film Studies written by Annette Kuhn and published by OUP Oxford. This book was released on 2012-06-21 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
Download or read book The Cinema of Central Europe written by Peter Hames and published by Wallflower Press. This book was released on 2004 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysis of 24 films including: People of the mountains, Ashes and diamonds, Knife in the water, A shop on the high street, Closely observed trains, Daisies, Man of marble, Colonel Redl, The decalogue (Dekalog), Satantango, The garden, Alice (directed by Jan Svankmajer).
Download or read book Post New Wave Cinema in the Soviet Union and Eastern Europe written by Daniel J. Goulding and published by . This book was released on 1989 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Revolt of the Filmmakers written by George Faraday and published by Penn State Press. This book was released on 2010-11-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the many unforeseen consequences of the fall of the Soviet Union has been the sudden collapse of the domestic film industry, probably the most privileged mass cultural medium of the Soviet Union. By the mid-1980s, some 150 feature films were produced annually for audiences numbering nearly four billion per year. Since 1991, however, cinema attendance has plummeted by a factor of at least one hundred, and the remnants of the once huge audiences now watch an overwhelming number of imported, mostly American, films. Revolt of the Filmmakers is the first account of Russia's film industry since this disastrous decline. According to Faraday, who was film correspondent for The Moscow Times during the mid-1990s, the turning point came during the years of perestroika, when Russian filmmakers achieved an unprecedented degree of freedom from managerial control. They immediately used their newfound liberty to dismantle the industry's central administrative structures in the name of artistic autonomy. Filmmakers were at last free to follow their own aesthetic criteria, and many began to orient their work entirely toward critical acclaim at festivals. But the unintended result of this revolution in the name of art was the alienation of the mass Russian audience. Today some filmmakers are attempting to regain a mass audience by celebrating and mythologizing national cultural identity, but the Russian film industry has never fully recovered from the "revolt" of the filmmakers. For this book Faraday has interviewed Russian filmgoers, critics, directors, and other industry insiders. Among those directors whose work he considers are Alexei Balabanov (The Castle), Nikita Mikhalkov (Burnt by the Sun), Karen Shaknazarov (American Daughter), Pyotr Todorovsky (Moscow Country Nights), and Marina Tsurtsumia (Only Death Comes for Sure). He also draws upon documentary evidence, including the Russian press and the diaries of Andrei Tarkovsky (The Sacrifice, Solaris). Few predicted that the loosening of state ideological and institutional controls would threaten the survival of Russia's once-mighty film industry. Even today Lenin's often-quoted, if apocryphal, declaration that "cinema is the most important of all the arts" remains emblazoned over the gateway to Mosfilm studios--but its relevance is in doubt at the start of a new millennium.
Download or read book Cinema State Socialism and Society in the Soviet Union and Eastern Europe 1917 1989 written by Sanja Bahun and published by Routledge. This book was released on 2014-07-25 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.
Download or read book Liberated Cinema written by Daniel J. Goulding and published by Indiana University Press. This book was released on 2002 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
Download or read book The Enchanted Screen written by Jack Zipes and published by Routledge. This book was released on 2011-01-27 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.
Download or read book The Most Important Art written by Mira Liehm and published by . This book was released on 2021-01-08 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Download or read book Historical Dictionary of Polish Cinema written by Marek Haltof and published by Rowman & Littlefield. This book was released on 2015-02-02 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1902, scientist and inventor Kazimierz Prószyński made the first Polish narrative film, The Return of a Merry Fellow. Since then, the Polish film industry has produced a diverse body of work, ranging from patriotic melodramas and epic adaptations of the national literary canon to Yiddish cinema and films portraying the corrupt side of communism. Poland has produced several internationally known films, including Andrzej Wajda’s war trilogy, A Generation (1955), Kanal (1957), and Ashes and Diamonds (1958); Roman Polański’s Knife in the Water (1962); and Andrzej Munk’s The Passenger (1963). Often performing specific political and cultural duties for their nation, Polish filmmakers were well aware of their role as educators, entertainers, social activists, and political leaders. This second edition of Historical Dictionary of Polish Cinema fills the gap in film scholarship, presenting an extensive factual survey of Polish film. Through a chronology; an introductory essay; appendixes, a bibliography; and over 300 cross-referenced dictionary entries on films, directors, actors, producers, and film institutions, a balanced picture of the richness of Polish cinema is presented. Readers with professional interest in cinema will welcome this new work, which will enhance senior undergraduate or postgraduate courses in film studies.
