Download or read book Fables and Parables for the Mid century written by Nym Wales and published by . This book was released on 1972 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fables and Parables for the Mid Century Illustrations by George Logue Few MS Corrections by the Author written by Nym WALES (pseud.) and published by . This book was released on 1952 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fables and Parables for the Mid century written by Helen Foster Snow and published by . This book was released on 1952 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fables and Parables From the German of Lessing Herder Gellert Meissner c c written by Fables and published by . This book was released on 1845* with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fables and Parables written by Gotthold Ephraim Lessing and published by Texianer Verlag. This book was released on 2021-12-20 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition of the Fables and Parables has been reset from the original book from 1846 which was published by James Burns in London.The original spelling and grammar have been intentionally retained in order for the reader to get a feel for the culture of the time. As mentioned in the original introduction above, these fables were originally written in German and here translated into English. The editor of this edition came across this little book whilst researching for a translation of Texan history. Such a book would have undoubtedly been read to the family on Sundays and holidays and perhaps accompanied the early pioneer on his travels and daily work. They encourage and amplify the courage and strength which those early immigrants to Texas would have needed in order to be able to survive and prosper.Numbers 1 to 73 were written by Lessing, numbers 96 to 112 by Krummacher.I have added some notes based on information contained in the online encyclopedia for additional information at the end of the book.I hope you enjoy these meaningful tales as much as I have whilst composing this edition.From the original introduction:This little volume contains a selection of Fables and Parables from the German of Lessing, Herder, Krummacher, and others—few of which have hitherto been placed before the English Public—but which, when known, can hardly fail to amuse and instruct readers of every class. They possess too a specific value as being the product of the most reflecting people of modern times, and of one whose genius is particularly adapted to this kind of writing. Many of those pieces, and especially the allegorical Parables of Herder, are marked by great beauty of expression; while those of Lessing again, are amongst the best models of the Fable, strictly so called. Profound truths appertaining to the practical conduct of life are throughout.
Download or read book Science Fiction and Fantasy Literature Vol 1 written by R. Reginald and published by Wildside Press LLC. This book was released on 2010-09-01 with total page 802 pages. Available in PDF, EPUB and Kindle. Book excerpt: Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Download or read book Fables Sermonettes and Parables by the Stricker 13th Century German Poet in English Translation written by Stricker and published by Edwin Mellen Press. This book was released on 1999 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thirteenth-century poet who used the pseudonym Der Stricker ("The Knitter) is the earliest known composer of fables, sermonettes, and parables - examples of Kleindichtung -in the German language. Some of the Stricker's fables and parables are, as far as is known, original with him, others are new variants of works that had appeared in other lands and languages. The sermonettes are typical examples of what might be called the folk-theology of the day, drawing on oral tradition rather than directly on the Scriptures. In his verse-tales, the author proves to be a keen, often harsh social critic providing a realistic, often cynical, picture of medieval society that stands in sharp contrast to the romanticism of nearly all German literature of his century. This is the first collection of The Stricker's short narratives in English translation.
Download or read book Fables Less and Less Fabulous written by Horst Dölvers and published by University of Georgia Press. This book was released on 1997 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines more than one hundred fables in prose and verse, most of them original in content, some highly original in form. Author Horst Dolvers refutes the assumption that the fable declined in popularity after 1800 and the days of La Fontaine, Swift, Gay, and Lessing. Most of the texts studied in this book are taken from Victoria collections and poetry anthologies, and are presumably unknown. An extensive documentation presents verse fables according to the different functions they served - in humor, satire, and education, religious and philosophical speculation, and as drawing-room entertainment full of erotic innuendo. Mere stock-taking is not this book's intent, however. Its second part focuses on three Victorian books, applying semiotics (including theories of discourse). A review essay of Lord Lytton's Fables in Song (1874) by Robert Louis Stevenson contains perceptive remarks on the "post-Darwinian fable," a newly developing variant turning away from "old stories of wise animals or foolish men" to confront "truths that are a matter of bitter concern." Lytton's reveries deserve rediscovery as narratives that skillfully manipulate their readers by a hierachical ordering of discourses - nudging them into ideological positions that, to many readers, must have appeared commonsensical. At the same time, they tend to sap the complacencies of common sense. A picture book by Walter Crane, an Aesop in limericks (1887), shows the illustrator's art as no less Houdinian. Finally, Anna Sewell's children's classic Black Beauty, if simple, should be read as anything but plain; its speaking silences make the reader feel that man and beast are divided rather than united by their ability to communicate. The horses, shown as capable of speaking like humans, do not share man's multiplicity of discourses - nor consequently, the duplicity resulting from their use.
Download or read book Fables and Parables written by Gotthold Ephraim Lessing and published by . This book was released on 2020-02-04 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition of the Fables and Parables has been reset from the original book from 1846 which was published by James Burns in London.The original spelling and grammar have been intentionally retained in order for the reader to get a feel for the culture of the time. As mentioned in the original introduction above, these fables were originally written in German and here translated into English. The editor of this edition came across this little book whilst researching for a translation of Texan history. Such a book would have undoubtedly been read to the family on Sundays and holidays and perhaps accompanied the early pioneer on his travels and daily work. They encourage and amplify the courage and strength which those early immigrants to Texas would have needed in order to be able to survive and prosper.Numbers 1 to 73 were written by Lessing, numbers 96 to 112 by Krummacher.I have added some notes based on information contained in the online encyclopedia for additional information at the end of the book.I hope you enjoy these meaningful tales as much as I have whilst composing this edition.From the original introduction: This little volume contains a selection of Fables and Parables from the German of Lessing, Herder, Krummacher, and others-few of which have hitherto been placed before the English Public-but which, when known, can hardly fail to amuse and instruct readers of every class. They possess too a specific value as being the product of the most reflecting people of modern times, and of one whose genius is particularly adapted to this kind of writing. Many of those pieces, and especially the allegorical Parables of Herder, are marked by great beauty of expression; while those of Lessing again, are amongst the best models of the Fable, strictly so called. Profound truths appertaining to the practical conduct of life are throughout
Download or read book Routledge Encyclopedia of Narrative Theory written by David Herman and published by Routledge. This book was released on 2010-06-10 with total page 1327 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
Download or read book Crimes of Writing written by Susan Stewart and published by Oxford University Press. This book was released on 1991-08-15 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes of writing are delineated by the law because they specifically undermine the status of the law itself: the crimes illuminate the irreducible fact that law is written and therefore subject to temporality and interpretation.
Download or read book Aesop s Fables written by Aesop and published by Wordsworth Editions. This book was released on 1994 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of animal fables told by the Greek slave Aesop.
Download or read book Fables and Fabulists Ancient and Modern written by Thomas Newbigging and published by ELLIOT STOCK. This book was released on 1896 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fables and Fabulists : Ancient and Modern The Fable or Apologue has been variously defined by different writers. Mr. Walter Pater, paraphrasing Plato's definition, says that 'fables are medicinable lies or fictions, with a provisional or economized truth in them, set forth under such terms as simple souls can best receive.' The sophist Aphthonius, taking the same view, defines[3] the fable as 'a false discourse resembling truth.' The harshness of both these definitions is scarcely relieved by their quaintness. To assert that the fable is a lie or a falsehood does not fairly represent the fact. A lie is spoken with intent to deceive. A fable, in its relation, can bear no such construction, however exaggerated in its terms or fictitious in its characters. The meanest comprehension is capable of grasping the humour of the situation it creates. Even the moral that lurks in the narration is often clear to minds the most obtuse. This is at least true of the best fables. Dr. Johnson, in his 'Life of Gay,' remarks that 'A fable or epilogue seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate—quod arbores loquantur, non tantum feræ—are, for the purpose of moral instruction, feigned to act and speak with human interests and passions.' Dodsley says that ''tis the very essence of a fable to convey some moral or useful truth beneath the shadow of an allegory.' Boothby defines the[4] fable as 'a maxim for the use of common life, exemplified in a short action, in which the inhabitants of the visible world are made the moral agents.' G. Moir Bussey states that 'the object of the author is to convey some moral truth to the reader or auditor, without usurping the province of the professed lecturer or pedant. The lesson must therefore be conveyed in an agreeable form, and so that the moralist himself may be as little prominent as possible.' Mr. Joseph Jacobs says that 'the beast fable may be defined as a short humorous allegorical tale, in which animals act in such a way as to illustrate a simple moral truth or inculcate a wise maxim.' These various definitions or descriptions apply more especially to the Æsopian fable (and it is with this that we are dealing at present), which is par excellence the model of this class of composition. Steele declares that 'the virtue which we gather from a fable or an allegory is like the health we get by hunting, as we are engaged in an agreeable pursuit that draws us on with pleasure, and makes us insensible of the fatigues that accompany it.' This is applied to the longer fable or epic, such as the 'Iliad' and 'Odyssey' of Homer, or the[5] 'Faerie Queen' of Spenser, rather than to the fable as the term is generally understood, otherwise the simile is somewhat inflated. One more definition may be attempted: The Æsopian fable or apologue is a short story, either fictitious or true, generally fictitious, calculated to convey instruction, advice or reproof, in an interesting form, impressing its lesson on the mind more deeply than a mere didactic piece of counsel or admonition is capable of doing. We say a short story, because if the narration is spun out to a considerable length it ceases to be a true fable in the ordinary acceptation of the term, and becomes a tale, such, for example, as a fairy tale. Now, a fairy or other fanciful tale usually or invariably contains some romance and much improbability; it often deals largely in the superstitious, and it is not necessarily the vehicle for conveying a moral. The very opposite holds good of a fable. Although animals are usually the actors in the fable, there is an air of naturalness in their assumed speech and actions. The story may be either highly imaginative or baldly matter-of-fact, but it never wanders beyond the range of intuitive (as opposed to actual or natural) experience, and it always contains a moral. In a word, a fable is, or ought to be, the very quintessence of common sense and wise counsel couched in brief narrative form. It partakes somewhat of the[6] character of a parable, though it can hardly be described as a parable, because this is more sedate in character, has human beings as its actors, and is usually based on an actual occurrence. Though parables are not fables in the strict and limited meaning of the term, they bear a close family relationship to them. Parables may be defined as stories in allegorical dress. The Scriptures, both old and new, abound with them. The most beautiful example in the Old Testament is that of Nathan and the ewe lamb, in which David the King is made his own accuser. This was a favourite mode of conveying instruction and reproof employed by our Lord. Christ often 'spake in parables'; and with what feelings of reverential awe must we regard the parables of the Gospels, coming as they did from the lips of our Saviour!
Download or read book Midcentury Quartet written by Thomas J. Travisano and published by University of Virginia Press. This book was released on 1999-12-29 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a February 1966 letter to her artistic confidant, RobertLowell, Elizabeth Bishop tellingly grouped four midcentury poets: Lowell, RandallJarrell, John Berryman, and herself. For Bishop--always wary of being pigeonholedand therefore reticent about naming her favorite contemporaries--it was a rareexplicit acknowledgment of an informal but enduring artistic circle that has evadedthe notice of literary journalists for more than forty years. Despite the privatenature of their dialogue, the group's members--Bishop, Lowell, Jarrell, andBerryman--left a compelling record of their mutual interchange and influence.Drawing on an extensive range of published and archival sources, Thomas Travisanotraces these poets' creation of a surprisingly coherent postmodern aesthetic anddefines its continuing influence on Americanpoetry. The refusal of this "midcentury quartet,"as Travisano calls them, to voice a formalized doctrine, coupled with theirintuitive way of working, has caused critics to miss the coherence of their project.Travisano argues that these poets are not only successors to Pound, Auden, Stevens, and Eliot but postmodern explorers in their own right. In forging their ownaesthetic, characterized here as a postmodern mode of elegy, they encounteredsignificant resistance from their immediate modernist mentors Allen Tate, John CroweRansom, and Marianne Moore. Jarrell, whom othersof the group regarded as a critic of particular genius, was first described as apost-modernist in a 1941 review by Ransom that Travisano cites as the earliest knownuse of the term. In Jarrell's review of Lowell's Lord Weary's Castle six yearslater, he named Lowell a postmodernist and identified traits, among them the use ofpastiche, that are now considered by theorists such as Fredric Jameson asspecifically postmodern. And Bishop's inventiveness allowed her to adapt aself-exploratory mode often, but imprecisely, termed confessional to challengingforms such as the double sonnet, villanelle, andsestina. Each of these poets suffered adevastating loss during childhood and lived through the twentieth-century disastersof the Great Depression, World War II and the Holocaust, and the cold war. Thecontinual tension in their poetry between subjectivity and form, claims Travisano, reflects the plight of the fractured individual in a postmodern world. By arguing sosharply for the importance of this circle, Midcentury Quartet is certain to redrawthe map of postwar American poetry.
Download or read book Catalog of Copyright Entries Third Series written by Library of Congress. Copyright Office and published by Copyright Office, Library of Congress. This book was released on 1952 with total page 886 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes Part 1A: Books
Download or read book English Journal written by and published by . This book was released on 1952 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of the Bible as Literature From antiquity to 1700 written by David Norton and published by Cambridge University Press. This book was released on 1993 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is regarded as a truism that the King James Bible is one of the finest pieces of English prose. Yet few people are aware that the King James Bible was generally scorned or ignored as English writing for a century and a half after its publication. The reputation of this Bible is the central, most fascinating, element in a larger history, that of literary ideas of the Bible as they have come into and developed in English culture; and the first volume of David Norton's magisterial two-volume work surveys and analyses a comprehensive range of these ideas from biblical times to the end of the seventeenth century, providing a unique view of the Bible and translation.
