Download or read book A Complete Dictionary of Music written by Jean-Jacques Rousseau and published by . This book was released on 1779 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Music and Musicians written by G. Grove and published by Рипол Классик. This book was released on 1940 with total page 775 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Harvard Dictionary of Music written by Willi Apel and published by Harvard University Press. This book was released on 1969 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Download or read book Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1896 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Organ written by John Watson Warman and published by . This book was released on 1901 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Vocal Poetry to Song written by Jean Nicolas De Surmont and published by BoD – Books on Demand. This book was released on 2017-11-23 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.
Download or read book Grove s Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1911 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1880 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rousseau and Freedom written by Christie McDonald and published by Cambridge University Press. This book was released on 2010-04-22 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Debates about freedom, an ideal continually contested, were first set out in their modern version by the eighteenth-century French philosopher Jean-Jacques Rousseau. His ideas and analyses were taken up during the philosophical enlightenment, often invoked during the French Revolution, and still resonate in contemporary discussions of freedom. This volume, first published in 2010, examines Rousseau's many approaches to the concept of freedom, in the context of his thought on literature, religion, music, theater, women, the body, and the arts. Its expert contributors cross disciplinary frontiers to develop thought-provoking new angles on Rousseau's thought. By taking freedom as the guiding principle of their analysis, the essays form a cohesive account of Rousseau's writings.
Download or read book Jean Jacques Rousseau Music Illusion and Desire written by Michael O'Dea and published by Springer. This book was released on 2016-07-27 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: '...discusses virtually all the musical writings which figure in this tome of the Oeuvres completes and may even be read as a companion volume, providing a key to the understanding of its various texts...O'Dea's vividly textured and finely nuanced reading of Rousseau's musical imagination plainly does complement the Pleiade collection in two striking ways...it offers a general interpretation of the place of the philosophy of music in Rousseau's thought that is addressed to concepts which flit in and out of particular works, articulated in a voice whose clarity of tone is unmatched by a chorus of editors. Second, it pursues its case across a range of texts spread far beyond the limits of any collection of Rousseau's essays on music.' - Robert Wokler, French Literature This new study of Jean-Jacques Rousseau suggests that his early articles on music for the Encyclopidie give a unique insight into his thinking on aesthetics, affectivity and desire. Rousseau is shown as moving subsequently between two opposed tendencies. He celebrates the voice as the vehicle for the most intense moments of human experience but also frequently attacks the surrender to passion implicit in that celebration, denouncing the arts and arguing that women must be confined to the domestic sphere.
Download or read book A Dictionary of Music and Musicians A D 1450 1889 written by and published by . This book was released on 1890 with total page 770 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Beating Time Measuring Music in the Early Modern Era written by Roger Mathew Grant and published by . This book was released on 2014 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.
Download or read book The Invention of Folk Music and Art Music written by Matthew Gelbart and published by Cambridge University Press. This book was released on 2007-10-11 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
Download or read book Devotional Music in the Iberian World 1450 1800 written by Tess Knighton and published by Routledge. This book was released on 2017-07-05 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.
Download or read book Music and Musicians written by Albert Lavignac and published by . This book was released on 1901 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and the French Enlightenment written by Cynthia Verba and published by Oxford University Press. This book was released on 2017 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Prompted by controversial views of the composer-theorist Jean-Philippe Rameau, the leading figures of the French Enlightenment engaged in a vigorous philosophical debate about the nature of music. Their dialogue was one of extraordinary depth and richness, and dealth with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of 'Music and the French Enlightenment', Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published." -- rear cover.
Download or read book Music and the French Revolution written by Malcolm Boyd and published by Cambridge University Press. This book was released on 1992-04-02 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.
