Download or read book Gender Nation and Popular Film in India written by Sikata Banerjee and published by Routledge. This book was released on 2016-12-08 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interpretations of manhood have unfolded in India within a middle class cultural milieu shaped by an assertive self-confidence fuelled by liberalisation, a process by which India has been integrated into the global political economy and the prominence of Hindutva or Hindu nationalist politics. This book unpacks a particular gendered vision of nation in the modern Indian context by drawing on popular films. This muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. The idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness, but coupled with the image and construct of virtuous woman – a gendered binary of martial man and chaste woman. The author skilfully and convincingly draws together issues of political economy, including globalization and neoliberalism with majoritarian politics and popular culture, thus showing how disparate strands intersect and build on each other. Using interpretive methodologies and popular media, the book presents new interpretations of Bollywood films through the lenses of gender, masculinity and nationalism. It will be of interest to scholars of South Asian politics and culture, in particular Indian nationalism, popular culture, media and gender studies.
Download or read book Gender Nation and Popular Film in India written by Sikata Banerjee and published by Taylor & Francis. This book was released on 2016-12-08 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interpretations of manhood have unfolded in India within a middle class cultural milieu shaped by an assertive self-confidence fuelled by liberalisation, a process by which India has been integrated into the global political economy and the prominence of Hindutva or Hindu nationalist politics. This book unpacks a particular gendered vision of nation in the modern Indian context by drawing on popular films. This muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. The idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness, but coupled with the image and construct of virtuous woman – a gendered binary of martial man and chaste woman. The author skilfully and convincingly draws together issues of political economy, including globalization and neoliberalism with majoritarian politics and popular culture, thus showing how disparate strands intersect and build on each other. Using interpretive methodologies and popular media, the book presents new interpretations of Bollywood films through the lenses of gender, masculinity and nationalism. It will be of interest to scholars of South Asian politics and culture, in particular Indian nationalism, popular culture, media and gender studies.
Download or read book Bollywood and Globalization written by Rini Bhattacharya Mehta and published by Anthem Press. This book was released on 2011 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Download or read book Gendered Modernity and Indian Cinema written by Devapriya Sanyal and published by Routledge. This book was released on 2021-12-09 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.
Download or read book The Cinematic ImagiNation sic written by Jyotika Virdi and published by Rutgers University Press. This book was released on 2003 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pivoting on the nation as a central preoccupation in Hindi films, Virdi (communication and film and media studies, U. of Windsor, Canada) contends that Hindi cinema appropriates familiar Hollywood cinematic strategies for its own distinctive aesthetics and poetics. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Download or read book Muscular Nationalism written by Sikata Banerjee and published by NYU Press. This book was released on 2012 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concerned chiefly with views and events of the 19th and 20th centuries. Discusses deviations from a putative ideal of femininity characterised by chastity and inactivity.
Download or read book Gender Relations and Cultural Ideology in Indian Cinema written by Indubala Singh and published by Deep and Deep Publications. This book was released on 2007 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at Indian films based on fiction through gender lens and takes into account cultural context for the studying of the films as a work of art composed on converging systems of signs, verbal as well as non verbal.
Download or read book The Cinematic ImagiNation sic written by Jyotika Virdi and published by . This book was released on 2004 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides Valuable Insights Into The Relationships Between Nation-Building, Gender, Sexuality, The Family And Popular Cinema. Using Post-Independence India As A Case Study. It Is An Important Constitution In The Field Of Film Criticism, Indian Film History, Cultural And Gender Studies. Contains 6 Chapters Followed By Conclusions.
Download or read book A Companion to Indian Cinema written by Neepa Majumdar and published by John Wiley & Sons. This book was released on 2022-08-23 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.
Download or read book Bollyworld written by Raminder Kaur and published by SAGE Publications Pvt. Limited. This book was released on 2005-07-13 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema’s intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India’s popular cinema in terms of its production, narratives and reception. The first section of the book,Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India’s commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke and Baburao Painter, the film Sant Tukaram, and aspects of early cinematography. The second section, Trans-Actions, argues that the ‘national fantasy’ of Indian commercial cinema is an unstable construction. Essays here concentrate on the conversations between Indian action movies of the 1970s and other genres of action and martial arts films; the features of post-liberalisation Indian films designed to meet the needs of an ‘imagined’ global audience in the 1990s; and the changing metaphor of ‘the vamp’ as portrayed through desirous women in films with examples of the Anglo-Asian, the westernized Indian woman of ‘low character’, and the contemporary figure of the ‘heroine’. The final section, Travels, focuses on the overseas reception of Indian cinema with ethnographic case studies from Germany, Guyana, the USA, South Africa, Nigeria and Britain. The contributors highlight various issues concerning modernity, racial/ethnic identity, the gaze of the ‘mainstream Other’, gender, hybridity, moral universes, and the articulation of desire and disdain.
Download or read book 100 Essential Indian Films written by Rohit K. Dasgupta and published by Rowman & Littlefield. This book was released on 2018-12-15 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.
Download or read book Dancing with the Nation written by Ruth Vanita and published by Bloomsbury Publishing USA. This book was released on 2018-02-22 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.
Download or read book Nationalism in Indian Cinema written by Shri Krishan Rai and published by Cambridge Scholars Publishing. This book was released on 2023-06-22 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema is one of the most influential instruments in opinion building, and Indian cinema is no exception to this case. Indian cinema explores the niche of nationalism at the heart of the collective consciousness of several generations of Bharat’s (India’s) people. The contribution made to nation and opinion building by the Indian cinema community is not adequately acknowledged, and so this book celebrates these unsung heroes' contributions and ponders the power of cinema in perception building. This collection of essays examines the role played by Indian cinema in narrating, inspiring, determining, and challenging our comprehension of India as a nation.
Download or read book The Routledge Handbook of Religion Gender and Society written by Caroline Starkey and published by Routledge. This book was released on 2021-12-30 with total page 823 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an era which many now recognise as ‘post-secular’, the role that religions play in shaping gender identities and relationships has been awarded a renewed status in the study of societies and social change. In both the Global South and the Global North, in the 21st century, religiosity is of continuing significance, not only in people’s private lives and in the family, but also in the public sphere and with respect to political and legal systems. The Routledge Handbook of Religion, Gender and Society is an outstanding reference source to these key topics, problems and debates in this exciting subject area. Comprising over 40 chapters by a team of international contributors, the Handbook is divided into 3 parts: Critical debates for religions, gender and society: theories, concepts and methodologies Issues and themes in religions, gender and society Contexts and locations Within these sections, central issues, debates and problems are examined, including activism, gender analysis, intersectionality and feminism, oppression and liberation, equality, bodies and embodiment, space and place, leadership and authority, diaspora and migration, marriage and the family, generation and aging, health and reproduction, education, violence and conflict, ecology and climate change and the role of social media. The Routledge Handbook of Religion, Gender and Society is essential reading for students and researchers in religious studies and gender studies. The Handbook will also be very useful for those in related fields, such as cultural studies, area studies, politics, sociology, anthropology and history.
Download or read book Postcolonial Bollywood and Muslim Identity written by Nadira Khatun and published by Oxford University Press. This book was released on 2024-01-30 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book captures the changing image of Muslims in popular Bollywood films through seven decades. Khatun argues that such cinematic representation has always been informed by the country's contemporary political landscape, a largely Hindu-dominant discourse.
Download or read book Freedom and Destiny written by Patricia Uberoi and published by . This book was released on 2006 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Freedom and Destiny depicts the figure of the woman as an icon of national society and the religious pantheon. It also takes up the iconization of the child and the family in the Indian national imaginary. Book jacket.
Download or read book Bollywood s New Woman written by Megha Anwer and published by Rutgers University Press. This book was released on 2021-06-18 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bollywood’s New Woman examines Bollywood’s construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the “New Woman.” On the one hand, this figure is a variant of the fin de siècle phenomenon of the “New Woman” in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation’s tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics.
