Download or read book Choreography and Corporeality written by Thomas F. DeFrantz and published by Springer. This book was released on 2016-09-14 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book renews thinking about the moving body by drawing on dance practice and performance from across the world. Eighteen internationally recognised scholars show how dance can challenge our thoughts and feelings about our own and other cultures, our emotions and prejudices, and our sense of public and private space. In so doing, they offer a multi-layered response to ideas of affect and emotion, culture and politics, and ultimately, the place of dance and art itself within society. The chapters in this collection arise from a number of different political and historical contexts. By teasing out their detail and situating dance within them, art is given a political charge. That charge is informed by the work of Michel Foucault, Stuart Hall, Gilles Deleuze, Jacques Derrida, Rancière and Luce Irigaray as well as their forebears such as Spinoza, Plato and Freud. Taken together, Choreography and Corporeality: RELAY in Motion puts thought into motion, without forgetting its origins in the social world.
Download or read book Engaging Bodies written by Ann Cooper Albright and published by Wesleyan University Press. This book was released on 2013-11-20 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Selma Jeanne Cohen Prize in Dance Aesthetics (2014) For twenty-five years, Ann Cooper Albright has been exploring the intersection of cultural representation and somatic identity in dance. For Albright, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her engagement as both a dancer and a scholar, Albright draws on her kinesthetic sensibilities as well as her intellectual knowledge to articulate how movement creates meaning. Throughout Engaging Bodies movement and ideas lean on one another to produce a critical theory anchored in the material reality of dancing bodies. This blend of cultural theory and personal circumstance will be useful and inspiring for emerging scholars and dancers looking for a model of writing about dance that thrives on the interconnectedness of watching and doing, gesture and thought.
Download or read book Movements of Interweaving written by Taylor & Francis Group and published by Routledge. This book was released on 2020-12-18 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only challenges the concept of intercultural dance performances, but through its innovative approach also calls attention to the specific qualities of "interweaving" as a form of movement itself. Divided into four sections, this volume features an international team of scholars together developing a new critical perspective on the cultural practices of movement, travel and migration in and beyond dance.
Download or read book Corporeal Politics written by Katherine Mezur and published by University of Michigan Press. This book was released on 2020-09-03 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Corporeal Politics, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of “corporeal politics”—the close attention to bodily acts in specific cultural contexts—each study in this book challenges existing dance and theater histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests.
Download or read book Dance and the Corporeal Uncanny written by Philipa Rothfield and published by Routledge. This book was released on 2020-06-07 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dance and the Corporeal Uncanny takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique. It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms - one phenomenological (via Merleau-Ponty), the other an interpretation of Nietzschean philosophy, mediated through the work of Deleuze. The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.
Download or read book Site Dance and Body written by Victoria Hunter and published by Springer Nature. This book was released on 2021-02-05 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play? How might embodied movement practice explore some of these relations and bring us closer to the complexities of sites and lived environments? This book brings together perspectives from site dance, phenomenology, and new materialism to explore and develop how ‘site-based body practice’ can be employed to explore synergies between material bodies and material sites. Employing practice-as-research strategies, scores, tasks and exercises the book presents a number of suggestions for engaging with sites through the moving body and offers critical reflection on the potential enmeshments and entanglements that emerge as a result. The theoretical discussions and practical explorations presented will appeal to researchers, movement practitioners, artists, academics and individuals interested in exploring their lived environments through the moving body and the entangled human-nonhuman relations that emerge as a result.
Download or read book Choreographing Through an Expanded Corporeality written by Suzanne Cowan and published by . This book was released on 2017 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This practice-led research explores the potential for an expanded corporeality through choreography and a posthuman ethics. Engaging somatechnics (body technologies) such as rope tying and Contact Improvisation I develop techniques that seek to rupture the binaries of nature/culture and dis/ability through performance. These techniques establish somatic processes for sharing weight, experiencing suspension and torsion through the body and a tactile exchange with the environment and participating audience. They take shape through rhizomatic rope structures that create complex interconnected systems of support. Through using these techniques to investigate our relationality, I reveal a permeable, porous subjectivity and an erotics of connectivity. My position is that we are always already extended: we lean, touch, and absorb the surfaces surrounding us which can allow us to experience ourselves as dynamic, fluid identities. Throughout this thesis the process of exploring dynamic identities is led by a part-real, part mythical entity called Ethico Super-Girl. She introduces each chapter including the final performance submission, Knot Just Body, a culminating experiment in intimacy, relationality, and ethics. The notion of an expanded corporeality is inspired by ontologies of vulnerability and permeability. It unfurls its choreo-philosophy through engaging with theoretical insights such as Margrit Shildrick’s concept of the distributive body, Rosie Braidotti’s posthuman ethics, and Karen Barad’s theory of queer entanglements. The diacritical cut, introduced by Ann Cooper-Albright and Gabriele Brandstetter (2015), is used as an analytical tool to reveal the potentially transformative space between the ‘dis’ and the ‘ability’. In referencing the work of other artists such as Claire Cunningham, Bob Flanagan, and Rita Marcalo, I demonstrate how queer transformations taking place through contemporary performance trouble assumptions about the boundaries of the body and relations between performer and audience. While dance studies has a well theorised frame of expanded choreography (Harvey, 2011), little attention has been paid to the possibilities inherent within an expanded corporeality. This research offers an original conception of how an expanded corporeality can both reimagine and construct through performance how we inhabit space and specifically our response to dis/ability, through performance. It calls for more pluralistic understandings of embodiment. The techniques and theoretical positions developed in this thesis are relevant to practitioners and scholars in disability studies, dance studies, queer theory, posthumanism, and new materialism.
Download or read book Movements of Interweaving written by Gabriele Brandstetter and published by Routledge. This book was released on 2018-08-06 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only challenges the concept of intercultural dance performances, but through its innovative approach also calls attention to the specific qualities of "interweaving" as a form of movement itself. Divided into four sections, this volume features an international team of scholars together developing a new critical perspective on the cultural practices of movement, travel and migration in and beyond dance.
Download or read book Choreographing Empathy written by Susan Foster and published by Routledge. This book was released on 2010-11-08 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.
Download or read book Material of Movement and Thought written by Anna Petronella Foultier and published by . This book was released on 2013 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The articles in this volume have grown out of a research project on the dancer and the creative process, gathering both professional dancers and theoreticians. A number of issues are explored: How does the dancer work in the process where the dance takes shape? How does the understanding of a movement material shift through the performing of it? What is it to experience a movement from the perspective of the spectator? Through what concepts are we to think the dancer’s practice and corporeality? Essays by Cecilia Roos, Anna Petronella Foultier, Chrysa Parkinson, Katarina Elam, Cecilia Sjöholm and Iréne Hultman.
Download or read book Shifting Corporealities in Contemporary Performance written by Marina Gržinić and published by Springer. This book was released on 2018-10-03 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance, and performance), it turns to a pluriversal understanding of embodiment that resides in the extra violent conditions of contemporary global necro-capitalism in order to conduct a thorough analysis that goes beyond arts and culture. It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts. Through a series of thematic clusters, the study explores the reactivation of the body as a site of a new meaning-making politics.
Download or read book Geographies of Dance written by Adam M. Pine and published by Lexington Books. This book was released on 2013-12-24 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a theoretical and practical examination of the relationships between bodies, dance and space. Using ten case studies, it illustrates the symbolic power of dance that is crafted by choreographers and acted out by dancers. The book portrays a multitude of ways in which public and private spaces (stages, buildings, town squares as well as natural environments) are transformed and made meaningful by dance. Furthermore, it explores the meaning of dance as emotionally experienced by dancers, and examines how movement in certain spaces creates meaning without the use of words or symbols.
Download or read book The Choreographic written by Jenn Joy and published by MIT Press. This book was released on 2014-10-10 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of dance and choreography that views them not only as artistic strategies but also as intrinsically theoretical and critical practices. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alÿs, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making.
Download or read book Meaning in Motion written by Jane Desmond and published by Duke University Press. This book was released on 1997 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: On dance and culture
Download or read book Corporeality and Culture written by Karin Sellberg and published by Routledge. This book was released on 2016-03-09 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ’material turn’ in critical theory - and particularly the turn towards the body coupled with scientific insights from biomedicine, biology and physics - is becoming an important path in fields of humanities-based scholarly inquiry. Material and technological philosophies play an increasingly central role in disciplines such as literary studies, cultural studies, history, performance and aesthetics, to name only a few. This edited collection of essays investigates how the material turn finds applications within humanities-based frameworks - focusing on practical reflections and disciplinary responses. It takes as its critical premise the understanding that importation of theoretical viewpoints is never straightforward; rather, a complex, sometimes even fraught, communication takes place between these disciplines at the imperceptible lines where praxis and theory meet, transforming both the landscape of practical engagement and the models of material theory. Presenting a multi- and interdisciplinary consideration of current research on the cultural relationship to living (and non-living) bodies, Corporeality and Culture: Bodies in Movement puts the body in focus. From performance and body modification to film, literature and other cultural technologies, this volume undertakes a significant speculative mapping of the current possibilities for engagement, transformation and variance of embodied movement in relation to scientifically-situated corporealities and materialities in cultural and artistic practices. Time and time again, it finds these ever-shifting modes of being to be inextricably interdependent and coextensive: movement requires embodiment; and embodiment is a form of movement.
Download or read book Dancing Women written by Usha Iyer and published by Oxford University Press. This book was released on 2020-10-02 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms cinema and dance historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the "choreomusicking body" and "dance musicalization," aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic "techno-spectacles," Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
Download or read book The Body of the People written by Jens Richard Giersdorf and published by University of Wisconsin Pres. This book was released on 2013-05-15 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Body of the People is the first comprehensive study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, Jens Richard Giersdorf investigates a national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis. Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.
