Download or read book German Paintings of the Fifteenth Through Seventeenth Centuries written by John Oliver Hand and published by Cambridge University Press. This book was released on 1993 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Download or read book Stories of the German Artists written by Hans Wolfgang Singer and published by . This book was released on 1911 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Exiled in Paradise written by Anthony Heilbut and published by Univ of California Press. This book was released on 2024-07-26 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: A brilliant look at the writers, artists, scientists, movie directors, and scholars—ranging from Bertolt Brecht to Albert Einstein, Hannah Arendt, Thomas Mann, and Fritz Lang—who fled Hitler's Germany and how they changed the very fabric of American culture. In a new postscript, Heilbut draws attention to the recent changes in reputation and image that have shaped the reception of the German exiles. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983 with a paperback in 1997.
Download or read book German Immigrant Artists in America written by Peter C. Merrill and published by Scarecrow Press. This book was released on 1997 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: In addition to American sources, draws from German sources not generally consulted by historians of American art. Presents biographical sketches of German and German-speaking painters, graphic artists, engravers, lithographers, sculptors, and some stained glass designers who arrived in North America from the colonial period to the 20th century. The bibliographic references are article specific. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book We Weren t Modern Enough written by Marsha Meskimmon and published by Univ of California Press. This book was released on 1999-10-14 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.
Download or read book The Germans and Their Art written by Hans Belting and published by Yale University Press. This book was released on 1998-01-01 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study focuses on the attitudes Germans have towards their art from the Romantic period to the present, and discusses the ways they have tried to find their identity as a nation through this art. Belting proposes that German art criticism is divided by opposing ideologies and contradictions.
Download or read book Turks Jews and Other Germans in Contemporary Art written by Peter Chametzky and published by MIT Press. This book was released on 2021-09-14 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.
Download or read book The Moment of Self Portraiture in German Renaissance Art written by Joseph Leo Koerner and published by University of Chicago Press. This book was released on 1993 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.
Download or read book German Immigrant Artists in America written by Peter C. Merrill and published by . This book was released on 1997 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: In addition to American sources, draws from German sources not generally consulted by historians of American art. Presents biographical sketches of German and German-speaking painters, graphic artists, engravers, lithographers, sculptors, and some stained glass designers who arrived in North America from the colonial period to the 20th century. The bibliographic references are article specific. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book The German Element in the United States with Special Reference to Its Political Moral Social and Educational Influence written by Albert Bernhardt Faust and published by . This book was released on 1927 with total page 1518 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Artists Under Hitler written by Jonathan Petropoulos and published by Yale University Press. This book was released on 2014-01-01 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Download or read book German Paintings in The Metropolitan Museum of Art 1350 1600 written by Maryan W. Ainsworth and published by Yale University Press. This book was released on 2013-06-28 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIV Paintings by Renaissance masters Cranach, Dürer, and Holbein are among the highlights featured in the first comprehensive study of the largest collection of early German paintings in America. /div
Download or read book German Expressionist Painting written by Peter Selz and published by Univ of California Press. This book was released on 1957 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the development of Expressionism in Dresden, Munich, and Vienna between 1905 and 1914.
Download or read book Permission to Laugh written by Gregory H. Williams and published by University of Chicago Press. This book was released on 2012-06-12 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.
Download or read book New Objectivity written by Stephanie Barron and published by Prestel. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
Download or read book German Paintings in the Metropolitan Museum of Art 1350 1600 written by Maryan W. Ainsworth and published by Metropolitan Museum of Art. This book was released on 2013 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Download or read book Art and Politics in Early Modern Germany J rg Breu the Elder and the Fashioning of Political Identity ca 1475 1536 written by Cuneo and published by BRILL. This book was released on 2021-10-11 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the interaction between art and politics in early modern Germany, this work focuses on art, political in content, produced by the Augsburg artist Jörg Breu the Elder during the second and third decodes of the sixteenth century. The book argues for the function of the art as fashioning political identities. The artist Jörg Breu is first introduced. His work for the city of Augsburg and for Habsburg and Wittelsbach rulers are examined. These works are placed within their historical context and analyzed according to how they articulate themes of warfare, ceremony, and history in order to construct political identity. The analysis of Breu's city chronicle and of the response of his art to political contest is particularly useful for historians of art and of politics.
