Download or read book First and Second Set of Madrigals written by Thomas Bateson and published by . This book was released on 1922 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First and Second Set of Madrigals to 3 4 5 and 6 Voices written by John Wilbye and published by . This book was released on 1914 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First and Second Set of Madrigals and Pastorals written by Francis Pilkington and published by . This book was released on 1923 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Second Set of Madrigals written by Thomas Bateson and published by . This book was released on 1922 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Second Set of Madrigals to 3 4 5 and 6 Voices written by John Wilbye and published by . This book was released on 1914 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Second Set of Madrigals and Pastorals written by Francis Pilkington and published by . This book was released on 1923 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The First Set of Madrigals of 3 4 5 6 7 8 Parts published in 1607 written by Robert Jones and published by . This book was released on 1924 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First Set of Madrigals to 3 4 and 5 Parts written by Michael East and published by . This book was released on 1923 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First Set of Madrigals and Pastorals of 3 4 and 5 Parts written by Francis Pilkington and published by . This book was released on 1923 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First and Second Set of Madrigals to 3 4 5 and 6 Voices Madrigal Included by Morley in the Triumphs of Oriana Two Motets Included by Sir William Leighton in Tears and Lamentations written by John Wilbye and published by . This book was released on 1913 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliotheca Heberiana Catalogue of the Library of the Late Richard Heber Esq written by and published by . This book was released on 1836 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliotheca Heberiana Catalogue of the Library of the Late Richard Heber Esq which Will be Sold by Auction by Messrs Sotheby and Son at Their House Wellington street Strand on Thursday April 10 and Twenty five Following Days written by Sotheby's (London) and published by . This book was released on 1834 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Auction catalogue books of Richard Heber 29 February to 12 March 1836 written by R. H. Evans (London) and published by . This book was released on 1836 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Library of the Late Richard Heber Esq Parth the Eighth Removed from His House at Pimlico which Will be Sold by Auction by No 93 on and Eleven Following Days Sundays Excepted To be Viewed on Thursday Friday and Saturday Previous to the Sale Each Day s Sale Will Commence at Half past Twelve Precisely written by and published by . This book was released on 1836 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Auction catalogues of books written by Puttick and Simpson (messrs.) and published by . This book was released on 1846 with total page 978 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dwight s Journal of Music written by and published by . This book was released on 1873 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Manuscript Inscriptions in Early English Printed Music written by David Greer and published by Routledge. This book was released on 2016-03-03 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
