Download or read book Dutch and Flemish Netherlandish and German Paintings written by Glasgow Art Gallery and Museum and published by . This book was released on 1961 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book European Paintings in the Metropolitan Museum of Art by Artists Born in Or Before 1865 Illustrations written by Metropolitan Museum of Art (New York, N.Y.) and published by . This book was released on 1980 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Early Netherlandish Painting written by Colin T. Eisler and published by Philip Wilson Publishers, Limited. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession. It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century. An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling. A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.

Download or read book Dutch and Flemish Paintings written by Michiel Jonker and published by Giles. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major new reference book on Dutch and Flemish art from a remarkable collection.

Download or read book German Paintings in the Metropolitan Museum of Art 1350 1600 written by Maryan W. Ainsworth and published by Metropolitan Museum of Art. This book was released on 2013 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.

Download or read book Revolutionary Paris and the Market for Netherlandish Art written by Darius A. Spieth and published by BRILL. This book was released on 2017-11-06 with total page 535 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.

Download or read book Anonymous Art at Auction written by Anne-Sophie V. Radermecker and published by BRILL. This book was released on 2021-05-25 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.

Download or read book America and the Art of Flanders written by Esmée Quodbach and published by Penn State University Press. This book was released on 2020-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.

Download or read book Light and Shade in Dutch and Flemish Art written by Ulrike Kern and published by Brepols Publishers. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the first systematic analysis of artistic techniques and terminology related to the rendering of light and shade in Dutch and Flemish art from the early-seventeenth to the mid-eighteenth century. It traces a shift in aesthetic perception, which is visible in the handling of chiaroscuro in Dutch and Flemish art in the course of 150 years, and challenges the view, widespread since Julius von Schlosser's influential survey of European art and literarure, that Netherlandish art was mainly uninventive. In their discussions Netherlandish writers of art theory drew on a) earlier and foreign art literature, b) their insights, mainly as painters, into workshop practice, c) observation of nature (including natural sciences) and d) aesthetic judgement. This volume investigates the different extents to which Netherlandisch writers on art depended on these four aspects as they devised their concepts of chiaroscuro and how this relates to contemporary pictorial practice. Statements on chiaroscuro in the writings of Karel van Mander, Philips Angel, Willem Goeree, Samuel van Hoogstraten, Gerard de Lairesse, Arnold Houbraken and Jacob Campo Weyerman have been compared with paintings of the period to test the writers' statements against the artists'methods. The comparison shows that writers of art theory described partly the same or similar methods to achieve effects of chiaroscuro that artists used in their works, which is understandable, given that most of them were active as artists themselves. Yet there are also divergences, especially when it comes to the question whether artists should value rendering natural effects over pictorial coherence. Dutch writers of art regarded natural impression as a crucial aim of art, but they often struggled with reconciling nature and aesthetic requirements in their arguments. In the art of the Netherlands, however, we can observe frequently that aesthetic and pictorial composition came before nature.

Download or read book Seventeenth Century Flemish Garland Paintings written by Susan Merriam and published by Routledge. This book was released on 2017-07-05 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

Download or read book Flemish Art and Architecture 1585 1700 written by Hans Vlieghe and published by Yale University Press. This book was released on 1998-01-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: 02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.

Download or read book The Ashgate Research Companion to Dutch Art of the Seventeenth Century written by Wayne Franits and published by Routledge. This book was released on 2017-07-05 with total page 599 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.

Download or read book Dutch Flemish Paintings written by Peter Sutton and published by . This book was released on 2012 with total page 85 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dutch and Flemish Flower Pieces 2 vols in case written by Sam Segal and published by BRILL. This book was released on 2020-09-25 with total page 1266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.

Download or read book Holland s Golden Age in America written by Esmée Quodbach and published by Penn State University Press. This book was released on 2014 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.

Download or read book Flemish and German Paintings of the 17th Century written by Julius Samuel Held and published by Wayne State University Press. This book was released on 1982 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gerard Ter Borch written by K. Jr Wheelock Arthur and published by Yale University Press. This book was released on 2004-01-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gerard ter Borch (1617-1681) was unequalled among his Dutch peers for capturing the elegance & grace of wealthy Dutch society in his portraiture. A major influence on Vermeer, ter Borch has not received the attention he deserves & this is the first major English language text about his work.