Download or read book One Hundred Middle English Lyrics written by Robert David Stevick and published by University of Illinois Press. This book was released on 1994 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stevick's classic work remains the only text of its kind aimed at fostering the linguistic competence necessary to understand its poems in Middle English. The wide range of lyric poems in the book are normalized to a Chaucerian dialect. The introduction has been revised to take into account the scholarship and criticism published since the first edition appeared in 1964. It gives the background for the poetry, explains how and why the texts are normalized, and reviews significant critical scholarly studies of the works. Included is a section on morphology and grammar that introduces students to the language of the lyrics, and a section on the evolving meter of Middle English. "A fine piece of work. . . . Learned, wide-ranging, and judicious." -- John B. Friedman, author of The Monstrous Races in Medieval Art and Thought "An impressive collection. Stevick's decision to normalize the texts makes it highly accessible." -- Ralph Hanna III, University of California, Riverside
Download or read book The Cambridge Companion to Medieval English Literature 1100 1500 written by Larry Scanlon and published by Cambridge University Press. This book was released on 2009-06-18 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging survey of the most important medieval authors and genres, designed for students of English.
Download or read book Medieval English Lyrics written by Reginald Thorne Davies and published by Northwestern University Press. This book was released on 1964 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains over 180 poems, songs, and carols of medieval England in Middle English with extensive linguistic and critical notes.
Download or read book The Cambridge History of Early Medieval English Literature written by Clare A. Lees and published by Cambridge University Press. This book was released on 2012-11-29 with total page 910 pages. Available in PDF, EPUB and Kindle. Book excerpt: Informed by multicultural, multidisciplinary perspectives, The Cambridge History of Early Medieval English Literature offers a new exploration of the earliest writing in Britain and Ireland, from the end of the Roman Empire to the mid-twelfth century. Beginning with an account of writing itself, as well as of scripts and manuscript art, subsequent chapters examine the earliest texts from England, Ireland, Scotland and Wales, and the tremendous breadth of Anglo-Latin literature. Chapters on English learning and literature in the ninth century and the later formation of English poetry and prose also convey the profound cultural confidence of the period. Providing a discussion of essential texts, including Beowulf and the writings of Bede, this History captures the sheer inventiveness and vitality of early medieval literary culture through topics as diverse as the literature of English law, liturgical and devotional writing, the workings of science and the history of women's writing.
Download or read book The Middle English Lyric and Short Poem written by Rosemary Greentree and published by Boydell & Brewer. This book was released on 2001 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.
Download or read book A Companion to the Middle English Lyric written by Thomas Gibson Duncan and published by Boydell & Brewer. This book was released on 2005 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aims to provide both background information on and assessments of the lyric. This work includes features of formal and thematic importance: they are rhyme scheme, stanzaic form, the carol genre, love poetry in the manner of the troubadour poets, and devotional poems focusing on the love, and suffering and compassion of Christ and the Virgin Mary.
Download or read book The Voices of Medieval English Lyric written by Anne L. Klinck and published by McGill-Queen's Press - MQUP. This book was released on 2019-11-28 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: What was the medieval English lyric? Moving beyond the received understanding of the genre, The Voices of Medieval English Lyric explores, through analysis, discussion, and demonstration, what the term "lyric" most meaningfully implies in a Middle English context. A critical edition of 131 poems that illustrate the range and rich variety of lyric poetry from the mid-twelfth century to the early sixteenth century, The Voices of Medieval English Lyric presents its texts - freshly edited from the manuscripts - in thirteen sections emphasizing contrasting and complementary voices and genres. As well as a selection of religious poetry, the collection includes a high proportion of secular lyrics, many on love and sexuality, both earnest and humorous. In general, major authors who have been covered thoroughly elsewhere are excluded from the edited texts, but some, especially Chaucer, are quoted or mentioned as illuminating comparisons. Charles d'Orléans and the Scots poets Robert Henryson and William Dunbar add an extra-national dimension to a single-language collection. Textual and thematic notes are provided, as well as versions of the poems in Latin or French when these exist. Adopting new perspectives, The Voices of Medieval English Lyric offers an up-to-date, accessible, and distinctive take on Middle English poetry.
Download or read book Old English and Middle English Poetry written by Derek Pearsall and published by Routledge. This book was released on 2019-06-27 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.
Download or read book What Kind of a Thing Is a Middle English Lyric written by Cristina Maria Cervone and published by University of Pennsylvania Press. This book was released on 2022-08-30 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.
Download or read book Medieval Writers and Their Work written by J. A. Burrow and published by Oxford University Press. This book was released on 2008-02-07 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fully updated second edition of J. A. Burrow's hugely successful introduction to medieval English literature.
Download or read book The Oxford History of Poetry in English written by Julia Boffey and published by Oxford University Press. This book was released on 2023-05-18 with total page 593 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.
Download or read book Approaches to emotion in Middle English literature written by Carolyne Larrington and published by Manchester University Press. This book was released on 2024-04-16 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
Download or read book The Latin Poems of Richard Ledrede O F M Bishop of Ossory 1317 1360 written by Richard Ledrede and published by PIMS. This book was released on 1974 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Chaucerian Apocrypha written by Kathleen Forni and published by Medieval Institute Publications. This book was released on 2005-07-01 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The poems in this volume were prized and preserved because of their association with Chaucer's name and have been, paradoxically, almost entirely ignored by modern readers for the same reason. Many of these pieces are worthy of study, not only in the context of Chaucerian reception, but also as specimens of the kinds of vernacular poetry that circulated in late medieval manuscripts and which remained in print, largely by the accidental virtue of their association with Chaucer, throughout the Renaissance and well into the nineteenth century. The various genres represented in this sampler (the dream vision, good counsel, female panegyric, mass parody, proverbial wisdom, lover's dialogue, prochecy, advice to princes, elegiac complaint, courtly parody, and anti-feminist satire) attest to the diversity of late medieval literary tastes and to the flexibility of the courtly idiom. In the sixteenth century both Chaucer's poetry and the diverse works with which it circulated appear to have continued to have been valued for their perceived courtly qualities. Chaucer's early scribal and print editors also appear to have prized his sphere of influence (attested to by imitation, continuation, and emendation) and his adaptability to contemporary social and political needs.
Download or read book Middle English Dictionary written by Robert E. Lewis and published by University of Michigan Press. This book was released on 2007 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The final installment of the most important modern reference work for Middle English studies
Download or read book Death and Purgatory in Middle English Didactic Poetry written by Takami Matsuda and published by Boydell & Brewer Ltd. This book was released on 1997 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of Purgatory in Middle English didactic writings is explored through examination of visions of the afterlife, sermons, homiletic treatises, and lyrics.
Download or read book Vernacular Aesthetics in the Later Middle Ages written by Katharine W. Jager and published by Springer. This book was released on 2019-07-03 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
