Download or read book Art Cinema and India s Forgotten Futures written by Rochona Majumdar and published by Columbia University Press. This book was released on 2021-10-12 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Download or read book Josephine Baker s Cinematic Prism written by Terri Simone Francis and published by Indiana University Press. This book was released on 2021-01-19 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.
Download or read book National Arts and Humanities Foundations written by United States. Congress. Senate. Committee on Labor and Public Welfare. Special Subcommittee on Arts and Humanities and published by . This book was released on 1965 with total page 858 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book National Arts and Humanities Foundations written by United States. Congress. Senate. Labor and Public Welfare and published by . This book was released on 1965 with total page 870 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Documentary Film Book written by Brian Winston and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
Download or read book Film and Nationalism written by Alan Larson Williams and published by Rutgers University Press. This book was released on 2002 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the medium's inception, films have defined and reinforced the core values and social structures of countries. They have also helped define - socially and culturally - what is to be considered outside the nation and what it is to be shunned. This text examines the ways in which cinema has been considered an arena of conflict and interaction between nations and nationhood.
Download or read book Projecting A Nation written by Jubin Hu and published by Hong Kong University Press. This book was released on 2003-06-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major work on pre-1949 Chinese cinema in English. As such, it represents a major contribution to existing discussions of both Chinese cinema and national cinema, and is an indispensible basic resource for scholars interested in Chinese film history. The book analyses the wide variety of conceptions of "Chinese national cinema" between the early years of the 20th century and 1949, and contrasts these to conceptions of national cinema in Europe and China. After years of exhausting primary historical research, the author has been able to bring to light sources hitherto not widely available. The author argues that questions and debates about the status and meaning of the "national" in "Chinese national cinema" are central to any consideration of cinema during this period, and addresses the issue of Chinese nationalism as part of a complex history of cinema within the early modern Chinese nation.
Download or read book Museum Movies written by Haidee Wasson and published by Univ of California Press. This book was released on 2005-05-27 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1935, the foundation of the Film Library of the Museum of Modern Art in New York marked the transformation of the film medium from a passing amusement to an enduring art form. Haidee Wasson maps the work of the MoMA film library as it pioneered the preservation of film & promoted the concept of art cinema.
Download or read book Shocking Representation written by Adam Lowenstein and published by Columbia University Press. This book was released on 2005-12-22 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Download or read book Shocking Representation written by Adam Lowenstein and published by Columbia University Press. This book was released on 2005-11-09 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Download or read book Workshop of the Film Form written by Marika Kuzmicz and published by National Geographic Books. This book was released on 2017-09-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Workshop of the Film Form provides an in-depth overview of the achievements of Warsztat Formy Filmowej (WWF; Workshop of the Film Form), a group of avant-garde artists who were working at the Leon Schiller National Higher School of Film, Television and Theatre in Lodz, Poland, between 1970 and 1977. WWF was founded by the students and graduates of the school, now known as the National Film School, and included: Wojciech Bruszewski, Paweł Kwiek, Andrzej Różycki, Józef Robakowski, Zbigniew Rybczyński, Kazimierz Bendkowski, Antoni Mikołajczyk, Janusz Połom, and Ryszard Waśko. As pioneers of video art in Poland and structural cinema in Central and Eastern Europe, the artists refused classical narrative and traditional film media, working instead somewhere between cinematography and contemporary art. This publication examines all aspects of WFF's activity, from their films, photographic experiments, video art, and performative actions to their teaching work, which includes previously unexplored pedagogical contributions to the National Film School. Drawing on the private archives and oral testimonies of the WWF, Workshop of the Film Form attempts to provide a full account of the group's history as well as a comprehensive survey of each member's practice. The writers who were invited to respond to the WWF for this book provide insightful new readings of the group's output and activities, contextualizing their work in the history of the prewar Polish avant-garde and the politics of experimental filmmaking in Poland under the rule of the Polish United Workers' Party (PZPR). Copublished with Fundacja Arton
Download or read book American Film Institute 1974 Hearing Before the Special Subcommittee on Arts and Humanities Of 93 2 Dec 11 1974 written by United States. Congress. Senate. Committee on Labor and Public Welfare and published by . This book was released on 1975 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book General History of Chinese Film II written by Ding Yaping and published by Routledge. This book was released on 2021-10-26 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
Download or read book Nigerian Film Culture and the Idea of the Nation written by Tsaaior, James Tar and published by Adonis and Abbey Publishers. This book was released on 2017-09-17 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collectively, the essays brought together in this book represent a discursive confluence on Nollywood as a local film culture with a global character, aspiration and reach. The governing concern of the book is that texts, including film texts, are animated by a particular sociology and anthropology which gives them concrete existence and meaning. The book argues that Nollywood, the Nigerian video film text, is deeply rooted in the sub-soil of its social and cultural milieux. Nollywood is therefore, engaged in the relentless negotiation and re-negotiation of the everyday lives of the people against the backdrop of their cultural traditions, social contradictions and the politics of their ethnic/national identity, longing and belonging. The essays weave an intricate and delicate argument about the critical role of Nollywood to the idea of nationhood and the logic of its narration with implications for language, politics and culture in Africa. The book is a valuable addition to the critical discourse on the important place of film and cinema studies in national engineering processes.
Download or read book National Foundation on the Arts and the Humanities Amendments of 1973 written by United States. Congress. Senate. Committee on Labor and Public Welfare. Special Subcommittee on Arts and Humanities and published by . This book was released on 1973 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Constructing Nationalities in East Central Europe written by Pieter M. Judson and published by Berghahn Books. This book was released on 2005 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: The hundred years between the revolutions of 1848 and the population transfers of the mid-twentieth century saw the nationalization of culturally complex societies in East Central Europe. This fact has variously been explained in terms of modernization, state building and nation-building theories, each of which treats the process of nationalization as something inexorable, a necessary component of modernity. Although more recently social scientists gesture to the contingencies that may shape these larger developments, this structural approach makes scholars far less attentive to the "hard work" (ideological, political, social) undertaken by individuals and groups at every level of society who tried themselves to build "national" societies. The essays in this volume make us aware of how complex, multi-dimensional and often contradictory this nationalization process in East Central Europe actually was. The authors document attempts and failures by nationalist politicians, organizations, activists and regimes from 1848 through 1948 to give East-Central Europeans a strong sense of national self-identification. They remind us that only the use of dictatorial powers in the 20th century could actually transform the fantasy of nationalization into a reality, albeit a brutal one. Pieter M. Judson is Associate Professor and Chair of the History Department at Swarthmore College. His book Exclusive Revolutionaries: Liberal Politics, Social Experience and National Identity 1848-1914 (Michigan, 1996) won the Herbert Baxter Adams Prize of the American historical Association in 1997 and the Austrian Cultural institute's book prize in 1998. Marsha L. Rozenblit is the Harvey M. Meyerhoff Professor of Jewish History at the University of Maryland, College Park. She is the author of The Jews of Vienna, 1867-1914: Assimilation and Identity (State University of New York Press, 1983) and Reconstructing a National Identity: The Jews of Habsburg Austria during World War I (Oxford University Press, 2001).
Download or read book Transnational Horror Across Visual Media written by Dana Och and published by Routledge. This book was released on 2013-10-15 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.
