Download or read book Daily exercises and scales for brass and reed instruments written by Gabriel Parès and published by . This book was released on 1912 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Daily exercises and scales for clarinet written by Gabriel Parès and published by . This book was released on 1912 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Practical Band Arranger written by Louis Philippe Laurendeau and published by . This book was released on 1919 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jacobs Orchestra Monthly written by and published by . This book was released on 1927 with total page 868 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jacobs Band Monthly written by and published by . This book was released on 1927 with total page 852 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book University of Michigan Official Publication written by and published by UM Libraries. This book was released on 1951 with total page 1022 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the University of Michigan written by University of Michigan and published by . This book was released on 1954 with total page 1076 pages. Available in PDF, EPUB and Kindle. Book excerpt: Announcements for the following year included in some vols.

Download or read book The Supervisors Service Bulletin written by and published by . This book was released on 1926 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Zero Waltzes written by and published by . This book was released on 1875 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Bandmaster written by and published by . This book was released on 1929 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Dominant written by and published by . This book was released on 1922 with total page 748 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Band Guide written by and published by . This book was released on 1955 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Technic of the Baton written by Albert Stoessel and published by . This book was released on 1920 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Register written by University of Michigan and published by . This book was released on 1951 with total page 1022 pages. Available in PDF, EPUB and Kindle. Book excerpt: Announcements for the following year included in some vols.

Download or read book The Instrumentalist written by and published by . This book was released on 1983 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book 300 Progressive Sight Reading Exercises for Trumpet written by Robert Anthony and published by CreateSpace. This book was released on 2015-01-02 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: First and foremost: THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises! Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). The remaining key signatures, additional time signatures, tempo markings and dynamics markings will be covered in future volumes. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical 'period' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies in my opinion. How to use this book: Start where the exercises begin and work across the book - from exercise 1, 5, 9, 13 and so on until you get to a point where the music challenges you and then mark your ending point. The next practice, play exercises 2, 6, 10, 14, and so on... The next: 3, 7, 11, 15 and so on, and finally 4, 8, 12, 16, and so on. If you want to work at your "break point" (the point in the book where you can no longer play musically), work DOWN the page instead of across the pages. Note: This book is also available in a LARGE PRINT version that for printing purposes had to be divided into two books. If you have poor vision or want this book to be easy to SEE on an electronic device, you might prefer the Large Print Version. "These books differ from conventional 'methods' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok's sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music's composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a 'music-first' perspective, as opposed to an 'instrument-first' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well. Additionally, a 20th-century composition technique (Bartok, Stravinsky) - Serial Composition - has also been used on several of the pieces, so if your ears are unfamiliar with this type of music, you might at first be uncomfortable with what you are hearing.

Download or read book Dictionary Catalog of the Music Collection written by New York Public Library. Reference Department and published by . This book was released on 1964 with total page 754 pages. Available in PDF, EPUB and Kindle. Book excerpt: