Download or read book Col W de Basil s Ballets Russes de Monte Carlo written by and published by . This book was released on 1937 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irina Baronova and the Ballets Russes de Monte Carlo written by Victoria Tennant and published by University of Chicago Press. This book was released on 2014-10-15 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Drawing on letters, correspondence, oral histories, and interviews, Baronova's daughter, the actress Victoria Tennant, ... recounts Baronova's dramatic life, from her earliest aspirations to her grueling time on tour to her later years in Australia as a pioneer of the art"--Dust jacket flap.
Download or read book Rene Blum and The Ballets Russes written by Judith Chazin-Bennahum and published by Oxford University Press. This book was released on 2011-07-15 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: René Blum and the Ballets Russes documents the life of the enigmatic and brilliant writer and producer who resurrected the Ballets Russes after Diaghilev died. Based on a treasure trove of previously undiscovered letters and documents, the book not only tells the poignant story of Blum's life, but also illustrates the central role Blum played in the development of dance in the United States. Indeed, Blum's efforts to save his ballet company eventually helped to bring many of the world's greatest dancers and choreographers--among them Fokine, Balanchine, and Nijinska--to American ballet stages.
Download or read book De Basil s Ballets Russes written by Kathrine Sorley Walker and published by Dance Books Limited. This book was released on 2010 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author details the story of Colonel W. de Basil's company of Russian ballet dancers who kept alive the heritage of the Russian ballet for 20 years.
Download or read book De Basil s Ballets Russes written by Kathrine Sorley Walker and published by . This book was released on 1983 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Behind the Scenes at the Ballets Russes written by Michael Meylac and published by Bloomsbury Publishing. This book was released on 2017-10-30 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ballets Russes was perhaps the most iconic, yet at the same time mysterious, ballet company of the twentieth century. Inspired by the unique vision of their founder Sergei Diaghilev, the company gained a large international following. In the mid-twentieth century - during the tumultuous years of World War II and the Cold War - the Ballets Russes companies kept the spirit and traditions of Russian ballet alive in the West, touring extensively in America, Europe and Australia. This important new book uncovers previously-unseen interviews and provides insights into the lives of the great figures of the age - from the dancers Anna Pavlova and Alicia Markova to the choreographers Leonide Massine, George Balanchine and Anton Dolin. The dancers' own words reveal what life was really like for the stars of the Ballets Russes and provide fascinating new insights into one of the most vibrant and creative groups of artists of the modern age.
Download or read book Choura written by Alexandra Danilova and published by Fromm International. This book was released on 1988 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book S Hurok Presents Ballet Russe de Monte Carlo written by Ballet Russe de Monte Carlo and published by . This book was released on 1935 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ballets Russes written by Robert Bell and published by . This book was released on 2010 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ballets Russes has engaged people for 100 years, ever since Russian-born Sergei Diaghilev created this dynamic avant-garde company. Diaghilev brought together some of the most important visual artists of the 20th century - Pablo Picasso, Henri Matisse, Andr Derain, Robert and Sonia Delaunay, Georges Braque, Giorgio de Chirico, Natalia Gonchorova and Mikhail Larionov and more - who worked as costume and stage designers with composers such as Igor Stravinky, choreographers such as Michel Fokine, and dancers such as Vaslav Nijinsky, infusing new life and creative energy into the performing arts of the time. Premiering in Paris, the Ballets Russes, for the brief period of its existence (1909 - 29), created exotic, extravagant, and charming theatrical spectacle but also critical discussion and technical innovation, as well as exuding glamour - and often creating scandal - wherever it appeared. The costumes featured in this book are drawn entirely from the National Gallery of Australia's world-renowned collection of Ballets Russes costumes and ephemera. Through the costumes, drawings, programs and posters, the visual spectacle of the Ballets Russes is brought back into view for a contemporary audience to appreciate the revolution it was and the ongoing influence it continues to have today. This book is a must for anyone interested in the performing arts, the intersection of art and design, and costume and fashion.
Download or read book The Art of Ballets Russes written by Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.) and published by Yale University Press. This book was released on 1997-01-01 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Download or read book The Creative Labor of Music Patronage in Interwar France written by Louis K. Epstein and published by Boydell & Brewer. This book was released on 2022 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons. as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.
Download or read book The Worlds of Lincoln Kirstein written by Martin Duberman and published by Northwestern University Press. This book was released on 2008-09-25 with total page 773 pages. Available in PDF, EPUB and Kindle. Book excerpt: This rich and revelatory biography of Lincoln Kirstein, cofounder of the New York City Ballet and School of American Ballet, is filled with fascinating incidents and perceptions, and is being published for Kirstein's centenary. photos.
Download or read book The Ballets Russes in Australia and Beyond written by Mark Carroll and published by Wakefield Press. This book was released on 2011 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ballets Russes in Australia and Beyond draws together essays by leading international and national scholars, who explore the rich legacy of the Ballets Russes. A dazzling array of pictures brings to life the sheer vitality of the companies in a way that makes the volume indispensable to balletomanes, scholars, and those fascinated by the synergies between the creative arts in general.
Download or read book Diaghilev s Empire written by Rupert Christiansen and published by Farrar, Straus and Giroux. This book was released on 2022-10-18 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Best Book of the Year at The New Yorker and The Telegraph “Amusing and assertive . . . [Christiansen’s] delight is infectious.” —Alexandra Jacobs, The New York Times Book Review Rupert Christiansen, a renowned dance critic and arts correspondent, presents a sweeping history of the Ballets Russes and of Serge Diaghilev’s dream of bringing Russian art and culture to the West. Serge Diaghilev, the Russian impresario and founder of the Ballets Russes, is often said to have invented modern ballet. An art critic and connoisseur, Diaghilev had no training in dance or choreography, but he had a dream of bringing Russian art, music, design, and expression to the West and a mission to drive a cultural and artistic revolution. Bringing together such legendary talents as Vaslav Nijinsky, Anna Pavlova, Igor Stravinsky, Pablo Picasso, and Henri Matisse, this complex and visionary genius created a new form of ballet defined by artistic integrity, creative freedom, and an all-encompassing experience of art, movement, and music. The explosive color combinations, sensual and androgynous choreography, and experimental sounds of the Ballets Russes were called “barbaric” by the Parisian press, but its radical style usurped the entrenched mores of traditional ballet and transformed the European cultural sphere at large. Diaghilev’s Empire, the publication of which marks the one hundred fiftieth anniversary of Diaghilev’s birth, is a daring, impeccably researched reassessment of the phenomenon of the Ballets Russes and the Russian Revolution in twentieth-century art and culture. Rupert Christiansen, a leading dance critic, explores the fiery conflicts, outsize personalities, and extraordinary artistic innovations that make up this enduring story of triumph and disaster.
Download or read book Coros Y Danzas written by Daniel David Jordan and published by Oxford University Press. This book was released on 2023 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book explores how women of the early Franco regime (1939-53) adapted rural music traditions and Spanish nationalism according to different political circumstances. The Sección Femenina (Women's Section) of the fascist Falange party officially represented the regime's views and policies on female gender roles. Through their Music Department, these women shaped traditional Spanish songs and dances to promote ideas of Catholic morality throughout the nation's culturally diverse regions, helped legitimize colonial involvement in Spain's African territories, and formed political ties with the Allied powers after the Second World War. This book is particularly relevant to readers with interests in 20th-century Spanish history, cultural diplomacy, and the Cold War"--
Download or read book Igor Stravinsky written by and published by PediaPress. This book was released on with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Equipoise written by Dawn Lille and published by The Rosen Publishing Group, Inc. This book was released on 2009-12-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this insightful biography, dance historian Dawn Lille traces the life of Alfredo Corvino from his roots as a quiet, athletic boy in Montevideo, Uruguay, through his international performing career with some of the greatest companies of the 20th century to his long and fruitful years as a beloved teacher and ballet master. By weaving together interviews with Corvino s colleagues, students, and family with archival material from the Juilliard School, the Metropolitan Opera Ballet as well as the Corvino family, Lille has created a touching portrait of this wise, fun-loving and enigmatic man. Setting Corvino s own story within the context of the social, political, and artistic events of his time, Lille vividly explores the many forces and challenges that shaped this artist and educator. More than 40 photos, many never before published, illustrate the various stages of Corvino s life. Discussions with and commentary from his daughters Andra and Ernesta elucidate his teaching theory and basic exercises. Photographs with line drawing overlays by functional anatomy teacher and former Corvino student, Irene Dowd illustrate the equipoise of Corvino s approach to classical ballet technique. A foreword by Dominique Mercy, leading dancer with Tanztheater Wuppertal reveals the great gift Corvino gave to dancers and dance lovers everywhere through his life work.
