Download or read book Elizabethan Jacobean Dramatic Bawdy written by James T. Henke and published by . This book was released on 1970 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elizabethan Jacobean Drama written by Blakemore G. Evans and published by New Amsterdam Books. This book was released on 1998-04-21 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
Download or read book Renaissance Dramatic Bawdy exclusive of Shakespeare written by James T. Henke and published by . This book was released on 1974 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Renaissance Dramatic Bawdy exclusive of Shakespeare written by James T. Henke and published by . This book was released on 1974 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Motif of Adultery in Elizabethan Jacobean and Caroline Tragedy written by Ilse Born-Lechleitner and published by . This book was released on 1995 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jacobean Drama written by Una Mary Ellis-Fermor and published by . This book was released on 1961 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Trickster in Elizabethan Jacobean Drama written by Judith Livingston Burgess and published by . This book was released on 1978 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Renaissance Dramatic Bawdry Exclusive of Shakespeare written by James Henke and published by . This book was released on 1974 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dynamics Of Role Playing In Jacobean Tragedy written by Joan L Hall and published by Springer. This book was released on 1991-10-23 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jacobean actors fascinated audiences with their convincingly mimetic performances; often they appeared to assume the identities of the fictional characters they impersonated. A similar dynamic emerges in several tragedies of the period, where dramatic characters are frequently changed--for better or worse--by the roles they adopt within the play illusion. This study discusses how certain plays of Jonson and Middleton reveal the destructive consequences of assuming new personae; how three of Shakespeare's tragedies explore the ambivalent results of characters' experimentation with roles; and how Webster and Ford treat role-playing (including ceremonial behavior) creatively, as a vehicle for expressing and consolidating the dramatic self.
Download or read book Jacobean Drama written by Pascale Aebischer and published by Bloomsbury Publishing. This book was released on 2010-07-30 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including: - How the plays were staged and printed - Innovative editions of plays - How the plays represent and contest the dominant ideologies of the Jacobean period - Dramatic genres - The representation of the human body and of social, gender and race relations - Modern productions on stage and screen Featuring suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.
Download or read book Women in Elizabethan and Jacobean Drama written by Susanne Landolf-Hoppeler and published by . This book was released on 1989 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Thomas Middleton and the Plural Politics of Jacobean Drama written by Mark Kaethler and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-05-10 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.
Download or read book The Oxford Handbook of Dance and Theater written by Nadine George-Graves and published by Oxford University Press. This book was released on 2015-06-15 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.
Download or read book The Shakespearean Stage 1574 1642 written by Andrew Gurr and published by Cambridge University Press. This book was released on 1992-01-23 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.
Download or read book Queer Virgins and Virgin Queans on the Early Modern Stage written by Mary Bly and published by Oxford University Press, USA. This book was released on 2000 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Queer Virgins and Virgin Queans looks at the early modern theater through the lens of obscure and obscene puns--especially "queer" puns, those that carry homoerotic resonances and speak to homoerotic desires. In particular, it resurrects the operations of a small boys' company known as the first Whitefriars, which performed for about nine months in 1607-8. As a group, the plays performed by this company exhibit an unusually dense array of bawdy puns, whose eroticism is extremely interesting, given that the focus of eros is the male body. The laughter recoverable from Whitefriars plays harnesses the pun's inherent doubleness to homoerotic pleasure; in these plays, 'the bawdy hand of the dial' is always 'on the pricke of noone'. Mary Bly's analysis depends on the nature of punning itself, and the inflections of language and the creativity that marked Whitefriars punsters, with special emphasis on the effect of puns on an audience. What happens to audience members who sit shoulder to shoulder and laugh at homoerotic quibbles? What is the effect of catching a queer pun's double meaning in a group rather than while alone? How can we characterize those auditors, within the convoluted, if fascinating, theories of erotic identity offered by queer theorists?
Download or read book Theatrical Convention and Audience Response in Early Modern Drama written by Jeremy Lopez and published by Cambridge University Press. This book was released on 2002-12-05 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.
Download or read book Drama and the Market in the Age of Shakespeare written by Douglas Bruster and published by Cambridge University Press. This book was released on 2005-01-27 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world.
