Download or read book Et Dieu cr a la femme written by Maryvonne Gasse and published by . This book was released on 2020-09-10 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Et Dieu cr a la femme written by and published by . This book was released on 198? with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cinema and the Second Sex written by Carrie Tarr and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.
Download or read book Et Dieu cr a les femmes written by Jean-Claude Lamy and published by . This book was released on 2011 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Et Dieu cr a les femmes written by Laure Mistral and published by Editions Palette. This book was released on 2004 with total page 79 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pas toujours facile d'être une femme dans les religions juive, chrétienne et musulmane ! Elles ont souvent moins de droits que les hommes, quand elles ne sont pas traitées uniquement comme des mères ou des créatures sans jugeote. Pourtant, les grands prophètes de ces trois religions ont amélioré la condition des femmes de leur époque pendant que celles-ci tentaient de se libérer du pouvoir des hommes. Mais des retours en arrière apparaissent aujourd'hui. Quelles sont les origines de cette situation dans les trois religions ? De quelle manière ces religions ont-elles influencé les rapports entre les hommes et les femmes ? Est-ce la faute de Dieu ou des Hommes ? Notre société a été en partie fondée par les trois grandes religions monothéistes. En ces périodes de recrudescence de tensions religieuses, nous avons tous besoin de repères pour comprendre ce qui se passe dans le monde d'aujourd'hui. La collection " Nos religions " propose aux jeunes lecteurs à partir de 12 ans de découvrir ou d'approfondir leurs connaissances sur les religions juive, chrétienne et musulmane à travers un même thème.
Download or read book Homme et femme written by Marie-Louise Abia and published by . This book was released on 2009 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Homme et femme dieu les crea written by and published by . This book was released on 1997 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Et Dieu cr a la femme written by Natacha Baboulene-Miellou and published by . This book was released on 2012 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lorsqu'on évoque le mythe de Pygmalion, on pense à l'histoire de ce sculpteur, qui grâce à l'intervention de la déesse de l'amour, voit sa statue d'ivoire prendre vie. Or si on reprend dans tous les détails le récit d'Ovide, on s'aperçoit que c'est le sculpteur par son art qui anime sa créature, Vénus ne faisant que parfaire la métamorphose. C'est ce processus de création d'une femme idéale par un artiste opérant sur la base d'une projection de son désir sur le corps féminin que j'ai choisi d'étudier ici. Pour cela, j'ai mis en perspective plusieurs domaines de création (peinture, sculpture, littérature, mais aussi cinéma et haute couture) avec le mythe fondateur afin d'analyser les diverses modalités de la « fabrication » d'une femme et de son image par un homme de l'art ainsi que la relation qui les unit. Cette recherche s'inscrit dans le champ très large d'une anthropologie du corps et de l'image à la croisée de plusieurs disciplines (histoire de l'art, lettres, ethnologie, sociologie). L'analyse minutieuse du processus créatif à l'œuvre dans chacun des domaines étudiés au-delà de la singularité de chaque création, révèle une continuité dans la configuration de l'acte créateur que même la rupture introduite par la reproductibilité technique des images ne vient pas remettre en question. Bien que le processus puisse dans un premier temps, se ramener à deux modèles distinguant d'un côté, une fabrication fondée sur des moyens artisanaux et de l'autre, reposant sur des procédés industriels permettant une multiplication de l'image, l'acte créateur renvoie plus largement à un modèle de création en chaîne où la créature devient à chaque fois modèle pour une nouvelle création.
Download or read book Et la femme cr a Dieu written by Maryse Bouzet and published by . This book was released on 2019 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Romance Languages and Modern Linguistic Theory written by Paul Hirschbühler and published by John Benjamins Publishing. This book was released on 1992-01-01 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributions in this volume are selected and revised papers from the 20th Linguistic Symposium on Romance Languages, held in Ottawa in 1990. They reflect the state of Romance linguistics carried out within a broadly defined generative framework.
Download or read book Counterpractice written by Rakhee Balaram and published by Manchester University Press. This book was released on 2022-03-08 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.
Download or read book The Cinema of Catherine Breillat written by Sophie Bélot and published by BRILL. This book was released on 2017-08-28 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Cinema of Catherine Breillat, Bélot offers a detailed analysis of Breillat’s past and recent films. Breillat is one of the most internationally renowned French women filmmakers whose notoriety is built on her explicit representation of women’s sexuality. Most of her films rely on a female protagonist’s personal and intimate search of her self, characterised by her sexual journey. Facing censorship and controversy, Breillat’s films do not easily fit classification and place the viewer into an uncomfortable position. This study looks at Breillat as an independent cinema auteur entertaining a close relation with her films by exploring and positing women, from adolescence to adulthood, as sexual beings reflecting her films’ identity emanating from Breillat’s personal or intimate scenes.
Download or read book Cinema Studies written by Susan Hayward and published by Routledge. This book was released on 2013 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film studies is a course that is often articulated in highly technical or complex critical vocabulary. This is an A-Z of the key critical terms, designed to make film texts and analysis more accessible to the student.
Download or read book The Francophone Bande Dessin e written by and published by BRILL. This book was released on 2005-01-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Known as France’s Ninth Art, the bande dessinée has a status far surpassing that of the equivalent English-language comic strip. This publication, one of the first predominantly in English on the subject, provides a thorough introduction to questions of BD history, context and bibliography. Theoretical issues – including the reception of the early proto-BD prior to its modern definition, approaches to the construction of a BD (presented here in BD form by leading artist Tanitoc), semiology and the reading of the current form, or the specificity of the French/US (non)overlap – complement historical approaches, such as Bécassine read in the light of postcolonialism, Le Corbusier and BD techniques in architecture, post-war BD and nostalgia for the Resistance, or Pilote and the 1960s revolution. And whilst broaching issues such as feminism or masculinity, social class, AIDS, exoticism or futurism, the volume presents chapters on some of the cutting-edge artists in the field today: Baru, Moebius, Juillard, Binet, Bilal... This book supplies an introduction to the BD that will be of use to students and researchers at all levels. In addition, the format of the individual case studies provides in-depth analysis allowing the reader to grasp specific examples in terms both of their place vis-a-vis the evolution of the BD and, more generally, of the wider role they play within French and Francophone cultural studies.
Download or read book Classic French Noir written by Deborah Walker-Morrison and published by Bloomsbury Publishing. This book was released on 2018-10-18 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: French film noir has long been seen as a phenomenon distinct from its Hollywood counterpart. This book - an innovative departure from conventional noir scholarship - now adopts a biocultural approach to exploring the French genre through the years 1941-1959. Chapters reveal noir as a product of the social and cultural factors at play in occupied, liberated and post-war France: marked by malaise at military defeat, Nazi collaboration and the impact of industrialisation. Furthermore, the book uncovers the evolutionary mechanisms of sexuality and reproduction beneath the national context that drive gendered behaviour on screen. During this period, for example, the emerging urgent demand for population growth, coupled with the severe shortage of eligible males, rendered the mating game particularly perilous for traditional women beginning to enter the workplace. This explains the cynical yet seductive behaviour of the femme fatale. Deborah Walker-Morrison focuses on the dangerous, often deadly, desires of an array of male and female character-types: moving past the celebrated, fatal `femme' to tragic heroines, psychopathic narcissists, fatal `hommes' and gangster anti-heroes. The book re-examines productions by directors such as Henri-Georges Clouzot, Jacques Becker and Jules Dassin and pulls together strands of sociological, biological, psychological and evolutionary science to create an illuminating study of the intense human passions underlying the cut-throat world of noir.
Download or read book International Film Musical written by Corey K Creekmur and published by Edinburgh University Press. This book was released on 2012-01-17 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comparative consideration of the musical's role within national cinema traditions. While the musical is one cinema's few genuinely international genres, it has often functioned as an explicitly local or national form, drawing upon distinct traditions understood as 'native' rather than 'international'. Simultaneously, musicals from around the world have often imitated Hollywood models, resulting in their easy dismissal as culturally 'impure' and demonstrating the creative and ideological tension between promoting and abandoning traditional cultural forms and styles. This productive tension between local and global elements lies at the heart of international film musicals, which typically acknowledge the dominant Hollywood model while claiming their own cultural specificity.
