Download or read book Concerto no 4 in D minor op 70 for pianoforte two pianos four hands written by Anton Rubinstein and published by . This book was released on 1905 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Concerto No 4 in D Minor Op 70 written by Anton Rubinstein and published by . This book was released on 197? with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Concerto for Piano No 4 in D Minor Op 70 written by Anton Rubinstein and published by . This book was released on 1870 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Concerto no 4 in D minor op 70 written by Anton Rubinstein and published by . This book was released on 1932 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Piano Concerto No 4 in D Minor Op 70 by Anton Rubinstein written by and published by . This book was released on 2005 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rubinstein Concerto No 4 in D Minor Op 70 2 Cd Set written by Anton (COP) Rubinstein and published by Music Minus One. This book was released on 2006-11-01 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Minus One
Download or read book Concerto written by Johannes Brahms and published by . This book was released on 1922 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to the Concerto written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2005-10-27 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rare volume dedicated entirely to scholarship on the genre of the concerto.
Download or read book Piano Concerto No 26 in D K 537 written by Wolfgang Amadeus Mozart and published by Alfred Music. This book was released on with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Piano Duet for 2 pianos, 4 hands, composed by Wolfgang Amadeus Mozart.
Download or read book The Concerto written by Stephan D. Lindeman and published by Taylor & Francis. This book was released on 2006 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Download or read book A Theory of Virtual Agency for Western Art Music written by Robert S. Hatten and published by Indiana University Press. This book was released on 2018-09-06 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Download or read book Hans Richter written by Christopher Fifield and published by Boydell & Brewer. This book was released on 2016 with total page 806 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preface -- Book 1 1865-March 1884 -- Book 2 March 1884-March 1895 -- Book 3 March 1895-April 1899 -- Book 4 April 1899-1901 -- Book 5 1902-January 1907 -- Book 6 January 1907-1912 -- Appendix 1 Works conducted by Hans Richter -- Appendix 2 Cities and towns where Richter conducted -- Select Bibliography -- Index
Download or read book Conversations with Glenn Gould written by Glenn Gould and published by University of Chicago Press. This book was released on 2005-11-15 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most idiosyncratic and charismatic musicians of the twentieth century, pianist Glenn Gould (1932–82) slouched at the piano from a sawed-down wooden stool, interpreting Bach, Beethoven, and Mozart at hastened tempos with pristine clarity. A strange genius and true eccentric, Gould was renowned not only for his musical gifts but also for his erratic behavior: he often hummed aloud during concerts and appeared in unpressed tails, fingerless gloves, and fur coats. In 1964, at the height of his controversial career, he abandoned the stage completely to focus instead on recording and writing. Jonathan Cott, a prolific author and poet praised by Larry McMurtry as "the ideal interviewer," was one of the very few people to whom Gould ever granted an interview. Cott spoke with Gould in 1974 for Rolling Stone and published the transcripts in two long articles; after Gould's death, Cott gathered these interviews in Conversations with Glenn Gould, adding an introduction, a selection of photographs, a list of Gould's recorded repertoire, a filmography, and a listing of Gould's programs on radio and TV. A brilliant one-on-one in which Gould discusses his dislike of Mozart's piano sonatas, his partiality for composers such as Orlando Gibbons and Richard Strauss, and his admiration for the popular singer Petula Clark (and his dislike of the Beatles), among other topics, Conversations with Glenn Gould is considered by many, including the subject, to be the best interview Gould ever gave and one of his most remarkable performances.
Download or read book Structural Novelty and Tradition in the Early Romantic Piano Concerto written by Stephan D. Lindeman and published by Pendragon Press. This book was released on 1999 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Anton Rubinstein written by Philip S. Taylor and published by Indiana University Press. This book was released on 2007-06-14 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first modern biography in English of Russian composer-pianist Anton Rubinstein, this book places Rubinstein within the context of Russian and western European musical culture during the late 19th century, exploring his rise to international fame from humble origins in Bessarabia, as well as his subsequent rapid decline and marginalization in later musical culture. Taylor provides a balanced account of Rubinstein's life and his career as a piano virtuoso, conductor, composer, and as the founder of Russia's first conservatory. Widely considered the virtuosic heir to Liszt, and recognized internationally as an equivalent cultural icon, he performed with most leading musicians of the day, including Liszt himself, Joachim, Clara Schumann, Vieuxtemps, Wieniawski, Saint-Saens, and Ysaÿe.
Download or read book Menahem Pressler written by William Brown and published by Indiana University Press. This book was released on 2008-12-03 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: As soloist, master class teacher, and pianist of the world-renowned Beaux Arts Trio, Menahem Pressler can boast of four Grammy nominations, three honorary doctorates, more than 80 recordings, and lifetime achievement awards presented by France, Germany, and Israel. Former Pressler student William Brown traces the master's pianistic development through Rudiakov, Kestenberg, Vengerova, Casadesus, Petri, and Steuermann, blending techniques and traditions derived from Beethoven, Chopin, Liszt, and J. S. Bach. Brown presents Pressler's approach to performance and teaching, including technical exercises, principles of relaxation and total body involvement, and images to guide the pianist's creativity toward expressive interpretation. Insights from the author's own lessons, interviews with Pressler, and recollections of more than 100 Pressler students from the past 50 years are gathered in this text. Measure-by-measure lessons on 23 piano masterworks by, among others, Bach, Bartók, Debussy, and Ravel as well as transcriptions of Pressler's fingerings, hand redistributions, practicing guidelines, musical scores, and master class performances are included.
Download or read book Inside Conducting written by Christopher Seaman and published by University Rochester Press. This book was released on 2013 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exactly what does a conductor do in front of an orchestra? Internationally renowned conductor Christopher Seaman offers lively and informative answers in this wise yet humorous book. What does a conductor actually do? How much effect does he or she have? Can the orchestra manage without one? Why don't the players look at the conductor more? Is it necessary for the conductor to play every instrument? What about interpretation? What happens at rehearsals? Why do some conductors "thrash around" more than others? Who's the boss in a concerto: the soloist or the conductor? These are some of the questions that receive lively andinformative answers in this book by renowned conductor Christopher Seaman. Composed of short articles on individual topics, it is accessible and easy to consult. Each article begins with an anecdote or saying and ends with quotations from musicians, often expressing opposing views. There are many books on the art of conducting, but none like this. Music lovers wondering what the figure on the podium actually does, and aspiring conductors eager to learn more about the art and craft of leading an orchestra, will all treasure this wise yet humorous book. Christopher Seaman has been successful at both ends of the baton. After four years as principal timpanist of the London Philharmonic Orchestra, he was appointed principal conductor of the BBC Scottish Symphony Orchestra and has enjoyed a busy international conducting career for over forty years. He is now Conductor Laureate for Life of the Rochester Philharmonic Orchestra, New York, and he continues to bring great music and wise words to audiences, students, and readers around the world.
