Download or read book British Watercolors 1750 1950 written by Katherine Coombs and published by Victoria & Albert Museum. This book was released on 2012-10 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Watercolours explores the many ways in which British artists have employed this versatile medium.

Download or read book British Watercolours 1750 to 1850 written by Andrew Wilton and published by Phaidon Press. This book was released on 1977 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.

Download or read book The Land Question in Britain 1750 1950 written by M. Cragoe and published by Springer. This book was released on 2010-01-20 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'Land Question' occupied a central place in political and cultural debates in Britain for nearly two centuries. From parliamentary enclosure in the mid-eighteenth century to the fierce Labour party debate concerning the nationalization of land after World War Two, the fate of the land held the power to galvanize the attention of the nation.

Download or read book British Landscape Watercolours 1750 1850 written by Jane Munro and published by A&C Black. This book was released on 1994 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Great Age of British Watercolours 1750 1880 written by Andrew Wilton and published by Te Neues Publishing Company. This book was released on 1993 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Download or read book Benezit Dictionary of British Graphic Artists and Illustrators written by Stephen Bury and published by Oxford University Press, USA. This book was released on 2012-06-21 with total page 1341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.

Download or read book Places of the Mind written by Kim Sloan and published by Thames & Hudson. This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh perspective on British landscape drawing in the Victorian and Modern eras. The attempts by artists of the Victorian and early Modern period to convey not merely the physical properties of a landscape but also its emotional and spiritual impact - landscape as 'places of the mind', as the critic Geoffrey Grigson put it - is the focus of this fascinating new study of British watercolours produced between 1850 and 1950. Drawing on the British Museum's impressive collection, this book explores artists' spiritual quests to capture the essence of landscape and convey a sense of place. Artists of the later nineteenth and early twentieth centuries drew on earlier traditions but developed and extended the genre through their imaginative, personal responses to the artistic, cultural and social upheavals of the time. The book includes works by Victorian artists Edward Burne-Jones, Dante Gabriel Rossetti and Edward Poynter and by many well known twentieth-century artists, such as John and Paul Nash, Ben Nicholson and Henry Moore, some of which have never previously been published.

Download or read book Picturing Animals in Britain 1750 1850 written by Diana Donald and published by Yale University Press. This book was released on 2007-01-01 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.

Download or read book Epic Landscapes written by Julia Sienkewicz and published by Rutgers University Press. This book was released on 2019-11-13 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Epic Landscapes is the first study devoted to architect Benjamin Henry Latrobe’s substantial artistic oeuvre from 1795, when he set sail from Britain to Virginia, to late 1798, when he relocated to Pennsylvania. Thus, this book offers the only extended consideration of Latrobe’s Virginian watercolors, including a series of complex trompe l’oeil studies and three significant illustrated manuscripts. Though Latrobe’s architecture is well known, his watercolors have received little critical attention. Epic Landscapes rediscovers Latrobe’s watercolors as an ambitious body of work and reconsiders the close relationship between the visual and spatial sensibility of these images and his architectural designs. It also offers a fresh analysis of Latrobe within the context of creative practice in the Atlantic world at the end of the eighteenth century as he explored contemporary ideas concerning the form of art for Republican society and the social impacts of revolution. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Download or read book Painting in Britain 1530 to 1790 written by Ellis Kirkham Waterhouse and published by Yale University Press. This book was released on 1994-01-01 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.

Download or read book British Vision written by Robert Hoozee and published by Cornell University Press. This book was released on 2007 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs."—The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks—over 300 works gathered from collections all over the world."—The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey of British art from 1750 to 1950. British Vision presents some of the most celebrated works in British art history, selected from public and private collections in Europe, Britain, and the United States by Robert Hoozee, drawing on the expertise of Andrew Dempsey, John Gage, Mark Haworth-Booth, and Timothy Hyman. Among the artists whose work appears in British Vision are William Hogarth, Thomas Gainsborough, George Stubbs, William Blake, Henry Fuseli, John Constable, J. M. W. Turner, Richard Dadd, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Francis Bacon, and Lucien Freud.Essays by a group of distinguished art historians focus on two defining characteristics of British art, observation and imagination, seen within the context of society, landscape, and the visionary. Together, they set forth important arguments about what makes British art recognizable, what gives it its typically "British" style, and how British artists have contributed to the history of art as a whole. This lavishly illustrated catalog is a sumptuous record of the most comprehensive exhibition of British art to be displayed in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries.

Download or read book Music and British Culture 1785 1914 written by Christina Bashford and published by . This book was released on 2000 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of sixteen new essays, all commissioned from cultural and musical historians, was inspired by the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music. This volume discusses issues such as the music marketplace, piano culture, musicians' work patterns, music institutions, concert history, and national and urban identities - all with a clear focus on art music traditions. The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here the issue is interwoven with the social and economic realities confronting music and musicians in Britain across the 19th century.

Download or read book Common Land in English Painting 1700 1850 written by Ian Waites and published by Boydell Press. This book was released on 2012 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the treatment of common land in the work of English painters, at a time when much of it was to disappear forever. A most elegantly written book that calmly knocked many entrenched but erroneous notions about British landscape painting firmly on the head. Longlisted and commended by the judges of the 2013 William M. B. Berger prize forBritish art history. During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequentlyviewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrentfacet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in itshey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln.

Download or read book Bristol A Worshipful Town and Famous City written by Nigel Baker and published by Oxbow Books. This book was released on 2018-02-21 with total page 867 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bristol is a major city and port in the south-west of England. In medieval times, it became the third largest city in the kingdom, behind London and York. Bristol was founded in the late Saxon period and grew rapidly in the 12th and 13th centuries. Initially, seaborne trading links with Ireland and France were particularly significant; later, from the 16th century onwards, the city became a focus for trade with Iberia, Africa, and the New World. This led to the growth of new industries such as brass manufacture, glass production and sugar refining, producing items for export, and processing imported raw materials. Bristol also derived wealth from the slave trade between Africa and the New World. The city has a long history of antiquarian and archaeological investigation. This volume provides, for the first time, a comprehensive overview of the historical development of Bristol, based on archaeological and architectural evidence. Part 1 describes the geological and topographical context of Bristol and discusses evidence for the environment prior to the foundation of the city. The history of archaeological work in Bristol is discussed in detail, as is the pictorial record and the cartographic evidence for the city. In Part 2, a series of period-based chapters considers the historical background and archaeological evidence for Bristol’s development from the prehistoric, Roman, and post-Roman eras through the establishment and growth of Bristol between about 950 and 1200 AD; the medieval city; early modern period; and the period from 1700 to 1900 AD, when Bristol was particularly important for its role in transatlantic trade. Each chapter discusses the major civic, military, and religious monuments of the time and the complex topographical evolution of the city. Part 3 assesses the significance of Bristol’s archaeology and presents a range of themes for future research.

Download or read book The Emergence of the Professional Watercolourist written by Greg Smith and published by Routledge. This book was released on 2018-01-12 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.

Download or read book Art Power and Modernity written by Gordon Fyfe and published by A&C Black. This book was released on 2001-01-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.

Download or read book British and Irish Paintings in Public Collections written by Christopher Wright and published by Yale University Press. This book was released on 2006-01-01 with total page 950 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.