Download or read book Bibliography of black music written by Dominique-René DeLerma and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliography of Black Music Volume 3 written by Dominique-René De Lerma and published by Greenwood. This book was released on 1981 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Product information not available.
Download or read book Bibliography of Black Music Geographical studies written by Dominique-René De Lerma and published by . This book was released on 1981 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliography of Black Music Volume 4 written by Dominique-René De Lerma and published by Greenwood. This book was released on 1981 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Product information not available.
Download or read book Bibliography of Black Music Theory education and related studies written by Dominique-René De Lerma and published by . This book was released on 1981 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Black Music in the United States written by Samuel A. Floyd (Jr.) and published by Millwood, N.Y. : Kraus International Publications. This book was released on 1983 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliography of Black Music Theory education and related studies written by Dominique-René De Lerma and published by . This book was released on 1981 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book World Music Center written by Carol Lems-Dworkin and published by . This book was released on 1976 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliography of Black Music Volume 1 written by Dominique-René De Lerma and published by Greenwood. This book was released on 1981-04-30 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Product information not available.
Download or read book Choral Music by African American Composers written by and published by Scarecrow Press. This book was released on 1996 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lists and describes both published and unpublished choral works by some 100 Afro-American composers and arrangers, encompassing works representing all styles from four-part settings to avant-garde pieces. The bulk of the book is an annotated list of compositions in tabular form, organized alphabetically by composer's name, listing publication dates and number of pages, vocal ranges, type of accompaniment, publishers, and catalog number. Includes a listing of collections, biographical sketches, a discography, and addresses of publishers and composers. Useful for conductors and researchers. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Sourcebook for Research in Music Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Download or read book The Power of Black Music written by Samuel A. Floyd Jr. and published by Oxford University Press. This book was released on 1996-10-31 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
Download or read book Bibliography of Black Music Volume 2 written by Dominique-René De Lerma and published by Greenwood. This book was released on 1981-12-10 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Product information not available.
Download or read book The Power of Black Music written by Samuel A. Floyd Jr. and published by Oxford University Press. This book was released on 1995-07-27 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
Download or read book The Geography of South America written by Thomas A. Rumney and published by Scarecrow Press. This book was released on 2013-04-18 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: South America is an area of fascination and study for geographers and other scholars from around the world, and its land and people have played important roles in the discovery and distribution of civilizations, resources, and nations for millennia. The region has long stimulated a large amount of research across the many subdisciplines of geography, and Thomas A. Rumney collects, organizes, and presents as many scholarly publications as possible in The Geography of South America: A Scholarly Guide and Bibliography. Every South American nation is included: Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Surinam, Uruguay, and Venezuela. Beginning with an overview of the region as a whole, successive chapters, one per nation, are divided by specific subdisciplines of geography: cultural, social, economic, historical, physical and environmental, political, and urban. Each section is then divided by document type: atlases, books, book chapters, articles from scholarly journals, master’s theses, and doctoral dissertations. Although the majority of entries focus on English-language works, selected entries written in Spanish, French, German, and other languages are also included (with the entry titles translated into English and noted accordingly).
Download or read book String Music of Black Composers written by and published by Greenwood. This book was released on 1991-10-16 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the pattern established with his pioneering work, Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the string music of Black composers. Composers from Africa as well as the Diaspora are covered in this, the most comprehensive work on the topic yet published. Organized in alphabetical order by composer, each entry provides information, where available, on the composer's life and career, and then details all works that include strings as well as information about commission, premiere, and composer bibliography and discography. The volume includes a string index, as well as a general discography and bibliography. This work should prove invaluable for scholars examining the impact of Black composers on classical music, opera, and ballet, and it will be equally valuable to those devising repertoire for teaching and concert purposes.
Download or read book Samuel Akpabot written by Godwin Sadoh and published by iUniverse. This book was released on 2008-10-17 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel Akpabots life tells a unique story of an incredible and fascinating journey encompassing over six decades. The life, music, and scholarly effervescence of Samuel Akpabot are indeed an epitome of intercultural musicology. The odyssey reveals a motion through a tri-cultural enclave in Africa, England, and the United States. The fundamental seed sown into the young Akpabot at Kings College and the Cathedral Church of Christ Choir, Lagos, ultimately blossomed into full Professorship at the University of Uyo and international stardom. His creative experience attests to the squirm that the first and second generation of Nigerian composers had to contend with to create indigenous African art music. Akpabot was a Jack of all trade, and Master of ALL. He was a classical and dance band pianist, organist, xylophonist, vibraphonist, trumpeter, drummer, composer, ethnomusicologist, African musicologist, intercultural musicologist, poet, Professor of music, conductor, broadcaster, and sports writer. Akpabot was a genius in all these areas and he dazzled the Nigerian and American students, audiences, congregations, sports enthusiasts, and colleagues, with his God given talents. A feisty scholar, his contribution to African musicology is indeed extensive and priceless. He covered every pertinent area in the study of African musictraditional music, popular dance music, church music, modern art music, and poetry. He exerted himself and was well-respected as an authority on African musicology. The book is divided into three main parts with an epilogue: (i) the biography of Samuel Akpabotchapter 2; (ii) his compositionschapters 3 to 5; and (iii) his contributions to knowledgechapters 6 to 11. Since Akpabots books are presently out-of-print, chapters 6 to 9 and 11 present a brief summary of each book in order for everyone to have access to his contribution to African musicology and Nigerian football. Chapter 10 is a succinct summation of nine of his published articles on African music. Composers, performers, African musicologists, ethnomusicologists, intercultural musicologists, and church musicians, would be enthralled by this ethnography on tri-cultural musicality.
