Download or read book Chats to cello Students written by Arthur Broadley and published by . This book was released on 1915 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chats to Cello Students written by Arthur Broadley and published by Good Press. This book was released on 2021-05-18 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Chats to 'Cello Students" by Arthur Broadley is a musical study about Violoncello Playing. In the first place it is impossible to thoroughly exhaust the whole science and art of 'cello technique and 'cello playing; recognizing this, it has been the author's aim to draw on his own experience as a teacher of the instrument, rather than follow in the trail of any existing work. With respect to the intentions of the work, nothing can equal viva-voce instruction and the personal supervision of a good master, but it is to be feared that many who are really talented cannot afford lessons from anyone who is thoroughly capable of directing their studies—it is this class of player who will derive the most benefit from a conscientious study of the ensuing pages.
Download or read book Chats to cello Students written by Arthur Broadley and published by . This book was released on 1899 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chats to Cello Students Classic Reprint written by Arthur Broadley and published by Forgotten Books. This book was released on 2017-12-24 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Chats to 'Cello Students IN introducing this little work on Violoncello Playing, a few words of thanks and explanation are perhaps necessary. My thanks are due to the professional friends, and students - and also to others with whom I am not personally acquainted, who have spoken or written con cerning the benefit they have derived from the study of the Chats during the serial run in the strad. It is a great pleasure to find that through the perusal of these crude literary efforts, some few have derived plea sure or assistance - that some difficulty has been made easier of mastery. An explanation will a851st any who fail to realize the limitations and intentions of a work of this description. In the first place it is impossible to thoroughly exhaust the whole science and art of 'cello technique and 'cello playing; recognising this, it has been my aim to draw on my own experience as a teacher of the instrument, rather than follow in the trail of any existing work. With respect to the intentions of the work, nothing can equal viva-vow instruction and the personal supervision of a good master, but it is to be feared that many who are really talented cannot afford lessons from anyone who is thoroughly capable of directing their studies - it is this class of player who will derive the most benefit from a conscientious study of the ensuing pages; may the instructions contained therein, direct and stimulate him to that which is good and artistic. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Chats to Cello Students written by Arthur Broadley and published by Theclassics.Us. This book was released on 2013-09 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 edition. Excerpt: ... and gradually swell out to forte, nor is it possible to glide one note into another, although much may be done in this direction by causing the note to sing in such a manner, that one note seems to be sustained until the next has been Portamento. although referring more tenderly approached. Each note has to remain fixed as far as pitch is concerned, the idea of gliding only applying to the "thickness" of the tone being varied when quitting one note and approaching the next. The latter remarks apply also to wind instruments. No matter how small is the break between two notes, or in what manner art is introduced to conceal or in any other way attempt to make up for this deficiency, it is yet there, and to a great extent must influence the interpretation of a composition. The violoncello resembles the human voice perhaps more than any other instrument. The character of the tone in certain portions of its register is very similar to that of the human voice, and without going too far, it may be said that it is possible to produce nearly all the varied effects of articulation of which the voice is capable, except actually speaking. Thus the variation in tone which singers produce by a clever management of the breath, the glide when two notes are sung to a vowel sound, the hard sound of an initial consonant, the vibrato, and numerous other effects are all possible on this most human instrument. However, as far as gliding is concerned, the 'cello has a big range, and far more is expected from the instrumentalist, in the way of leaping to and from notes at extreme distances, than is ever expected from a single voice. The vocalist performs similar skips by an unconscious, and to a certain extent, involuntary contraction of the various...
Download or read book The Art of Listening written by Anthony Arnone and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 2021-03-17 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Art of Listening, Anthony Arnone interviews 13 of the top cello teachers of our time, sharing valuable insights about performing, teaching, music, and life. While almost every other aspect of twenty-first-century life has been changed by technological advancements, the art of playing and teaching the cello has largely remained the same. Our instruments are still made exactly the same way and much of what we learn is passed on by demonstration and word of mouth from generation to generation. We are as much historians of music as we are teachers of the instrument. The teaching lineage in the classical music world has formed a family tree of sorts with a select number of iconic names at the top of the tree, such as Pablo Casals, Gregor Piatigorsky, and Leonard Rose. A large percentage of professional cellists working today studied with these giants of the cello world, or with their students. In addition to discussing the impact of these masters and their personal experience as their students, the renowned cellists interviewed in this book touch on a variety of topics from teaching philosophies to how technology has changed classical music.
Download or read book Chats to Violin Students on how to Study the Violin written by John Tiplady Carrodus and published by . This book was released on 1911 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chats on violoncellos written by Olga Racster and published by . This book was released on 1908 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Advice to Pupils Teachers of the Violin written by Basil Althaus and published by . This book was released on 1912 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of Tone production on the Violoncello written by Emil Krall and published by . This book was released on 1913 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Technics of Violoncello Playing written by Edmund S. J. van der Straeten and published by . This book was released on 1905 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Violin Making written by Walter Henry Mayson and published by . This book was released on 1909 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Playing the Cello 1780 1930 written by George Kennaway and published by Routledge. This book was released on 2016-04-22 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
Download or read book Teaching Violin Viola Cello and Double Bass written by Dijana Ihas and published by Taylor & Francis. This book was released on 2023-11-23 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string instruments. Co-written by three performance and pedagogy experts, each specializing in different string instruments, this book is applicable to all levels of instruction. Essays on historical pedagogues are clearly structured to allow for easy comprehension of their philosophies, pedagogical practices, and unique contributions. This book concludes with a section on application through comparative analysis of the historical methods and approaches. With coverage from the eighteenth century to the present, this book will be invaluable for teachers and students of string pedagogy and general readers who wish to learn more about string pedagogy’s rich history, diverse content, and modern developments.
Download or read book Fiddles written by Henry Saint-George and published by . This book was released on 1910 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nicolo Paganini written by Stephen Samuel Stratton and published by . This book was released on 1907 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to the Cello written by Robin Stowell and published by Cambridge University Press. This book was released on 1999-06-28 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers.
