Download or read book Graffiti South Africa written by Cale Waddacor and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a visual feast, hundreds of vibrant images showcase the work of South Africa's most influential graffiti artists, which will entertain and inspire graffiti enthusiasts and art fanatics all over the world. Selective interviews with major graffiti personalities reveal their passions and inspirations and cover all aspects of the movement, creating a true representation of its evolution. Initially unknown for its graffiti scene, South Africa has now become a prime destination for many renowned international graffiti writers. From underground tunnels and abandoned buildings to train yards and townships, local writers, each with their own distinct style, spread their work across the nation. Now, for the first time ever, the global spotlight can fall on these talented artists.
Download or read book Painting Cape Town written by Matthew Olckers and published by Shelflife. This book was released on 2013-03-02 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Painting Cape Town: Graffiti from South Africa provides the reader with an insider view into the graffiti subculture in this well-known South African city. The book includes interviews with 29 of Cape Town's most prominent graffiti artists. Each story provides a unique insight into the rationale behind the artist's passion and obsession for spreading their names. The history of the graffiti scene is traced from its beginnings on the Cape Flats in the 1980s and its roots within hip hop culture to the current graffiti scene polarised by contempt and praise. Painting Cape Town is the first publication of its kind and the reference text on the subject. The text is coupled with over 150 full colour illustrations.
Download or read book Street Art Africa written by Cale Waddacor and published by . This book was released on 2020-10-06 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dedicated to the visually dazzling world of African street art, this volume surveys the work of dozens of artists from across the continent.
Download or read book Graffiti Grrlz written by Jessica Nydia Pabón-Colón and published by NYU Press. This book was released on 2018-06-22 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: An inside look at women graffiti artists around the world Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists’ anonymity, graffiti subculture is seen as a “boys club,” where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists. Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of “girl power.” Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions. A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.
Download or read book The Cambridge Handbook of Copyright in Street Art and Graffiti written by Enrico Bonadio and published by . This book was released on 2019-11-13 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bonadio brings together experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. This book sheds light on the legal tools available for artists and offers policy and sociological insights to spur further debate. It will appeal to legal scholars and law practitioners around the world.
Download or read book Public Art in South Africa written by Kim Miller and published by Indiana University Press. This book was released on 2017-10-16 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africa serve as a forum in which important debates about race, gender, identity and nationhood play out. Examining statues and memorials as well as performance, billboards, and other temporal modes of communication, the authors of these essays consider the implications of not only the exposure, but also erasure of events and icons from the public domain. Revealing how public visual expressions articulate histories and memories, they explore how such works may serve as a forum in which tensions surrounding race, gender, identity, or nationhood play out.
Download or read book Resistance Art in South Africa written by Sue Williamson and published by Juta and Company Ltd. This book was released on 2004 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Resistance Art" was Sue Williamson s classic account of the visual art against apartheid. First published in 1989, it soon became a bestseller. Editions were sold in the United States and the UK, and the South African edition sold out within a few years. Because of continuing demand, this landmark work has now been reprinted with a new preface, so as to make the art of the 1980s and 1990's available to a new generation of readers and art lovers.
Download or read book Public Art in South Africa written by Kim Miller and published by African Expressive Cultures. This book was released on 2017 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africaserve as a forum in which importantdebates about race, gender, identityandnationhood play out. Examining statues and memorials as well as performance, billboards, and other temporal modes of communication, the authors of these essays consider the implications of not only the exposure, but also erasure of events and icons from the public domain. Revealing how public visual expressions articulate histories and memories, they explore how such works may serve as a forum in which tensions surrounding race, gender, identity, or nationhood play out.
Download or read book San Rock Art written by J.D. Lewis-Williams and published by Ohio University Press. This book was released on 2013-02-15 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Download or read book Where do we draw the line written by Alexandra Parker and published by Gauteng City Region Observatory (GCRO). This book was released on 2019-03-29 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Graffiti is a controversial subject and fraught with ambiguities and contradictions. However, the recent global success of artists such as Banksy, Melbourne’s booming graffiti tourism, and the rise of the ‘creative city’ discourse, have blurred the lines between what some regard as vandalism and some as public art. As such, graffiti has increasingly become part of mainstream culture and in some countries has been promoted as a contributor to the urban environment. Thus, as practices and perceptions of graffiti shift, so does our need to better understand the role of graffiti in our urban environments. Through a case study of the Maboneng precinct, this GCRO Occasional Paper investigates the contribution made by graffiti to tourism and public and private investment in the inner-city of Johannesburg. The paper uses visual and spatial analyses of graffiti in Maboneng’s development. The research shows the extent to which the Maboneng precinct is branded through urban aesthetics, including graffiti, and demonstrates that graffiti contributes to placemaking by creating meaningful or identifiable spaces. The analysis reveals graffiti’s aesthetic value in the urban environment: it signifies the redevelopment of Maboneng, distinguishes the area at a local level from surrounding spaces, and also projects a global aesthetic. Using this case study of Maboneng we hope to show how graffiti is leveraged in nurturing urban development, creative economies and tourism in the inner-city. The Occasional Paper is comprised of two parts. The first half of the paper aims to understand the role of graffiti in its urban context. A first section examines the history of graffiti, considering centuries-old traditions of markings on walls, the intersection of graffiti with the birth of hip hop culture and, in the South African context, the role of graffiti in anti-apartheid protest politics. A further section explores the spectrum of graffiti aesthetics, from text-based expressions to the murals of street art. A third section traces graffiti’s complicated relationship to the urban environment, with changing perceptions of graffiti: as vandalism, or a mode of urban dialogue, or a form of outdoor gallery. The sections in this first half of the paper explore the transitions graffiti has made over time and highlight the fluid nature of graffiti, both in space and in the way that it is conceived. They illustrate how graffiti, once perceived as synonymous with urban blight and decay, vandalism and crime, has over time gained a more legitimate social status, for example through commissioned murals or the work of famed international artists, in the process raising the question of who decides the aesthetic of the urban environment and who has a right to participate in the production of urban space. In the second half of the paper, we focus on a case study of Maboneng, in the City of Johannesburg. Maboneng is an area of redevelopment in Johannesburg’s inner city, established in 2009. The neighbourhood has transformed through investment in the public environment and the upgrading of dozens of buildings with a focus on the creative economy. Graffiti and street art are prevalent in the area and have contributed to the branding of the area as a creative space. Through a photographic essay and mapping, we analyse the spatial and visual elements of graffiti in Maboneng, exploring its various contradictions, themes, surfaces, and the media used to create it. The detailed mapping examines different types of graffiti, and their locality, density, scale and visibility. The case study shows, in detail, the relationship between graffiti and the local urban environment, but also how graffiti relates to larger processes of urban and economic development in the city.
Download or read book Graffiti Quilting written by Karlee Porter and published by Createspace Independent Publishing Platform. This book was released on 2014-09-15 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Instructions for creating quilts with complex designs that resemble graffiti art.
Download or read book Art and Law a Comprehensive Guide to South African Art Law written by Thomas Hoeren and published by LIT Verlag Münster. This book was released on 2024 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook aims to provide a comprehensive overview of the multi-faceted art law within the legal framework applicable to South Africa. In four 'phases', it provides answers to legal questions that arise from the initiation of an art project up to its exploitation. It is aimed at both law students who have an academic interest in an in-depth introduction to art law and practitioners from the art world, and is therefore equipped with numerous explanatory examples. The contents were prepared by students of the Art Law Clinic Stellenbosch and revised by the editors mentioned below.
Download or read book The Brothel of Pompeii written by Sarah Levin-Richardson and published by Cambridge University Press. This book was released on 2019-05-23 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers an in-depth exploration of the only assured brothel from the Greco-Roman world, illuminating the lives of both prostitutes and clients.
Download or read book African Painted Houses written by Gary Van Wyk and published by Abrams. This book was released on 1998-03-30 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the early history of the Basotho people of Lesotho in the high veldt of southern Africa and describes their ceremonies that persist in the modern world. Focuses on male and female initiation rituals, the practices of female diviners and healers, and the sacred landscape that the people revere, as well as their colorful painted houses, which are a form of prayer. Includes many color photos. Oversize: 9x10.5". Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Art in the Streets written by Jeffrey Deitch and published by Skira. This book was released on 2011 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalog of an exhibition that surveys the history of international graffiti and street art.
Download or read book Art World City written by Joanna Grabski and published by Indiana University Press. This book was released on 2017-07-10 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an “art world city.” “In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban environment and the sites of art production, exhibition, and sale imbricate one another to constitute Dakar as an Art World City.” —Mary Jo Arnoldi, Curator, Anthropology, National Museum of Natural History, Smithsonian “A valuable addition to the anthropology of cities and of art worlds. It stretches and revises the notion of art world to include multiple scales, and illustrates how the city enables simultaneous engagement for artists with local, national, Pan-African, and global discourses and platforms.” —City & Society “A beautiful book. The photographs, most of which are by the author, are stunning.” —College Art Association Reviews
Download or read book Graffiti Asia written by Ryo Sanada and published by Laurence King. This book was released on 2010-06-02 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine the spread of graffiti in Asia, concentrating mainly on Indonesia, Thailand, Malaysia, South Korea, Singapore, and Taiwan, as well as the Philippines, China, and Hong Kong. Interviews with local artists provide an insight into the life of the graffiti artist in countries far removed from graffiti's origins in the US. They discuss the most popular graffiti locations, the attitudes of each country to the idea of graffiti art, and the network of established and emerging artists across the region. All material in the book was collected at first hand by the authors, who traveled around Asia photographing pieces, throw-ups, drip tags, and more, as well as interviewing the featured artists.
