Download or read book France and the Visual Arts Since 1945 written by Catherine Dossin and published by Bloomsbury Publishing USA. This book was released on 2019-01-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer. Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations. Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.
Download or read book A Companion to Contemporary Art Since 1945 written by Amelia Jones and published by John Wiley & Sons. This book was released on 2009-02-09 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.
Download or read book Late Modern written by Edward Lucie-Smith and published by W W Norton & Company Incorporated. This book was released on 1975-01-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reviews the techniques and figures associated with movements in the usual arts of Europe and the United States since the end of World War II
Download or read book With and Against written by Dominique Routhier and published by Verso Books. This book was released on 2023-10-24 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichs about its purported leader Guy Debord, the "society of the spectacle," dtournement and drive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. With and Against reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
Download or read book From a Nation Torn written by Hannah Feldman and published by Duke University Press Books. This book was released on 2014-02-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.
Download or read book Jean Jacques Lebel and French Happenings of the 1960s written by Laurel Jean Fredrickson and published by Bloomsbury Publishing USA. This book was released on 2021-03-25 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining a broad overview of Jean-Jacques Lebel's coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s. Research in Lebel's archives, and others like the Archives nationale d'outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.
Download or read book Art and the French Commune written by Albert Boime and published by Princeton University Press. This book was released on 1997-02-06 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exploration of the forces that shaped Impressionism proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.
Download or read book Pioneering Participatory Art Practices written by Annemarie Kok and published by transcript Verlag. This book was released on 2024-05-31 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: Participatory art practices allow members of an audience to actively contribute to the creation of art. Annemarie Kok provides a detailed analysis and explanation of the use of participatory strategies in art in the so-called ›long sixties‹ (starting around 1958 and ending around 1974) in Western Europe. Drawing on extensive archival materials and with the help of the toolbox of the actor-network theory, she maps out the various actors of three case studies of participatory projects by John Dugger and David Medalla, Piotr Kowalski, and telewissen, all of which were part of documenta 5 (Kassel, 1972).
Download or read book Art in America 1945 1970 LOA 259 written by Various and published by Library of America. This book was released on 2014-10-09 with total page 1184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Experience the creative explosion that transformed American art—in the words of the artists, writers, and critics who were there In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor, art critic, and historian Jed Perl, “there has never been a period when the visual arts have been written about with more mongrel energy—with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy.” In this Library of America volume, Perl gathers for the first time the most vibrant contemporary accounts of this momentous period—by artists, critics, poets, gallery owners, and other observers—conveying the sweep and energy of a cultural scene dominated (in the poet James Schuyler’s words) by “the floods of paint in whose crashing surf we all scramble.” Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol; James Agee on Helen Levitt; James Baldwin on Beauford Delaney; Truman Capote on Richard Avedon; Tennessee Williams on Hans Hofmann; and Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.
Download or read book After Modern Art written by David Hopkins and published by Oxford University Press. This book was released on 2018 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: A beautifully illustrated, new edition of this pioneering study of art since 1945. Focussing mainly on the relationship between American and European Art, this book offers an up-to-date introduction to the major artists and movements of recent years.
Download or read book Art and Visual Culture on the French Riviera 1956 1971 written by Rosemary O'Neill and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the primary sources and little known publications from museum archives, collections in the region, and privately owned archives, Art and Visual Culture on the Riviera, 1956-1971 offers the first in-depth study of the Ecole de Nice. The author shows how artists indigenous to the region challenged the dominance of Paris as the national standard at this moment of French decentralization efforts, and growing internationalism in the arts.
Download or read book Robert Rauschenberg and Surrealism written by Gavin Parkinson and published by Bloomsbury Publishing USA. This book was released on 2023-03-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Download or read book Contemporary Art in France written by Catherine Millet and published by Flammarion-Pere Castor. This book was released on 2006 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive review of the artistic movements that have taken place in France from the 1960s to the present, this study benefits from the anecdotes and personal memories of its author, Catherine Millet. The internationally respected art critic, who was herself an active participant in these movements, breathes life into this factual chronology of the contemporary art scene in France. She exposes the often unexpected links between movements by underscoring their contradictions and taking into consideration the social and cultural changes that have occurred since the 1960s in France and across the globe. An extensive reference, this book provides the keys to understanding the international contemporary art scene as a whole. Contemporary Art in France serves as an historical essay, offering a profound analysis of the prevailing tendencies and characteristics of art of the past forty years. Available for the first time in English, the book is completed by a chronology of events, a thorough account of the latest creative developments, and more than 300 illustrations.
Download or read book Rethinking Postwar Europe written by Barbara Lange and published by Böhlau Köln. This book was released on 2019-12-09 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book "Rethinking Postwar Europe" offers an in-depth insight into the largely unexplored topic of artistic practices in the 1940s and 1950s in Europe which until recently had been obscured by ideologies of the Cold War. Thanks to the authors' diverse methodological backgrounds, the volume presents – for the first time – a comprehensive multilayered narrative, focusing on the complexities and entanglements in the artistic field. Instead of assessing the postwar period in the traditional way as divided by the Iron Curtain, the contributions investigate processes of contact, interaction, dissemination, overlapping, and networking. Consequently, the analysis of a diversified European modernism in both its aesthetic and its socio-political dimension resonates with all the different case studies. In particular, the volume looks at how artists developed, designed and (re)negotiated identities and discourses, and sheds new light on the power of art – and creative powers in general – in a postwar setting of mutilations, losses, and devastations.
Download or read book Nineteenth Century French Art written by Sébastien Allard and published by Flammarion-Pere Castor. This book was released on 2007 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the nineteenth century, France experienced an unprecedented growth in the visual arts, and Paris was its center. French art became a universally accepted benchmark, spreading its many ground-breaking developments -- the radicalism of Impressionism and Post-Impressionism, the daring of Art Nouveau, and the innovations of Haussman's new urban landscape -- far beyond its borders, and in return receiving numerous influences from broad. During this extraordinary rich and productive period, French art also benefited from the synthesis of the past with the innovations of the present, resulting in an artistic output whose legacy is still being felt today. This chronological history, richly illustrated and recounted by experts from France's preeminent museums, charts the growth of this fruitful -- and revolutionary -- period in the history of world art. -- From publisher's description.
Download or read book Art in France 1900 1940 written by Christopher Green and published by Yale University Press. This book was released on 2000-01-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Download or read book The Visual Culture of Violence After the French Revolution written by Lela Graybill and published by Routledge. This book was released on 2017-07-05 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Visual Culture of Violence after the French Revolution traces four sites of spectatorship that exemplified the visual culture of violence in the late eighteenth and early nineteenth centuries, offering a new account of the significance of violent spectacle to the birth of modernity. Considerations of the execution scaffold, salon painting, print culture and the fait divers, and waxworks displays establish the centrality of spectatorial violence to experiences of selfhood in the wake of the French Revolution. Shedding critical light on previously neglected aspects of art and visual culture of the post-Revolutionary period, The Visual Culture of Violence after the French Revolution demonstrates how violent spectacle at this moment was profoundly shaped by shifting social attitudes, contemporary political practices, and rapidly accelerated technological developments. By attending to the formal and historical specificity of violent spectacle after the Revolution, Graybill affirms the historical contingency through which the visual culture of violence in the modern era has emerged. The Visual Culture of Violence after the French Revolution will be broadly relevant to scholars of art, media and visual studies, and particularly to historians of the French Revolution and eighteenth- and early nineteenth-century Europe. The book's concern with the representation of violence makes it of interest to scholars working in a variety of fields beyond its historical period, especially in art, literature, history, media and culture studies.
