Download or read book Banned Films written by Edward De Grazia and published by . This book was released on 1982 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of censorship in America, with particular reference to films such as 'The birth of a Nation' (D.W. Griffith), The Exorcist, I am curious, Yellow, 'Last Tango in Paris' (Marlon Brando, Bernardo Bertolucci), Ecstasy (Exstase, Hedy Lamarr).
Download or read book Obscene Indecent Immoral Offensive written by Stephen Tropiano and published by Rowman & Littlefield. This book was released on 2009-01-01 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entertaining and insightful book is the first devoted exclusively to the films that have earned a special place in motion picture history by pushing the “cinematic envelope” with their treatment of provocative subjects and themes. Obscene, Indecent, Immoral & Offensive: 100+ Years of Controversial Cinema chronicles the history of Hollywood censorship and the films that were banned, censored, and condemned by the Production Code Administration and the Legion of Decency. Stephen Tropiano offers readers insightful and accessible analysis of films that were branded “controversial” at the time of their release due to explicit language, nudity, graphic sex, violence, and their treatment of “adult” subject matter and themes. The films profiled include The Birth of a Nation, Anatomy of a Murder, Who's Afraid of Virginia Woolf?, Baby Doll, Blackboard Jungle, Bonnie and Clyde, The Wild Bunch, A Clockwork Orange, Natural Born Killers, Caligula, Rosemary's Baby, Life of Brian, The Last Temptation of Christ, and The Passion of the Christ.
Download or read book Contemporary Sino French Cinemas written by Michelle E. Bloom and published by University of Hawaii Press. This book was released on 2016-01-31 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.
Download or read book See No Evil written by David Kerekes and published by . This book was released on 2000 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronicles the phenomenal rise of video culture and its alleged associations with criminal activity, Containing studies of murder cases supposedly influenced by films, interviews with the video underground producers, and insightful commentary on contentious movies, See No Evil is an exhaustive and startling overview of Britain's video nasty culture. The eagerly awaited follow up to the best selling Killing for Culture.
Download or read book Hollywood Censored written by Gregory D. Black and published by Cambridge University Press. This book was released on 1994 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
Download or read book Film Censorship in America written by Jeremy Geltzer and published by McFarland. This book was released on 2017-11-28 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the first films played in nickelodeons, controversial movies have been cut or banned across the United States. Far from Hollywood, regional productions such as Oscar Micheaux's provocative race films and Nell Shipman's wildlife adventures were censored by men like Major M.L.C. Funkhouser, the terror of Chicago's cinemas, and Myrtelle Snell, the Alabama administrator who made the slogan "Banned in Birmingham" famous. Censorship continues today, with Utah's case against Deadpool (2016) pending in federal court and Robert Rodriguez's Machete Kills (2013) versus the Texas Film Commission. This authoritative state-by-state account covers the history of film censorship and the battle for free speech in America.
Download or read book Forbidden Films written by Dawn B. Sova and published by Checkmark Books. This book was released on 2001 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alphabetically arranged entries offer detailed histories of 125 films, providing production data, cast information, plot summaries, censorship histories, and profiles of directors.
Download or read book Banned in Kansas written by Gerald R. Butters and published by University of Missouri Press. This book was released on 2007 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This first book-length study of state film censorship examines the unique political, social, and economic factors that led to its implementation in Kansas, taking a look at why censorship legislation was enacted, what the attitudes of Kansans were toward censorship, and why it lasted for half a century"--Provided by publisher.
Download or read book Encyclopedia of the American Left written by Mari Jo Buhle and published by . This book was released on 1992 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Book of the Banned written by Simon Miraudo and published by Low Heroes Press. This book was released on 2023-08-01 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: BLASPHEMY AND HORROR! SAUCY SWEDES! LUKE SKYWALKER'S CHARRED AUNT & UNCLE! Australia has censored it all. Did you know Aussie audiences were originally banned from watching bona fide classics The Night of the Hunter, Breathless and The Texas Chain Saw Massacre (to name just a few out of literal hundreds), or that Australians initially saw a watered-down version of Star Wars in cinemas? Book of the Banned is a rigorous, rollicking, riotous and righteously-furious jaunt through film history that reveals the shocking stories behind Australia's classification system and how your favourite movies have been snipped down under, featuring interviews with Margaret Pomeranz, David Stratton, a bunch of 'banned' filmmakers and even their censors. Like any good story, there are heroes, anti-heroes, unexpected criminals and downright dastardly villains, though they're not always whom you'd expect. But by discussing the movies, scenes and lines of dialogue deemed too extreme for Aussie eyes and ears, we can see how far we've come in Australia... and how far we have to go. ‘A uniquely Australian ride into the dark side of film censorship, pearl-clutching outrages and moral panics, Simon Miraudo's Book of the Banned is an essential book for film fans, cinema scholars and card-carrying perverts alike.’ —Alexandra Heller-Nicholas, author 1000 Women in Horror ‘This book is f***ing great. And if they put asterisks in this quote, the censors will have won again. Impeccably researched and superbly written, Book of the Banned is an endlessly riveting slice of film history that demands to be read.’ —Chris Taylor, The Chaser & Upright ‘Miraudo masterfully guides us through the tangled and surprisingly fascinating history of Australian censorship and takes us on a wild journey through the rule-breaking films that tested those boundaries. Anchored by a detailed account of film history and censorship policy plus interviews with leading researchers and cinephiles, Book of the Banned is both a lively love-letter to controversial and challenging films and a call for our censorship practices to be reviewed.’ —Flick Ford, Triple R’s Primal Screen “Important, because it pulls together the exhaustive record of snipped and smothered films, lying in the wake of decisions by Australian authorities.” —John Safran
Download or read book Terror Down Under written by Daniel Best and published by McFarland. This book was released on 2023-07-20 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973).
Download or read book Banned in the Media written by Herbert N. Foerstel and published by Bloomsbury Publishing USA. This book was released on 1998-05-26 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: From colonial times to the present, the media in America has been subject to censorship challenges and regulations. This comprehensive reference guide to media censorship provides in-depth coverage of each media format—newspapers, magazines, motion pictures, radio, television, and the Internet—all of which have been, and continue to be, battlegrounds for First Amendment issues. Each media format is examined in-depth, from its origins and history through its modern development, and features discussion of landmark incidents and cases. Foerstel, author of Banned in the U.S.A., the acclaimed reference guide to book censorship in schools and public libraries, offers a brief history of media censorship, examines in-depth the drama of seven landmark incidents, and includes 31 relevant court cases. Complementing the volume are personal interviews with prominent victims of media censorship, who give human voice to the struggle of the media to remain free, and an examination of censorship of the student press. Fascinating examples of media censorship abound, from Peter Zenger's prerevolutionary trial for seditious libel to the modern tobacco industry's invocation of tortious interference to silence television news and the current rash of Internet censorship incidents. Chapter 1 offers a brief history of censorship of each of the media types. Chapter 2 features indepth analysis of seven landmark media censorship incidents: the trial of John Peter Zenger, H. L. Mencken and the hatrack case, John Henry Faulk and the radio blacklist, Progressive magazine's expos^D'e on the H-bomb secret, government labeling of three documentary films as political propaganda, television's tobacco wars, and Carnegie Mellon's attempt to censor students' access to the Internet. Chapter 3 examines 31 media censorship court cases from 1735 to 1997. Chapter 4 features exclusive interviews with media figures involved in censorship issues or cases—Paul Jarrico, Howard Morland, Peter Sussman, Daniel Schorr, Walter Cronkite, and Jerry Berman. Appendix A takes a look at censorship and response regarding the student press during the 1990s, after the landmark Hazelwood decision in 1988—an important topic for students in every high school. Appendix B contains a resource list of media advocacy and censorship organizations. A selected bibliography of books and electronic resources completes the text. This volume is of interest to high school and college students, teachers, librarians and scholars, and all those who are affected by these crucial First Amendment issues.
Download or read book Irish Film Censorship written by Kevin Rockett and published by Four Courts Press. This book was released on 2004 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005
Download or read book Hooked Drug War Films in Britain Canada and the U S written by Susan C. Boyd and published by Routledge. This book was released on 2010-09-13 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on over 100 films produced in Britain, Canada, and the U.S. from 1912 to 2006, which focus on illegal drugs and their consequences, this book examines representations of discourse about users, traffickers, criminal justice, and treatment.
Download or read book Repentance written by Denise J. Youngblood and published by Bloomsbury Publishing. This book was released on 2001-08-24 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tengiz Abuladze's allegorical film, made in Georgia, is the best known film of the perestroika and glasnost years. With its outspoken and controversial reference to the Stalin era and Stalin's place in the Soviet psyche, 'Repentance' was originally shelved but ultimately released in 1986 to widespread popular and critical acclaim. This _KINOfile_ investigates the production, context and critical reception of the film, the people who made it, and provides an analysis of the film itself and its place in world cinema.
Download or read book Snuff written by Neil Jackson and published by Bloomsbury Publishing USA. This book was released on 2016-01-28 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The phenomenon of so-called 'snuff movies' (films that allegedly document real acts of murder, specifically designed to 'entertain' and sexually arouse the spectator) represents a fascinating socio-cultural paradox. At once unproven, yet accepted by many, as emblematic of the very worst extremes of pornography and horror, moral detractors have argued that the mere idea of snuff constitutes the logical (and terminal) extension of generic forms that are dependent primarily upon the excitement, stimulation and, ultimately, corruption of the senses. Snuff: Real Death and Screen Media brings together scholars from film and media studies to assess the longevity of one of screen media's most enduring cultural myths. Thorough, provocative, and well argued, the contributions to this volume address areas ranging from exploitation movies, the video industry, trends in contemporary horror cinema, pornography and Web 2.0.
Download or read book Freedom of the Screen written by Laura Wittern-Keller and published by University Press of Kentucky. This book was released on 2008-01-11 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the turn of the twentieth century, the proliferation of movies attracted not only the attention of audiences across America but also the apprehensive eyes of government officials and special interest groups concerned about the messages disseminated by the silver screen. Between 1907 and 1926, seven states—New York, Pennsylvania, Ohio, Virginia, Kansas, Maryland, and Massachusetts—and more than one hundred cities authorized censors to suppress all images and messages considered inappropriate for American audiences. Movie studios, hoping to avoid problems with state censors, worrying that censorship might be extended to the federal level, and facing increased pressure from religious groups, also jumped into the censoring business, restraining content through the adoption of the self-censoring Production Code, also known as the Hays code.But some industry outsiders, independent distributors who believed that movies deserved the free speech protections of the First Amendment, brought legal challenges to censorship at the state and local levels. Freedom of the Screen chronicles both the evolution of judicial attitudes toward film restriction and the plight of the individuals who fought for the right to deliver provocative and relevant movies to American audiences. The path to cinematic freedom was marked with both achievements and roadblocks, from the establishment of the Production Code Administration, which effectively eradicated political films after 1934, to the landmark cases over films such as The Miracle (1948), La ronde (1950), and Lady Chatterley’s Lover (1955) that paved the way for increased freedom of expression. As the fight against censorship progressed case by case through state courts and the U.S. Supreme Court, legal authorities and the public responded, growing increasingly sympathetic toward artistic freedom. Because a small, unorganized group of independent film distributors and exhibitors in mid-twentieth-century America fought back against what they believed was the unconstitutional prior restraint of motion pictures, film after 1965 was able to follow a new path, maturing into an artistic medium for the communication of ideas, however controversial. Government censors would no longer control the content of America’s movie screens. Laura Wittern-Keller’s use of previously unexplored archival material and interviews with key figures earned her the researcher of the year award from the New York State Board of Regents and the New York State Archives Partnership Trust. Her exhaustive work is the first to discuss more than five decades of film censorship battles that rose from state and local courtrooms to become issues of national debate and significance. A compendium of judicial action in the film industry, Freedom of the Screen is a tribute to those who fought for the constitutional right of free expression and paved the way for the variety of films that appear in cinemas today.
