Download or read book Ernest Meissonier written by Constance Cain Hungerford and published by . This book was released on 1999 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study documents the career of mainstream nineteenth-century artist, Ernst Meissonier.
Download or read book Cavaliers and Cardinals written by Eric Zafran and published by University of Pennsylvania Press. This book was released on 1992 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Copy 1
Download or read book The Hammock A Novel Based on the True Story of French Painter James Tissot written by Lucy Paquette and published by . This book was released on 2020-10-03 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.
Download or read book The Judgment of Paris written by Ross King and published by Anchor Canada. This book was released on 2012-01-11 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: Another fascinating book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art.’ Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information and a colourful cast of characters that includes Baudelaire, Courbet and Zola, with walk-on parts for Monet, Renoir, Degas and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
Download or read book Meissonier His Life and His Art written by Jean Louis Ernest Meissonier and published by London : William Heinemann. This book was released on 1897 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art in an Age of Civil Struggle 1848 1871 written by Albert Boime and published by University of Chicago Press. This book was released on 2008-09-15 with total page 906 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.
Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Download or read book Napoleon 1814 written by Andrew Uffindell and published by Pen & Sword Military. This book was released on 2015-04-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1814, after two successive years of defeat in Russia and central Europe, Napoleon was faced with the ultimate disaster - an Allied invasion of France itself. The conduct of the intense, fast-moving campaign that followed has been widely hailed as one of his greatest feats as a commander, yet it has rarely been described fully and objectively. Andrew Uffindell, in this gripping and original study, reconstructs the campaign, reassesses Napoleon's military leadership and provides a masterly account of a campaign that helped shape modern Europe.Using numerous eyewitness accounts, Napoleon 1814 records the swift succession of clashes in graphic detail, leading up to the final battle outside Paris, the biggest and bloodiest of the entire campaign, and then the extraordinary drama of Napoleon's abdication. It shows for the first time how the course of the campaign was repeatedly determined by the weather and the terrain. The author also covers events off the battlefield, and examines a strangely neglected aspect of the campaign: the devastating impact on the civilian population. He provides a vivid and moving portrayal of a society traumatized by the brutal experience of war, as ordinary people struggled to survive and confront the moral dilemmas posed by enemy occupation.
Download or read book The Iconographic Encyclopaedia of the Arts and Scien Sculpture and painting written by and published by . This book was released on 1887 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Indian Cottage written by Bernardin de Saint-Pierre and published by . This book was released on 1791 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The History of Modern Painting written by Richard Muther and published by . This book was released on 1907 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Iconographic Encyclopedia of the Arts and Sciences Sculpture and painting by M Carri re Ancient art by A Marquand Early Christian and mediaeval art by A L Frothingham jr Modern art by S G W Benjamin written by and published by . This book was released on 1885 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Moving Pictures written by Nancy Mowll Mathews and published by Hudson Hills. This book was released on 2005 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the complex relationship between American art and the new medium of film.
Download or read book Outlines of the History of Painting from 1200 1900 A D written by Edmund von Mach and published by . This book was released on 1906 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Picturing War in France 1792 1856 written by Katie Hornstein and published by Yale University Press. This book was released on 2018-02-06 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.
Download or read book The Final Spectacle written by Julia Thoma and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-03-18 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war.
Download or read book Paris in Ruins Love War and the Birth of Impressionism written by Sebastian Smee and published by W. W. Norton & Company. This book was released on 2024-09-10 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Boston Globe “20 Books We Can’t Wait to Read This Fall” A Next Big Idea Club “Must-Read Book for September 2024” The Pulitzer Prize–winning art critic’s gripping account of the “Terrible Year” in Paris and its monumental impact on the rise of Impressionism. From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans—then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born—in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience—reflected in Impressionism’s emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things—became the movement’s great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism. Incisive and absorbing, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the pressures of the siege and the chaos of the Commune had a profound impact on modern art, and how artistic genius can emerge from darkness and catastrophe.
