Download or read book Concerto Romantique written by Catherine Rollin and published by Alfred Music. This book was released on 2005-05-03 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concerto Romantique is reminiscent of such Romantic era composers as Schumann and Chopin, yet characteristic of Catherine Rollin's lyric sound and style. The beautiful, flowing melody will be appealing and accessible to intermediate-level students who enjoy playing Romantic-style music in an ensemble setting. Note: two copies are needed for performance. An orchestration is available for this piece. Contact David Daniels at [email protected].
Download or read book The Strad written by and published by . This book was released on 1903 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Encyclopedia of the Violin written by Alberto Bachmann and published by . This book was released on 1925 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monthly Bulletin written by Los Angeles Public Library and published by . This book was released on 1916 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Daniels Orchestral Music written by David Daniels and published by Rowman & Littlefield. This book was released on 2022-06-30 with total page 1464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Download or read book Adolf Busch written by Tully Potter and published by Boydell & Brewer. This book was released on 2024-04-02 with total page 1444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.
Download or read book The Flowers of Evil written by Charles Baudelaire and published by DigiCat. This book was released on 2022-11-07 with total page 79 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Evolution of Modern Orchestration written by Louis Adolphe Coerne and published by E-Kitap Projesi & Cheapest Books. This book was released on 2024-01-28 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is not the purpose of this work to write a treatise on instrumentation or to prepare a pedagogical analysis of orchestration only, but rather to trace the evolu-tion of the orchestra and of orchestration in connection with the history of music proper. Special emphasis will be laid upon what may be termed the IMPELLING FORCES to which the development of orchestration is due. This necessitates a considerable repetition of familiar facts that do not lend themselves to further original treatment. The restatement of such facts, however, would seem to form an indispensable background for the main theme, which is thereby exposed with all its attending phases of logical evolution. In addition to extended studies of orchestral scores themselves, the standard works of Berlioz, Gevaërt, Riemann, Parry, and others have, as a matter of course, been referred to. The subject under discussion has already been admirably handled by Lavoix in his voluminous work entitled "Histoire de L'Instrumentation," but it was unquestionably done through French glasses, and the scores of not one German romanticist are submitted to careful analysis beyond those of Weber and Wagner. "Parsifal" had not been produced at the time when Lavoix's book went to press, nor had such representative composers as Brahms, Saint-Saëns, Tschaikowsky, Dvorak then won their full meed of recognition. It is obvious, therefore, that the orchestration especially of the nineteenth century offers a fertile field for further profitable research. Again, the present writer is not aware of the existence of any comprehensive work in the English language upon the history of the orchestra and of orchestration. Throughout these pages the achievements of the more prominent composers are set forth in such manner as to indicate not only the distinctive features of their orchestration but of their general creative ability as well. In each case, the general style of composition and its significance as a contribution to musical literature are first enlarged upon. This is followed by an examination of the differentiated treatment of the strings, the wood, the brass, presented in logical sequence. A final analysis is then made of the individual method of orchestration as a whole, together with its relative value in the evolution of orchestration. In the Appendix to this book will be found a few musical illustrations selected from representative orchestral scores. LOUIS ADOLPHE COERNE. Cambridge, Massachusetts, U.S.A. April 30, 1905.
Download or read book Album of eighteen pieces for pianoforte written by Benjamin Godard and published by . This book was released on 1899 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Perspectives on American Music 1900 1950 written by Michael Saffle and published by Routledge. This book was released on 2012-10-12 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection reflect the range and depth of musical life in the United States during the first half of the twentieth century. Contributions consider the rise and triumph of popular forms such as jazz, swing, and blues, as well as the contributions to art music of composers such as Ives, Cage, and Copland, among others. American contributions to music technology and dissemination, and the role of these forms in extending the audience for music, is also a focus.
Download or read book Camille Saint Sa ns and the French Solo Concerto from 1850 to 1920 written by Michael Stegemann and published by Hal Leonard Publishing Corporation. This book was released on 1991 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Amadeus). This is a study of Saint Saens's concertante works - five concertos for piano, three for violin, two for cello, and shorter works.
Download or read book Star Turns and Cameo Appearances written by Bernard Jacobson and published by Boydell & Brewer. This book was released on 2015 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Up-close and personal views, by the renowned music critic and orchestra administrator, of musical luminaries from Alfred Brendel to Jessye Norman and beyond. Star Turns and Cameo Appearances is the entertaining and insightful memoir by veteran music critic Bernard Jacobson. Its pages are populated by eminent composers ranging from Hans Werner Henze to Andrzej Panufnik and by renowned performers, including Georg Solti, Daniel Barenboim, Sviatoslav Richter, and Jessye Norman. As a music critic and orchestra administrator, Jacobson has had the opportunity to observe these outstanding musicians andmany of their colleagues at close quarters. Assisting Riccardo Muti at the Philadelphia Orchestra for eight years, he saw sides of that maestro not visible to the music-loving public. Throughout Star Turns and Cameo Performances, Jacobson adds his own sensitive and sympathetic view to public perceptions of musical luminaries of yesterday and today, helping to explain and illuminate their artistry. Bernard Jacobson has worked in the music field for over fifty years, including stints as recording executive, music critic of the Chicago Daily News, artistic director and adviser for international orchestras in Holland, and visiting professor at Roosevelt University's Chicago Musical College. He has also performed and recorded as narrator of concert works and opera.
Download or read book Music and Musicians written by and published by . This book was released on 1927 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Quarterly Bulletin written by Los Angeles Public Library and published by . This book was released on 1916 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Observer written by and published by . This book was released on 1912 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Guided Imagery Music GIM and Music Imagery Methods for Individual and Group Therapy written by Denise Grocke and published by Jessica Kingsley Publishers. This book was released on 2015-05-21 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to systematically describe the range of approaches used in music imagery and Guided Imagery and Music across the lifespan, from young children through to palliative care with older people. Covering a broad spectrum of client populations and settings, international contributors present various adaptations of the Bonny Method of Guided Imagery to accommodate factors such as time restraints, context (including hospitals, schools, and the wider community), client symptomology, and the increasing use of more contemporary music. Each chapter presents a different model and includes background information on the client group, the type of approach, elements of approach (including length of the session, choice of music, verbal interventions during the music, and discussion of the experience), and theoretical orientation and intention. A nomenclature for the range of approaches is also included. This information will be a valued guide for both practitioners and students of Guided Imagery and Music and receptive methods of music therapy.
