Download or read book Ghana s Concert Party Theatre written by Catherine M. Cole and published by Indiana University Press. This book was released on 2001-07-11 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ghana's Concert Party Theatre Catherine M. Cole An engaging history of Ghana's enormously popular concert party theatre. "... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." -- Karin Barber Under colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana's concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole's extensive and lively look into Ghana's concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture. Catherine M. Cole is Assistant Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology. June 2001 256 pages, 26 b&w photos, 3 maps, 6 1/8 x 9 1/4, notes, bibl., index cloth 0-253-33845-X $49.95 L / £38.00 paper 0-253-21436-X $19.95 s / £15.50
Download or read book Ghana s Concert Party Theatre written by Catherine M. Cole and published by Indiana University Press. This book was released on 2001-07-11 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of Ghana's enormously popular concert party theatre.
Download or read book Stage shakers written by Kwame Braun and published by . This book was released on 2001 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Ghanaian Concert Party written by John Collins and published by . This book was released on 1994 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ghanaian Popular Theatre written by Catherine M. Cole and published by . This book was released on 1996 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ghanian concert party is a form of travelling popular theater that is a tradition of twentieth century West Africa.
Download or read book Thematic Concerns of the Concert Early Concert Tradition in West Africa written by Obinna Solomon Nwachukwu and published by GRIN Verlag. This book was released on 2018-02-28 with total page 43 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2018 in the subject Cultural Studies - Miscellaneous, , language: English, abstract: This paper gives a deep insight into the dynamics of the traditions that brought about the concert party in West Africa. It traces the origins of the tradition from Nigeria and Ghana, cutting across other West African countries using the selected texts to give a deeper understanding of the impact of the concert theater which has been modified into different formats into films and cinemas today. It goes a long way to show how far this form of entertainment has been modified and grown today in our society, which goes a long way to show as evident for the multiplicity of this medium into different forms of entertainment as had brought this region into limelight in the world scene.
Download or read book West African Popular Theatre written by Karin Barber and published by Indiana University Press. This book was released on 1997-06-22 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: " . . . a ground-breaking contribution to the field of African literature . . . " —Research in African Literatures "Anyone with the slightest interest in West African cultures, performance or theatre should immediately rush out and buy this book." —Leeds African Studies Bulletin "A seminal contribution to the fields of performance studies, cultural studies, and popular culture. " —Margaret Drewal "A fine book. The play texts are treasures." —Richard Bauman African popular culture is an arena where the tensions and transformations of colonial and post-colonial society are played out, offering us a glimpse of the view from below in Africa. This book offers a comparative overview of the history, social context, and style of three major West African popular theatre genres: the concert party of Ghana, the concert party of Togo, and the traveling popular theatre of western Nigeria.
Download or read book Ghanaian Theatre written by James Gibbs and published by . This book was released on 1995 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Come to Laugh written by Kwabena N. Bame and published by New York : L. Barber Press. This book was released on 1985 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Living the Hiplife written by Jesse Weaver Shipley and published by Duke University Press. This book was released on 2013-01-28 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.
Download or read book Performing Sustainability in West Africa written by Meike Lettau and published by Taylor & Francis. This book was released on 2022-08-29 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the role of cultural practices and policy for sustainable development in West Africa across different artistic disciplines, including performance, video, theatre, community arts and cultural heritage. Based on ethnographic field research in local communities, the book presents findings on current debates of cultural sustainability in Nigeria, Ghana, Cameroon and Benin. It provides a unique perspective connecting cultural studies, conflict studies and practical peacebuilding approaches through the arts. The first part pays particular attention to aspects of social cohesion and the circumstances of internally displaced persons e. g. caused by the Boko Haram insurgency in Northeast Nigeria. The second part focuses on cultural policy issues and challenges in the context of sustainable development, investigating participatory approaches and bottom-up processes, the role of governments and civil society, as well as performing arts organizations and universities in policy making and implementation processes. Performing Sustainability in West Africa presents research results and new methods on the role of artistic and cultural practices in conflict situations as well as current debates in cultural policy for researchers, academics, NGOs and students in cultural studies, sustainable development studies and African studies. The Open Access version of this book, available at http://www.taylorfrancis.com/books/9781003261025, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Download or read book Black Cultural Traffic written by Harry Justin Elam and published by University of Michigan Press. This book was released on 2010-02-11 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice." --Kimberly Benston, author of Performing Blackness "Black Cultural Traffic is nothing less than our generation's manifesto on black performance and popular culture. With a distinguished roster of contributors and topics ranging across academic disciplines and the arts (including commentary on film, music, literature, theater, television, and visual cultures), this volume is not only required reading for scholars serious about the various dimensions of black performance, it is also a timely and necessary teaching tool. It captures the excitement and intellectual innovation of a field that has come of age. Kudos!" --Dwight A. McBride, author of Why I Hate Abercrombie & Fitch "The explosion of interest in black popular culture studies in the past fifteen years has left a significant need for a reader that reflects this new scholarly energy. Black Cultural Traffic answers that need." --Mark Anthony Neal, author of Songs in the Key of Black Life "A revolutionary anthology that will be widely read and taught. It crisscrosses continents and cultures and examines confluences and influences of black popular culture -- music, dance, theatre, television, fashion and film. It also adds a new dimension to current discussions of racial, ethnic, and national identity." --Horace Porter, author of The Making of a Black Scholar
Download or read book Music Performance and African Identities written by Toyin Falola and published by Routledge. This book was released on 2012-03-15 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.
Download or read book Nkyin kyin written by James Gibbs and published by Rodopi. This book was released on 2009 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together essays written over a thirty-five year period. They reflect James Gibbs's position vis-à-vis the Ghanaian theatre as sometimes a remote onlooker, sometimes an enthusiastic participant observer, deeply involved in issues of perception and influence in a society moving through colonialism to nationalism, independence and beyond. The main body of the book is divided into four sections. The first, “Outsiders and Activists,” looks at theatre for community development during the late 1940s, some connections between drama and film, and the astonishing involvement in Ghanaian performance culture of the Haitian poet and playwright Felix Morisseau–Leroy. The second section, “Intercultural Encounters,” examines ways in which classic Greek drama has been used by producers and writers in West Africa, with special reference to Victor Yankah, Kobina Sekyi (Ghana's first published playwright), and the Nigerian Femi Osofisan. Section Three, “Plays and Playwrights,” concentrates on Efua Sutherland, Ama Ata Aidoo, and Joe de Graft. This section uncovers issues of documentation and achievement that draw attention to the need for investment in organising resources for writing Ghana's theatre history. The volume draws to a close with personal accounts of touring student productions in the 1960s (with due attention to the influence of Bertolt Brecht) and of involvement in a British film production on location. The book closes with an updated complete bibliography of Ghana's chief dramatist, Efua Sutherland.
Download or read book The Ghanaian Concert Party African Popular Entertainment at the Cross Roads written by John Collins (afrikan. Popmusiker.) and published by . This book was released on 1994 with total page 607 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Spiders of the Market written by David Afriyie Donkor and published by Indiana University Press. This book was released on 2016-07-04 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the trickster spider character from West African folklore, performance, and Ghanian politics. The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters. “A precise and inviting appeal to political economy, performance, and the enduring relevance of the cultural and archetypal trickster.” —D. Soyini Madison, Northwestern University “David Afriyie Donkor’s experience as a theatre artist and director supports the rich political economic component that frames this analysis of performance and performance traditions for broad audiences.” —Jesse Weaver Shipley, Haverford College “By sharing the performance experiences, rather than texts, Donkor accomplishes the challenging task of introducing rare theatre performances in a particularly compelling context for a Western readership in a global age.” —Theatre Survey “Overall, as a Ghanaian actor and director as well as a scholar, Donkor’s cultural insider analyses of ananse theatre within the space of political economy make important contributions and interventions to the discourses on performance (theory) and neoliberalism and their interaction in Ghana and Africa.” —African Studies Review
Download or read book Drama and Theatre in Nigeria written by Yemi Ogunbiyi and published by Lagos : Nigeria Magazine. This book was released on 1981 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt:
