Download or read book Congregational Psalmody in Eighteenth Century New England written by David Kenneth Stigberg and published by . This book was released on 1970 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Sabbath in Puritan New England written by Alice Morse Earle and published by IndyPublish.com. This book was released on 1891 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early meeting-houses in country parishes were seldom painted, such outward show being thought vain and extravagant. In the middle of the eighteenth century paint became cheaper and more plentiful, and a gay rivalry in church-decoration sprang up. One meeting-house had to be as fine as its neighbor. Votes were taken, "rates were levied," gifts were asked in every town to buy "colour" for the meeting-house.
Download or read book Early New England Psalmody written by Hamilton C. Macdougall and published by Da Capo Press, Incorporated. This book was released on 1969-08-21 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Congregational Hymns in the Eighteenth Century written by Madeleine Forrell Marshall and published by University Press of Kentucky. This book was released on 2021-12-14 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
Download or read book Psalmody and Secular Songs written by Timothy Swan and published by A-R Editions, Inc.. This book was released on 1997-01-01 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The English Church in the Eighteenth Century written by Abbey and published by . This book was released on 1878 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cashaway Psalmody written by Stephen A. Marini and published by University of Illinois Press. This book was released on 2020-02-14 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.
Download or read book Collected Works written by Daniel Read and published by A-R Editions, Inc.. This book was released on 1995-01-01 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Anthem in New England Before 1800 written by Ralph T. Daniel and published by Evanston : Northwestern University Press. This book was released on 1966 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Imagining Methodism in Eighteenth Century Britain written by Misty G. Anderson and published by JHU Press. This book was released on 2012-03-14 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the eighteenth century, British Methodism was an object of both derision and desire. Many popular eighteenth-century works ridiculed Methodists, yet often the very same plays, novels, and prints that cast Methodists as primitive, irrational, or deluded also betrayed a thinly cloaked fascination with the experiences of divine presence attributed to the new evangelical movement. Misty G. Anderson argues that writers, actors, and artists used Methodism as a concept to interrogate the boundaries of the self and the fluid relationships between religion and literature, between reason and enthusiasm, and between theater and belief. Imagining Methodism situates works by Henry Fielding, John Cleland, Samuel Foote, William Hogarth, Horace Walpole, Tobias Smollett, and others alongside the contributions of John Wesley, Charles Wesley, and George Whitefield in order to understand how Methodism's brand of "experimental religion" was both born of the modern world and perceived as a threat to it. Anderson's analysis of reactions to Methodism exposes a complicated interlocking picture of the religious and the secular, terms less transparent than they seem in current critical usage. Her argument is not about the lives of eighteenth-century Methodists; rather, it is about Methodism as it was imagined in the work of eighteenth-century British writers and artists, where it served as a sign of sexual, cognitive, and social danger. By situating satiric images of Methodists in their popular contexts, she recaptures a vigorous cultural debate over the domains of religion and literature in the modern British imagination. Rich in cultural and literary analysis, Anderson's argument will be of interest to students and scholars of the eighteenth century, religious studies, theater, and the history of gender.
Download or read book William Billings of Boston written by David Phares McKay and published by Princeton University Press. This book was released on 2019-03-12 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: A young girl and her grandmother find a chipping sparrow with a broken wing and nurse her back to health so that she can return to the wild.
Download or read book American Music Studies written by James R. Heintze and published by Pendragon Press. This book was released on 1984 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Congregationalist written by and published by . This book was released on 1901 with total page 1082 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Current Thought in Musicology written by John W. Grubbs and published by Univ of TX + ORM. This book was released on 2014-11-06 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nine lectures from the 1971 symposium at the University of Texas at Austin, on music history, theory and composition, education, and performance. Ranging from the Middle Ages to the present and touching on all the major disciplines of musicology, the nine papers collected in this volume constitute a broad overview of the direction of music scholarship in the 1970s. In “Tractatus Esthetico-Semioticus: Model of the Systems of Human Communication,” Charles Seeger presents a model of the situations in which the study of humanistic art may best be conducted. Charles Hamm writes in “The Ecstatic and the Didactic: A Pattern in American Music” of the pattern of conflicting points of view in music history and theory. American composer Elliott Carter, in his chapter titled “Music and the Time Screen,” presents a lucid explanation of his compositional process, including his concept of musical time. In “Instruments and Voices in the Fifteenth-Century Chanson,” Howard Mayer Brown suggests the nature of fifteenth-century performance, drawn from iconography and various musical sources. “Nottebohm Revisited,” by Lewis Lockwood, reexamines Beethoven’s sketchbooks, showing the extent to which performing editions of his work must be updated. Daniel Heartz’s article, “The Chanson in the Humanist Era,” is multidisciplinary and will interest a variety of scholars, including French historians and French literary historians. Gilbert Chase applies structuralism to musicological studies in his chapter, “Musicology, History, and Anthropology: Current Thoughts.” The concluding essays, “The Prospects for Research in Medieval Music in the 1970s,” by Gilbert Reaney, and “The Library of the Mind: Observations on the Relationship between Musical Scholarship and Bibliography,” by Vincent Duckles, provide a unique view of the opportunities for further work in these areas. Also included is an introduction by the editor, notes on the contributors, and an index.
Download or read book The Reformation in Rhyme written by Beth Quitslund and published by Routledge. This book was released on 2016-12-05 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and prose prayers for domestic use. Because the Elizabethan Church rapidly and pervasively (if unofficially) adopted this metrical psalter for congregational singing, and because it had in practical terms no rivals for church use until the end of the seventeenth century, essentially the entire conforming population of early modern England after 1570 would have been familiar with its psalms and hymns as elements of both public worship and private devotion. Yet, despite the significant impact of The Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. In large part this neglect is due to the reputation it gained after the mid-seventeenth century as a work of poor poetry mainly valued by vulgar and/or sectarian audiences. This later reception, however, was the product of not only changing literary tastes but an ideological desire to reshape the history of the Reformation. This study focuses on the actual aims of its authors and editors over the course of its gradual composition during the tumultuous religious changes of the mid-sixteenth century, and recovers its significant influence on the English church and literary practice. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England. It also shows how, in metrical psalmody, Protestant reformers discovered what turned out to be a uniquely flexible and effective instrument for advancing their vision of a godly society.
Download or read book Hymns and Spiritual Songs written by Isaac Watts and published by . This book was released on 1826 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge History of American Music written by David Nicholls and published by Cambridge University Press. This book was released on 1998-11-19 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
