Download or read book The Organ written by Douglas Earl Bush and published by Psychology Press. This book was released on 2006 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Download or read book The Organ written by Douglas Bush and published by Routledge. This book was released on 2004-06 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Download or read book The Art of Music written by Daniel Gregory Mason and published by . This book was released on 1915 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The History of Keyboard Music to 1700 written by Willi Apel and published by Indiana University Press. This book was released on 1997 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic work is a meticulous chronological survey of music for the keyboard from the earliest extant manuscripts of the 14th century to the end of the 17th. Apel traces the evolution of keyboard instruments, genres, national schools and styles (from Poland to Portugal), and the oeuvre of many composers. A monument of scholarship, this indispensable reference work is also remarkably user-friendly and engagingly written throughout.
Download or read book A History of Performing Pitch written by Bruce Haynes and published by Scarecrow Press. This book was released on 2002-11-06 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Organ Literature written by Corliss Richard Arnold and published by Scarecrow Press. This book was released on 1995-01-01 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Download or read book The Cambridge History of Musical Performance written by Colin Lawson and published by Cambridge University Press. This book was released on 2012-02-16 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Download or read book The Harpsichord and Clavichord written by Igor Kipnis and published by Routledge. This book was released on 2013-04-15 with total page 1323 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Download or read book Renaissance Music written by Kenneth Kreitner and published by Routledge. This book was released on 2017-07-05 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.
Download or read book Celestial Sirens written by Robert L. Kendrick and published by Clarendon Press. This book was released on 1996-05-23 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study investigates an almost unknown musical culture: that of cloistered nuns in one of the major cities of early modern Europe. These women were the most famous musicians of Milan, and the music composed for them opens up a hitherto unstudied musical repertory, which allows insight into the symbolic world of the city. Even more importantly, the music actually composed by four such nuns, Claudia Scossa, Claudia Rusca, Chiara Margarita Cozzollani, and Rosa Giacinta Badalla - reveals the musical expression of women's devotional life. The two centuries' worth of battles over nuns' singing of polyphony, studies here for the first time on the basis of massive archival documentation, also suggest that the implementation of reform in the major centre of post-Tridentine Catholic renewal was far more varied; incomplete, subject to local political pressure and individual interpretation, and short-lived than any religious historian has ever suggested. Other factors that marked nuns' musical lives and creative output - liturgical traditions of the religious orders, the problems of performance practice attendant upon all-female singing ensembles - are here addressed for the first time in the musicological literature.
Download or read book The Registration of Baroque Organ Music written by Barbara Owen and published by Indiana University Press. This book was released on 1997 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.
Download or read book Music in Medieval and Early Modern Europe written by Iain Fenlon and published by Cambridge University Press. This book was released on 1981-05-29 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music. The contributors are distinguished in a wide variety of musicological interests but all are concerned in one way or another with pursuing the most urgent and promising directions for research in early music history. The result, far from being merely a further collection of essays applying well-tried approaches to familiar material, constantly seeks to expand the scope of musicology itself, and many of the contributions arc inter-disciplinary in method. The four main topics of the conference were carefully chosen, with some editorial control exercised for each session. This is reflected in four sections of closely related papers in the book. Two of these are concerned with the patronage of music: by the Church in fifteenth-century England, Italy and France, and in a broader context in Italy from 1450 to 1550. A group of essays on sixteenth-century instrumental music separates these, and the book concludes with five papers on theories of filiation as applied to music sources from the tenth to the sixteenth century.
Download or read book Performance Practice written by Roland Jackson and published by Routledge. This book was released on 2013-10-23 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
Download or read book The Sound Sculptures of Bernard and Fran ois Baschet written by François Baschet and published by Edicions Universitat Barcelona. This book was released on 2017-04-12 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a classic in the history of art. In it François Baschet recounts the research and creation of his Sound Sculptures, with which he began a pioneering career combining art and science, sculpture and music. The willingness to share his findings inspired another breakthrough: participatory exhibitions, spaces where everyone could explore and play with sound. François Baschets conception of acousticsa method of understanding the functional relations between form, matter, action and soundnot only gave rise to the invention of hundreds of Sound Sculptures of all sizes and sonority, which can be found all over the world, but also led François and his brother to collaborate with personalities such as Jean Cocteau, Pierre Schaeffer and ToruTakemitsu. François Baschet relates a funny collection of stories about the artistic life in Paris and New York in 40s and 60s. This reissue of The Sound Sculptures of Bernard and François Baschet includes fragments still unpublished when the first edition appeared, and incorporates the original text of the Organologie des Structures Sonores Baschet (written by the two brothers), with Spanish translations.
Download or read book La Sociedad Org nica written by Carlos Sosa Araque and published by Palibrio. This book was released on 2011-11-28 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: La creacin de toda estructura organizacional exitosa pasa inicialmente por el anlisis de los motivadores del comportamiento del hombre, para luego modelarlo e integrarlo conceptualmente a las organizaciones. El ser humano no puede ser modelado como un ente exclusivamente racional, sino como un ser con capacidad de razonar, sentir, intuir e integrarse a su realidad organizacional y social. La realidad puede ser entendida de acuerdo al paradigma que se est utilizando. El paradigma mecanicista modela las estructuras organizacionales como mquinas, mientras que el paradigma orgnico puede modelar las organizaciones como seres vivos. Las organizaciones, las instituciones y la sociedad pueden ser modelados como estructuras orgnicas en la medida en que el ser humano aumente su nivel de consciencia de pertenecer a un orden maravilloso basado en la Ley del Amor. Toda estructura organizacional y social tiene un grado de organicidad de acuerdo al nivel de cooperacin que haya entre sus integrantes. Mientras mayor su capacidad de cooperar, mayor ser su grado de organicidad. El paradigma orgnico puede contribuir a modelar conceptualmente la Sociedad, el sistema econmico y el Estado. El proceso de transicin de la Sociedad Moderna a la Sociedad Orgnica puede darse a travs de cambios minimalistas intercalados con acciones radicales puntuales que permitan alcanzar el resultado esperado. Si este tipo de proceso no es implementado, pueden surgir crisis en el sistema que degeneren en situaciones de caos.
Download or read book Artistic Migration written by Aline Coelho Sanches and published by Taylor & Francis. This book was released on 2024-03-29 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artistic Migration: Reframing Post-War Italian Art, Architecture, and Design in Brazil investigates a selection of works by Italian artists and architects, and an art critic and dealer, who immigrated to Brazil after World War II, and were involved in the first activities and opportunities created by the São Paulo Museum of Art (MASP). Although foreigners, these experts, namely Bramante Buffoni, Roberto Sambonet, Lina Bo Bardi, Giancarlo Palanti, and Pietro Maria Bardi, were engaged in the construction of paths for Brazilian art, architecture, and design, in production marked by the intertwining of artistic disciplines. By examining the works produced between 1946 and 1991, and focusing on the relationship between art and architecture, with previously unexplored cases, the text investigates how these actors engaged in the dilemmas of Brazilian culture and became part of its invention. The intention is to understand the nature and meaning of this recognizable experience, the continuities of and ruptures from modern architectural, art and design ideals, pre-war experience, and immigration, illuminating a complex framework of relationships with local ideas. The approach and the extensive archival research in Italy and Brazil adopted for the book sheds new light on critically rethinking and reframing Italian and Brazilian cultural events, and will be of interest to architects, researchers, teachers, and students interested in the history of architecture, museums, design, and art.
