Download or read book Field s Chromatography or Treatise on Colours and Pigments as Used by Artists written by George Field and published by DigiCat. This book was released on 2022-08-15 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: DigiCat Publishing presents to you this special edition of "Field's Chromatography or Treatise on Colours and Pigments as Used by Artists" by George Field. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Download or read book Field s Chromatography written by George Field and published by . This book was released on 1885 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chromatography Or A Treatise on Colours and Pigments written by George Field and published by . This book was released on 1841 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Field s Chromatography Field s Chromatography Or Treatise on Colours and Pigments as Used by Artists written by George Field and published by Pinnacle Press. This book was released on 2017-05-25 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Field s Chromatography written by George Field and published by Createspace Independent Publishing Platform. This book was released on 2016-04-28 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to [email protected] This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via [email protected]

Download or read book Field s Chromatography written by George 1777?-1854 Field and published by Legare Street Press. This book was released on 2021-09-09 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Chromatography Or A Treatise on Colours and Pigments and of Their Powers in Painting c written by George Field and published by . This book was released on 1835 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Field s Chromatography Or Treatise on Colours and Pigments as Used by Artists written by Thomas W. Salter and published by . This book was released on 187? with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Field s Chromatography Or Treatise on Colours and Pigments As Used by Artists written by Thomas Salter and published by . This book was released on 2007-07-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Field s Chromatography written by Thomas W. Salter and published by . This book was released on 187? with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chromatography written by George Field and published by . This book was released on 2019-09-25 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chromatography is the study of colors and pigments; this book is designed to guide painters, artists and others to the classification and theory behind colors. Celebrated for years after its release, Field's Chromatography has been used by thousands of professional painters, artists and others for its concise guidance. We receive a brisk but precise description of light's relationship to color, the theory of color, and how colors are categorized and referred to. The various methods of creating pleasant or eye-catching contrasts between different hues are likewise identified. The second part of the book concerns pigments; a type of powder which, when mixed with a medium, produces a color. How the properties of a given pigment are categorized, and how advances in chemistry have resulted in refinements and enhancements to the range of pigments available to the artist, is discussed. The latter part of the book is comprised of a list of the different colors, each of which is duly described for its appearance. Finally, there is a series of tables that arrange pigments according to their qualities. While the materials used in the creation of various pigments differ in the modern day, Field's descriptions remain useful in the context of art history.

Download or read book Field Chromatography written by George Field and published by . This book was released on 1885 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Field s chromatography revised by T W Salter written by George Field and published by . This book was released on 1869 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chromatography written by George Field and published by . This book was released on 1885 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chromatography written by George Field and published by . This book was released on 2020-06-26 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: How early, and to what extent, colouring may have attained the rank of science among the ancients, are questions not easily set at rest; but that some progress had been made, even at a very remote period, is proved by the magnificent tombs of the Egyptian kings at Thebes, where the walls of the royal mausoleum are described as being covered with paintings so fresh and perfect, as to require neither restoration nor improvement. So far from this, indeed, that with all care in copying, it was difficult to equal the brilliancy of the originals, which, as far as colours went, threw all others in the background. And yet, in spite of the scale having comprised pure vermilion, ochres, and indigo, it was not gaudy, owing to the judicious balance of the colours, and the artful management of the black. Nor was there an ornament throughout the dresses, wherein the red, yellow, and blue, were not so employed as to produce a delicious harmony.Moreover, it is stated that in one painting eighty feet high and proportionably broad, which was divided into two ranges of gigantic figures, these were glowing with most exquisite colours, suited to the drapery and naked parts; and in which the azure, yellow, green, &c., were as well preserved as though they had been laid on yesterday. Again, an apartment was discovered among the stupendous ruins at Carnac, on the site of ancient Thebes, one hundred paces wide and sixty deep, completely crowded with pillars, which, together with the ceiling, roof, and walls, were decorated with figures in basso-relievo, and hieroglyphics-all marvellously beautiful and finely painted, and as fresh, splendid and glorious, after so many ages, as if they had just been finished.In various accounts these colourings of the Egyptians are described in the warmest terms of admiration. The most charming are undoubtedly those on the tombs and temples: others of less merit have been found on the cases and cloths of mummies, and on papyrus rolls; but it is to the patterns on the walls and ceilings of their houses that they seem to have been most partial, and paid the most attention. The ordinary colours employed by them were red, yellow, green, and blue. Of the last there were two tints; black also was common. For white, the finely prepared stone-coloured ground was deemed sufficient. These colours were occasionally modified by mixture with chalk; but were always, or nearly always, applied singly, in an unmixed state. With regard to their composition, chemical analysis has shown several of the blues to be oxide of copper with a small proportion of iron; none containing cobalt. There is little doubt, however, that the most brilliant specimens-those which retain all their original force and beauty in the temples of Upper Egypt after an exposure of three thousand years, consist of ultramarine-the celebrated Armenian blue, possibly, of the ancients. The reds seem for the most part to be composed of oxide of iron mixed with lime, and were probably limited to iron earths and ochres, with a native cinnabar or vermilion. The yellows are said to have been, in many cases, vegetable colours; but it is likely earths and ochres were their chief source. The greens consist of yellow mixed with copper blue. The bluish-green which sometimes appears on Egyptian antiquities, is merely a faded blue. The blacks are both of vegetable and mineral origin, having been obtained from a variety of substances in a variety of ways.

Download or read book Field s Chromatography a Treatise on Colour and Pigment for the Use of Artists Modernized by J Scott Taylor 4t written by G. Field and published by . This book was released on 1885 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chromatography written by George Field and published by . This book was released on 2020-06-26 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: How early, and to what extent, colouring may have attained the rank of science among the ancients, are questions not easily set at rest; but that some progress had been made, even at a very remote period, is proved by the magnificent tombs of the Egyptian kings at Thebes, where the walls of the royal mausoleum are described as being covered with paintings so fresh and perfect, as to require neither restoration nor improvement. So far from this, indeed, that with all care in copying, it was difficult to equal the brilliancy of the originals, which, as far as colours went, threw all others in the background. And yet, in spite of the scale having comprised pure vermilion, ochres, and indigo, it was not gaudy, owing to the judicious balance of the colours, and the artful management of the black. Nor was there an ornament throughout the dresses, wherein the red, yellow, and blue, were not so employed as to produce a delicious harmony.Moreover, it is stated that in one painting eighty feet high and proportionably broad, which was divided into two ranges of gigantic figures, these were glowing with most exquisite colours, suited to the drapery and naked parts; and in which the azure, yellow, green, &c., were as well preserved as though they had been laid on yesterday. Again, an apartment was discovered among the stupendous ruins at Carnac, on the site of ancient Thebes, one hundred paces wide and sixty deep, completely crowded with pillars, which, together with the ceiling, roof, and walls, were decorated with figures in basso-relievo, and hieroglyphics-all marvellously beautiful and finely painted, and as fresh, splendid and glorious, after so many ages, as if they had just been finished.In various accounts these colourings of the Egyptians are described in the warmest terms of admiration. The most charming are undoubtedly those on the tombs and temples: others of less merit have been found on the cases and cloths of mummies, and on papyrus rolls; but it is to the patterns on the walls and ceilings of their houses that they seem to have been most partial, and paid the most attention. The ordinary colours employed by them were red, yellow, green, and blue. Of the last there were two tints; black also was common. For white, the finely prepared stone-coloured ground was deemed sufficient. These colours were occasionally modified by mixture with chalk; but were always, or nearly always, applied singly, in an unmixed state. With regard to their composition, chemical analysis has shown several of the blues to be oxide of copper with a small proportion of iron; none containing cobalt. There is little doubt, however, that the most brilliant specimens-those which retain all their original force and beauty in the temples of Upper Egypt after an exposure of three thousand years, consist of ultramarine-the celebrated Armenian blue, possibly, of the ancients. The reds seem for the most part to be composed of oxide of iron mixed with lime, and were probably limited to iron earths and ochres, with a native cinnabar or vermilion. The yellows are said to have been, in many cases, vegetable colours; but it is likely earths and ochres were their chief source. The greens consist of yellow mixed with copper blue. The bluish-green which sometimes appears on Egyptian antiquities, is merely a faded blue. The blacks are both of vegetable and mineral origin, having been obtained from a variety of substances in a variety of ways.