Download or read book British Queer Cinema written by Robin Griffiths and published by Psychology Press. This book was released on 2006 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the stereotypes and subversive sub-texts of earlier works to the complex visibility of queer identity in the 70s, 80s and 90s, the contributors to this collection discuss the varying contexts and deployments of homosexuality to define and deconstruct the cultural values of British popular cinema.
Download or read book The Oxford Handbook of Queer Cinema written by Ronald Gregg and published by Oxford University Press. This book was released on 2021 with total page 865 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--
Download or read book New Queer Cinema written by Aaron Michele Aaron and published by Edinburgh University Press. This book was released on 2019-06-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Coined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the proliferation of 'queer' images and themes within the mainstream. But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution? New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema). With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by key writers. Features*Provides a definitive introduction to New Queer Cinema (NQC)*Clear structure with each section addressing a key topic in the study of NQC*Themes covered include genre, gender and race, politics, media, and the relationship between NQC and the mainstream.
Download or read book A Companion to British and Irish Cinema written by John Hill and published by John Wiley & Sons. This book was released on 2019-07-18 with total page 605 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Download or read book Queer Cinema written by Barbara Mennel and published by Columbia University Press. This book was released on 2012-10-23 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. Barbara Mennel traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. She explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. Mennel concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys not only offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.
Download or read book Brief Encounters written by Stephen Bourne and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: For many years, lesbian and gay representation in British cinema escaped the attention of critics and historians. Informative and entertaining, Brief Encounters examines performers, directors and a wide range of films to reveal a cinema more varied, vital and sensuous than we could have imagined. Through a close reading of mid-twentieth century British films, Bourne explores a range of lesbian and gay screen images from movies including Soldiers of the King, Pygmalion, In Which We Serve, Brief Encounter, Black Narcissus, The Red Shoes and A Hard Day's Night. In addition, he looks in detail at the ground-breaking Victim and brings together the moving reminiscences of gay men who first saw the film in the hostile climate of 1961, and the reactions of contemporary critics. This fluent chronology of over 150 famous, half-remembered and forgotten films is a testament to the contribution of gays and lesbian to British cinema culture.
Download or read book New Queer Cinema written by B. Ruby Rich and published by Duke University Press. This book was released on 2013-03-26 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.
Download or read book Masculinity in British Cinema 1990 2010 written by Sarah Godfrey and published by EUP. This book was released on 2021-12-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores British cinematic representations of masculinity.
Download or read book Lesbian Cinema after Queer Theory written by Bradbury-Rance Clara Bradbury-Rance and published by Edinburgh University Press. This book was released on 2019-01-30 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.
Download or read book The German Cinema Book written by Tim Bergfelder and published by Bloomsbury Publishing. This book was released on 2020-02-20 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
Download or read book The Cambridge Companion to American Gay and Lesbian Literature written by Scott Herring and published by Cambridge University Press. This book was released on 2015-05-19 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion examines the connections between LGBTQ populations and American literature from the late eighteenth to twenty-first centuries. It surveys primary and secondary writings under the evolving category of gay and lesbian authorship, and incorporates current thinking in US-based LGBTQ studies as well as critical practices within the field of American literary studies. This Companion also addresses the ways in which queerness pervades persons, texts, bodies, and reading, while paying attention to the transnational component of such literatures. In so doing, it details the chief genres, conventional historical backgrounds, and influential interpretive practices that support the analysis of LGBTQ literatures in the United States.
Download or read book The Fruit Machine written by Thomas Waugh and published by Duke University Press. This book was released on 2000-04-04 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine—a collection of Waugh’s reviews and articles originally published in gay community tabloids, academic journals, and anthologies—charts the emergence and maturation of Waugh’s critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking. In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky’s and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence.
Download or read book New Queer Horror Film and Television written by Darren Elliott-Smith and published by University of Wales Press. This book was released on 2020-10-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.
Download or read book Out at the Movies written by Steven Paul Davies and published by Oldacastle Books. This book was released on 2008-12-01 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the decades, gay cinema has reflected the community's journey from persecution to emancipation to acceptance. Politicized dramas like Victim in the 1960s, The Naked Civil Servant in the 1970s, and the AIDS cinema of the 1980s have given way in recent years to films which celebrate a vast array of gay lifestyles. Gay films have undergone a major shift from the fringe to the mainstream—2005’s Academy Awards were dubbed "the gay Oscars" with statues going to Brokeback Mountain, Capote, and Transamerica. Producers began clamoring to back gay-themed movies and the most high profile of these is Gus Van Sant’s forthcoming Milk, starring Sean Penn as Harvey Milk, the first prominent American political figure to be elected to office on an openly gay ticket back in the 1970s. The book also covers gay filmmakers and actors and their influence within the industry, the most iconic scenes from gay cinema, and the most memorable dialogue from key films.
Download or read book Film Bodies written by Katharina Lindner and published by Bloomsbury Publishing. This book was released on 2017-10-16 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: The representation of gender and sexuality is well-explored territory in film studies. In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Drawing on a broad range of sources, Lindner explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. Moving across mainstream and independent cinema, Lindner provides detailed 'textural' analyses of Black Swan, The Tango Lesson, 2 Seconds, Offside, Tomboy and Girlhood and discusses the queer feminist encounters these films can give rise to. This provocative book is of vital interest to students and researchers of queer cinema, queer/feminist theory, embodiment and affect and offers a unique new way of understanding the relationship between queerness, feminism, the body and cinema.
Download or read book Out Takes written by Ellis Hanson and published by Duke University Press. This book was released on 1999 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism.
Download or read book Queer Cinema in the World written by Karl Schoonover and published by Duke University Press. This book was released on 2016-11-17 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
